Institutions pervade social life. They express community goals and values by defining the limits of socially acceptable behavior. Institutions are often vested with the resources, authority, and power to enforce the orthodoxy of their time. But institutions are also arenas in which both orthodoxies and authority can be contested. Between power and opposition lies the individual experience of the institutionalized. Whether in a boarding school, hospital, prison, almshouse, commune, or asylum, their experiences can reflect the positive impact of an institution or its greatest failings. This interplay of orthodoxy, authority, opposition, and individual experience are all expressed in the materiality of institutions and are eminently subject to archaeological investigation. A few archaeological and historical publications, in widely scattered venues, have examined individual institutional sites. Each work focused on the development of a specific establishment within its narrowly defined historical context; e.g., a fort and its role in a particular war, a schoolhouse viewed in terms of the educational history of its region, an asylum or prison seen as an expression of the prevailing attitudes toward the mentally ill and sociopaths. In contrast, this volume brings together twelve contributors whose research on a broad range of social institutions taken in tandem now illuminates the experience of these institutions. Rather than a culmination of research on institutions, it is a landmark work that will instigate vigorous and wide-ranging discussions on institutions in Western life, and the power of material culture to both enforce and negate cultural norms.

In recent years, integral bridges have become increasingly popular in the UK. The Highways Agency standard now requires, where possible, that all new bridges with a length of less than sixty metres should be of integral form. In addition, it has been found that, due especially to the problems and costs associated with failed expansion joints, integral bridges are not only cost effective but also have a longer lifespan. Integral Bridges was commissioned by the Highways Agency to produce guidance for bridge designers by addressing the thermally induced soil/structure interaction problem created by environmental changes of temperature and the associated cyclical displacements imposed on the granular backfill to the bridge abutments. It develops a better theoretical understanding of the cyclic performance, in particular the strain racheting in the backfill soil when in contact with a stiff structure. It also identifies the governing soil parameters and examines their influence in the interaction problem, develops numerical modelling procedures to predict interactive soil behaviour, and identifies and quantifies the controlling features of bridge structures relevant to the interaction problem.

Using a host of vibrant images, David Bush and Jim Parsons' "Hill Country Deco: Modernistic Architecture of Central Texas" captures the essence of the Art Deco style of architecture as represented in the Hill Country of Texas. "Hill Country Deco" explores how the rich history of these structures collides with progressive notions of historic preservation for remodeling buildings and restoring facades. This collection of historical and modern photographs will encourage a newfound appreciation for Art Deco as seen in Central Texas.
The Art Deco style covers a range of buildings, from commercial to residential. The sweeping curves of the Alameda Theater in San Antonio exhibit typical Art Moderne style. The Austin U. S. courthouse brings WPA Deco up to date from the 1940s, and the San Antonio Express-News Building showcases the classic style of what most people today think of as Art Deco.
Not only does this book of photography embrace the history of Art Deco, it takes a series of edifices and recognizes the artistic elements and economic purposes of each one. The authors offer insight on architectural preservation while providing an appreciative view of sometimes overlooked corners of Central Texas. Some buildings are obscure and hardly recognizable as what they once were; others were fortunate enough to have their Deco style maintained over the span of decades. Bush and Parsons have made it a personal mission to ensure that the readers of "Hill Country Deco" will, upon viewing these beautiful buildings, yearn for a road trip to some of these sites to discover Art Deco history for themselves.