Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Darrell Figgis (1882-1925) was a journalist, author and nationalist propagandist. "A Chronicle of Jails" is Figgis' account of his arrest in the aftermath of the 1916 Rising and subsequent internment in Ireland and Britain. Figgis was among a minority of internees identified as leadership material and held at Reading Goal rather than at Frongoch Camp. This memoir is of particular interest because, unlike most accounts of imprisonment during this period, it was written with propagandistic intent and was first published by The Talbot Press in 1917.

The Centenary Classics series examines the fascinating time of change and evolution in the Ireland of 100 years ago during the 1916-23 revolutionary period. Each volume is introduced by Fearghal McGarry who sets the scene of this important period in Ireland's history. A Chronicle of Jails is Darrell Figgis's account of his arrest in the aftermath of the 1916 Rising and subsequent internment in Ireland and Britain. He was among a minority of internees identified as leadership material and held at Reading Gaol rather than at Frongoch Camp. This memoir was first published by the Talbot Press in 1917 and is fascinating in its propagandistic intent. It reveals much about political imprisonment in that era and much about Darrell Figgis. The introduction by William Murphy gives a contemporary analysis of this original text.