The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

‘I grew as impudent a Thief, and as dexterous as ever Moll Cut-Purse was’

Born and abandoned in Newgate Prison, Moll Flanders is forced to make her own way in life.  She duly embarks on a career that includes husband-hunting, incest, bigamy, prostitution and pick-pocketing, until her crimes eventually catch up with her. One of the earliest and most vivid female narrators in the history of the English novel, Moll recounts her adventures with irresistible wit and candour  – and enough guile that the reader is left uncertain whether she is ultimately a redeemed sinner or a successful opportunist.

Based on the first edition of 1722, this volume includes a chronology, notes on currency and maps of London and Virginia in the late seventeenth century.

Forget everything you think you know about SMU Football and the infamous Death Penalty. Previous accounts told the story from the perspective of the NCAA or of the news media and hyped the scandal for personal gain. The story as they told it, was one of corruption and of the under resourced NCAA struggling mightily to clean up rampant cheating within the college ranks. In The Pony Trap, former SMU football player and member of the Death Penalty team David Blewett, backs into the motivation to find out what really happened. His daughter innocently asks, "Daddy, did you do anything wrong when you played football for SMU?" Blewett embarks on a journey of remembrance and discovery. Along the way he decides to get back in football playing shape and pushes the NCAA to reinstate his eligibility to play his last year of football at age 45. He reestablishes old friendships and engages with the current athletic department at SMU for the first time. It's a story of football, it's a story of struggle, and it's a story of the numerous traps set for the team and for SMU. What you thought you knew about the biggest scandal in NCAA history is not what happened. The truth is, it was much bigger than SMU, and it involved the corruption of the NCAA itself. The Pony Trap shines a light on the beginnings of college football and the evolution of the NCAA. It examines the preferential treatment of the University of Texas vs. the biased treatment of SMU. It presents a balanced and accurate picture of what the SMU football team was really like. In the end, Blewett answers his daughter and sets the record straight. SMU wasn't handed the Death Penalty, SMU was trapped and forced into the Death Penalty. There was no way out. For hard cover copies, radio interviews, and more information...please see www.ThePonyTrap.com

Roderick is combative, often violent, but capable of great affection and generosity. His father had been disinherited and has left Scotland leaving his son penniless. After a brief apprenticeship to a surgeon, the innocent Roderick travels to London where he encounters various rogues.

The decline and defeat of a woman fatally tempted by the sinful glamour of immorality.

Roxana (1724) was Defoe's last novel. It is a fascinating work, simultaneously strange and tragic, which dramatizes the moral deterioration and degradation of its complex heroine. Mlle Beleau, or Roxana as she becomes known, enters upon a career as a courtesan. She passes from one protector to another in England, France and Holland and amasses much wealth. But she is fatally torn between the dull virtue of middle-class respectability and the evil attractions of the beckoning city lights.

The only one of Defoe's novels that does not end with the triumph of its protagonist, Roxana is nevertheless a triumphant work of art. It is of enormous historical and social interest, highlighting as it does the complex relationship that existed in Defoe's time between public respectability and private corruption.