ReCalling Early Canada is the first substantial collection of essays to focus on the production of Canadian literary and cultural works prior to WWI. Reflecting an emerging critical interest in the literary past, the authors seek to retrieve the early repertoire available to Canadian readers-fiction and poetry certainly, but family letters, photographs, journalism, and captivity narratives are also investigated. Filling a significant gap in Canadian criticism, the authors demonstrate that to recall the past is not only to shape it, but also to reshape the present. This fresh interest in the cultural past, informed by new approaches to historical inquiry, has resulted in a unique and diverse investigation of more than two centuries of a little known "early Canada."

The essays in this collection explore the activities of two populations of displaced peoples that are seldom discussed together: Indigenous peoples and refugees or diasporic peoples around the world. Rather than focusing on victimhood, the authors focus on the creativity and agency of displaced peoples, thereby emphasizing capacity and resilience. Throughout their chapters, they show how cultural activities-from public performance to filmmaking to community arts-recur as significant ways in which people counter the powers of displacement. This book is an indispensable resource for displaced peoples everywhere and the policy makers, social scientists, and others who work in concert with them. Contributors: Catherine Graham, Subhasri Ghosh, Jon Gordon, Maroussia Hajdukowski-Ahmed, Agnes Kramer-Hamstra, Mazen Masri, Jean McDonald, and Pavithra Narayanan.

This short handbook is a practical and accessible guide to the statistical design and analysis of 2-level, multi-factor experiments of the kind widely used in industry and business. Written for technologists and researchers, it forgoes the usual heavy statistical overlay of typical texts on this subject by focusing on a limited catalog of standard designs that are useful for commonly encountered problems. These design choices are based on relatively recent developments in design projectivity, and their analysis requires nothing more than simple plots of the data: neither special expertise nor complex software is needed. Numerous examples show how to carry out this program in practice.

Even though the statistical content of the handbook has been deliberately limited, it nevertheless discusses several practical matters that are rarely included in more comprehensive treatments, but which are vital for experimental success. Among these are the realities of randomization versus split-plotting, the importance of identifying the experimental unit, and a discussion of replication that argues that it is generally not worth the effort. Readers with some prior statistical exposure -- and statisticians -- may also be surprised to find that p-values do not appear anywhere in the book, and that in fact the authors explicitly argue against their use.

Those new to the ideas of Statistical Design of Experiments (DOE)-- or even those who have some familiarity but would like greater insight and simplicity -- should find this handbook an effective way to learn about and apply this powerful technology in their own work.

A burned-out advertising professional briefly leaves his stressful job to reflect on life. His experience goes far beyond expectation. He returns to everyday life and re-examines his values, finding life changes are necessary for a renewal of inner peace.

Is market-driven research healthy? Responding to the language of "knowledge mobilization" that percolates through Canadian postsecondary education, the literary scholars who contributed these essays address the challenges that an intensified culture of research capitalism brings to the humanities in particular. Stakeholders in Canada's research infrastructure--university students, professors, and administrators; grant policy makers and bureaucrats; and the public who are the ultimate inheritors of such knowledge--are urged to examine a range of perspectives on the increasingly entrepreneurial university environment and its growing corporate culture.

Examining various cultural products-music, cartoons, travel guides, ideographic treaties, film, and especially the literary arts-the contributors of these thirteen essays invite readers to conceptualize citizenship as a narrative construct, both in Canada and beyond. Focusing on indigenous and diasporic works, along with mass media depictions of Indigenous and diasporic peoples, this collection problematizes the juridical, political, and cultural ideal of universal citizenship. Readers are asked to envision the nation-state as a product of constant tension between coercive practices of exclusion and assimilation. Narratives of Citizenship is a vital contribution to the growing scholarship on narrative, nationalism, and globalization. Contributors: David Chariandy, Lily Cho, Daniel Coleman, Jennifer Bowering Delisle, Aloys N.M. Fleischmann, Sydney Iaukea, Marco Katz, Lindy Ledohowski, Cody McCarroll, Carmen Robertson, Laura Schechter, Paul Ugor, Nancy Van Styvendale, Dorothy Woodman, and Robert Zacharias.

As the pink-skinned, fair-haired child of Canadian missionary parents, DANIEL COLEMAN grew up with an ambivalent relationship to the country of his birth. He was clearly different from his Ethiopian playmates, but because he was born there and knew no other home, he was not completely foreign. Like the eucalyptus, a tree imported to Ethiopia from Australia in the late 19th century to solve a firewood shortage, he and his missionary family were naturalized transplants. As "ferenjie, they endlessly negotiated between the culture they brought with them and the culture in which they lived. In "The scent of Eucalyptus, Coleman reflects on his experience of "in-betweenness" amid Ethiopia's violent political upheavals. His intelligent and finely crafted memoir begins in the early 1960s, during the reign of Haile Selassie. It spans the Emperor's dramatic fall from power in 1974, the devastating famines of the mid-1970s and early 1980s, and Mengistu Haile Mariam's brutal 20-year dictatorship. Insightful chapters touch on everything from the riot drills at Coleman's boarding school to the paradoxical taste for luxury he gained as a result of international famine relief efforts.

While reading is a deeply personal activity, paradoxically, it is also fundamentally social and outward-looking. Daniel Coleman, a lifelong reader and professor of literature, combines story with meditation to reveal this paradox and illustrate why, more than ever, we need this special brand of "quiet time" in our lives. "In Bed with the Word "sparks with every conceivable enticement for those who worry about living in a culture of distraction and who long to reconnect with something deeper.

In White Civility Daniel Coleman breaks the long silence in Canadian literary and cultural studies around Canadian whiteness and examines its roots as a literary project of early colonials and nation-builders. He argues that a specific form of whiteness emerged in Canada that was heavily influenced by Britishness. Examining four allegorical figures that recur in a wide range of Canadian writings between 1820 and 1950 - the Loyalist fratricide, the enterprising Scottish orphan, the muscular Christian, and the maturing colonial son - Coleman outlines a genealogy of Canadian whiteness that remains powerfully influential in Canadian thinking to this day.

Blending traditional literary analysis with the approaches of cultural studies and critical race theory, White Civility examines canonical literary texts, popular journalism, and mass market bestsellers to trace widespread ideas about Canadian citizenship during the optimistic nation-building years as well as during the years of disillusionment that followed the First World War and the Great Depression. Tracing the consistent project of white civility in Canadian letters, Coleman calls for resistance to this project by transforming whiteness into wry civility, unearthing rather than disavowing the history of racism in Canadian literary culture.

The dismantling of "Understanding Canada"-an international program eliminated by Canada's Conservative government in 2012-posed a tremendous potential setback for Canadianists. Yet Canadian writers continue to be celebrated globally by popular and academic audiences alike. Twenty scholars speak to the government's diplomatic and economic about-face and its implications for representations of Canadian writing within and outside Canada's borders. The contributors to this volume remind us of the obstacles facing transnational intellectual exchange, but also salute scholars' persistence despite these obstacles. Beyond "Understanding Canada" is a timely, trenchant volume for students and scholars of Canadian literature and anyone seeking to understand how Canadian literature circulates in a transnational world. Contributors: Michael A. Bucknor, Daniel Coleman, Anne Collett, Pilar Cuder-Dominguez, Ana Maria Fraile-Marcos, Jeremy Haynes, Cristina Ivanovici, Milena Kalicanin, Smaro Kamboureli, Katalin Kurtosi, Vesna Lopicic, Belen Martin-Lucas, Claire Omhovere, Lucia Otrisalova, Don Sparling, Melissa Tanti, Christl Verduyn, Elizabeth Yeoman, Lorraine York

In White Civility Daniel Coleman breaks the long silence in Canadian literary and cultural studies around Canadian whiteness and examines its roots as a literary project of early colonials and nation-builders. He argues that a specific form of whiteness emerged in Canada that was heavily influenced by Britishness. Examining four allegorical figures that recur in a wide range of Canadian writings between 1820 and 1950 - the Loyalist fratricide, the enterprising Scottish orphan, the muscular Christian, and the maturing colonial son - Coleman outlines a genealogy of Canadian whiteness that remains powerfully influential in Canadian thinking to this day. Blending traditional literary analysis with the approaches of cultural studies and critical race theory, White Civility examines canonical literary texts, popular journalism, and mass market bestsellers to trace widespread ideas about Canadian citizenship during the optimistic nation-building years as well as during the years of disillusionment that followed the First World War and the Great Depression. Tracing the consistent project of white civility in Canadian letters, Coleman calls for resistance to this project by transforming whiteness into wry civility, unearthing rather than disavowing the history of racism in Canadian literary culture.