Braking of Road Vehicles, Second Edition includes updated and new subject matter related to the technological advances of road vehicles such as hybrid and electric vehicles and "self-driving" and autonomous vehicles. New material to this edition includes root causes, guidelines, experimental and measurement techniques, brake NVH identification and data analysis, CAE and dynamic modelling, advances in rotor and stator materials, manufacturing methods, changes to European and US legislation since 2014, recent developments in technology, methods and analysis, and new and updated case studies. This new edition will continue to be of interest to engineers and technologists in automotive and road transport industries, automotive engineering students and instructors, and professional staff in vehicle-related legislational, legal, military, security and investigative functions.

Essays dealing with the controversial concept of the "work", and how far social and cultural practices are integral to it. The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the "work" within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historicalwritings can reveal period views on the "work" in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for "work" and "context" to challenge reigning theories of the meaning of these terms. CONTRIBUTORS: AMNON SHILOAH, ANNA MARIA BUSSE BERGER, MARGARET BENT, EDWARD WICKHAM, BONNIE J. BLACKBURN, DAVID BRYANT, ELENA QUARANTA, OWEN REES, ALINA ZORAWSKA-WITKOWSKA, ELLEN T. HARRIS, CHRISTOPH WOLFF, NORBERT DUBOWY, MICHAEL TALBOT, MELANIA BUCCIARELLI, FRANCESCA MENCHELLI-BUTTINI, BERTA JONCUS, MICHEL NOIRAY, MICHAEL FEND, EMANUELE SENICI, FEDERICO CELESTINI, PAMELA POTTER, GIOVANNI MORELLI, JANET SMITH

Much MRI literature assumes that the reader is conversant with the specialised terms that have developed with the subject. For beginners this is often not the case, and this false assumption may hinder the reader's assimilation of information. The aim of this glossary is to explain these terms in plain language without assuming that the reader has a Ph.D. in physics!

Facing a terminal cancer diagnosis, David Bryant looks back on his life and writes powerfully about the moments when he unexpectedly encountered God in the most unlikely places: a high security prison; at the bedside of a dying child; in the gift of imagination; or in Bible passages that have been startlingly brought to life in his own experience. Forty reflections offer a reading a day for Lent, with an explanatory introduction and a concluding Easter meditation. He draws widely on poetry, literature, art, music, and above all human encounter, to trace a divine thread running through a life that has been 'always unpredictable and often surprising'. David Bryant died shortly after delivering this final book to his publishers.

Music history was radically influenced by the rapid rise of opera in the 17th century--an era when many musical traditions died and others were created in response to new social functions.