When Emily discovers her little red puppy named Clifford has grown ten feet overnight, she turns to her eccentric Uncle Casey for help. But when a mad scientist tries to capture the larger-than-life playful pup, it takes the entire neighbourhood to hide Clifford as they are chased across the city.

Get ready for the incredible, laugh-out-loud comedy adventure that is BIG fun for the entire family!

The contributors to this volume (J.D. Punch, Jennifer Knust, Tommy Wasserman, Chris Keith, Maurice Robinson, and Larry Hurtado) re-examine the Pericope Adulterae (John 7.53-8.11) asking afresh the question of the paragraph's authenticity. Each contributor not only presents the reader with arguments for or against the pericope's authenticity but also with viable theories on how and why the earliest extant manuscripts omit the passage. Readers are encouraged to evaluate manuscript witnesses, scribal tendencies, patristic witnesses, and internal evidence to assess the plausibility of each contributor's proposal. Readers are presented with cutting-edge research on the pericope from both scholarly camps: those who argue for its originality, and those who regard it as a later scribal interpolation. In so doing, the volume brings readers face-to-face with the most recent evidence and arguments (several of which are made here for the first time, with new evidence is brought to the table), allowing readers to engage in the controversy and weigh the evidence for themselves.

On a cold night in 1980, a young gay man is murdered in the old Beekman Place Hotel in Peoria, Illinois. The crime is brutal and sexual, and the killer left behind two clues that seem to have traveled through time: Coca Cola from 1902 - made with cocaine instead of caffeine - and Mrs. Winslow's Soothing Clove Cigarettes, a brand defunct since 1898. With no witness to the crime and no match to fingerprints, the murder remains unsolved.

Twenty-seven years later, Frankie Downs - a writer for OldPlaces Magazine - travels from Chicago to Peoria to research Beekman Place's nefarious past. That evening, Downs hits it off with a young gay tenant and a consensual S&M encounter ensues. When Frankie leaves for Chicago in the wee hours, the boy is still alive. But the following morning, the young man is found dead, in the same style, at the same hotel, and with the same clues as 27 years before. Unfortunately for Downs, in addition to being a suspect today, his fingerprints also match the 1980 crime...but he is not the killer.

Detective Kellie Hogan knows that Beekman Place hides a dangerous secret. The hotel is the key to a growing series of murders within the gay leather community, and her investigation reveals an ominous connection that's driving the actions of everyone around her.

But something is very wrong.

Kellie realizes that in order to stop the present day killer, she must journey deep into the hotel's sordid past to reveal a secret that's been hidden in plain sight from the moment Frankie Downs began to write his story.

And it all revolves around the search for a single missing man...

This is the story of American volunteer pilots who risked their lives in defense of Britain during the earliest days of World War II--more than a year before Pearl Harbor, when the United States first became embroiled in the global conflict. Based on interviews, diaries, personal documents, and research in British, American, and German archives, the author has created a colorful portrait of this small group who were our nation's first combatants in World War II. As the author's research shows, their motives were various: some were idealistic; others were simply restless and looking for adventure. And though the British air force needed pilots, cultural conflicts between the raw American recruits and their reserved British commanders soon became evident. Prejudices on both sides and lack of communication had to be overcome. Eventually, the American pilots were assembled into three squadrons known as the Eagle squadrons. They saw action and suffered casualties in both England and France, notably in the attack on Dieppe. By September 1942, after America had entered the war, these now experienced pilots were transferred to the US air force, bringing their expertise and their British Spitfires with them. As much social as military history, Yanks in the RAF sheds new light on a little-known chapter of World War II and the earliest days of the sometimes fractious British-American alliance.

The first monograph on Richard Smith, a key figure in the development of British art. Richard Smith (1931-2016) was one of the most original painters of his generation, and one of the most underrated. As Barbara Rose said of Smith's major Tate Gallery retrospective in 1975, he was 'at once in and out of touch with the currents of the mainstream ... au courant and aloof at the same time.' That he latterly slipped under the radar to some extent is partly explained by his detachment from the mainstream as well as by his frequent switching of studios between England and the USA, although this helped charge his creative batteries. He is the only artist of his stature who has not been represented by a monograph, which the dazzling presentation of images in Richard Smith: Artworks now fulfils. It has been produced with the generous collaboration of the Richard Smith Foundation. Richard Smith: Artworks traces Smith's entire career, from the breakthrough lyrical abstraction of the early Pop-inflected paintings, through the radical shaped canvases and three-dimensional works that he produced in the 1960s, to the 'Kite' works beginning in 1972 and, eventually, his return to the flat canvas. As a Senior Curator at Tate, Dr Chris Stephens knew Smith well, and he contributes a wide-ranging introduction to Smith's art and life. Prof David Alan Mellor investigates and explains the Anglo-American cultural contexts that drove Smith's art, while Alex Massouras's two themed essays, 'Young and British' and 'From Motion Pictures to Flight', explore Smith's originality from fresh perspectives. The book is completed with an Afterword by its editor, Martin Harrison.

This Festschrift, Unimagined Futures - ICT Opportunities and Challenges, is the first Festschrift in the IFIP AICT series. It examines key challenges facing the ICT community today. While addressing the contemporary challenges, the book provides the opportunity to look back to help understand the contemporary scene and identify appropriate future responses to them. Experts in different areas of the ICT scene have contributed to this IFIP 60th anniversary book, which will be a key input to the ICT community worldwide on setting policy priorities and agendas for the coming decade. In addition, a number of contributions look specifically at the role of professionals and of national, regional, and global organizations in disseminating the benefits of ICT to humanity worldwide.

Drama based on the teenage years of writer and director Lori Petty. Agnes (Jennifer Lawrence) is the oldest of three daughters who finds herself caring for her younger siblings when her single mother (Selma Blair) turns to prostitution, drugs and alcohol after meeting a pimp named Duval (Bokeem Woodbine), who seems to have a fondness for Agnes. With their house overrun by gamblers, criminals and other seedy characters the girls struggle to lead a normal life. Cammie (Chloë Grace Moretz) escapes the chaos of the house only to sit in bars and Bee (Sophi Bairley) wants nothing more than to run away and be adopted, while Agnes tries to earn enough money to support her family and manage the expectations of being a star basketball player.

In the summer of 1864, the American Civil War had been dragging on for over three years with no end in sight. Things had not gone well for the Union, and the public blamed the president for the stalemate against the Confederacy and for the appalling numbers of killed and wounded. Lincoln was thoroughly convinced that without a favorable change in the trajectory of the war he would have no chance of winning a second term against former Union general George B. McClellan, whom he had previously dismissed as commander of the Army of the Potomac. This vivid, engrossing account of a critical year in American history examines the events of 1864, when the course of American history might have taken a radically different direction. It's no exaggeration to say that if McClellan had won the election, everything would have been different-McClellan and the Democrats planned to end the war immediately, grant the South its independence, and let the Confederacy keep its slaves. What were the crucial factors that in the end swung public sentiment in favor of Lincoln? Johnson focuses on the battlefield campaigns of Generals Ulysses S. Grant and William Tecumseh Sherman. While Grant was waging a war of attrition with superior manpower against the quick and elusive rebel forces under General Robert E. Lee, Sherman was fighting a protracted battle in Georgia against Confederate general Joseph E. Johnston. But then the president of the Confederacy, Jefferson Davis, made a tactical error that would change the whole course of the war. This lively narrative, full of intriguing historical facts, brings to life an important series of episodes in our nation's history. History and Civil War buffs will not want to put down this real-life page-turner.