The nation's favourite annual guide to the short story, now in its tenth year. Best British Short Stories invites you to judge a book by its cover - or, more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Featuring: Richard Lawrence Bennett, Luke Brown, David Constantine, Tim Etchells, Nicola Freeman, Amanthi Harris, Andrew Hook, Sonia Hope, Hanif Kureishi, Helen Mort, Jeff Noon, Irenosen Okojie, KJ Orr, Bridget Penney, Diana Powell, David Rose, Sarah Schofield, Adrian Slatcher, NJ Stallard, Robert Stone, Stephen Thompson and Zakia Uddin.

Described as one of the as one of the UK's finest short story writers, Constantine intricately interweaves fictional characters and events with the real to create new ways of seeing and connecting our past, present and possible futures. With extraordinary patience and precision, these stories centre on moments, conversations, meetings that feel like small details picked out from a larger tapestry. From the academic in Paris, researching and processing the atrocities of the 1871 Paris Commune, to the young biographer who tries to befriend the ailing poet Hoelderlin, the characters in this collection are united by an urge for connection, a desire to better know themselves - and the world around them - to counteract a loss of hope and belonging.

Even in Germany, the scope and force of Bertolt Brecht's poetry did not become apparent until long after his death and today, many of his more than 2,000 poems have never appeared in English. Love Poems, the first volume in a monumental undertaking by David Constantine and Tom Kuhn to translate his poetic legacy into English, positions Brecht not only as one of the most famous playwrights of the twentieth century but also as a fiercely creative twentieth-century poet, one of the best in German literature. With a foreword by his daughter; Love Poems features 78 astonishing and deeply personal love poems that reveal Brecht as lover and love poet whose struggle to keep faith, hope and love alive during desperate times represents the essence of human relationships.

This issue will be largely given over to a collaboration with 'Poetry Parnassus' - the Southbank Centre's celebration of the 2012 London Olympics. Poets from all participating countries will be invited to London and MPT will publish a selection of translations of their poems. Poetry Parnassus marks the first time that so many poets from so many parts of the planet have convereged in one place; it is a monumental poetic happening worthy of the spirit and history of the Olympics. 'My hunch is this will be the biggest poetry event ever - a truly global coming together of poets' (Simon Armitage, the poet behind the idea and Artist in Residence at Southbank Centre) The issue will be enhanced with other translated poems, brief essays, anecdotes and images concerned, in whatever fashion, with the Games (ancient or modern) or with Parnassus, home of the Muses. Parnassus was a sacred site for the whole Greek world; Delphi, below that mountain, was 'the navel of the earth'; for the duration of the Olympics a truce was declared so that athletes could come and go safely. The modern Olympics are world - wide. MPT 3/17 will be just as extensive and various.

Like the work of the European poets who have nourished him, David Constantine's poetry is informed by a profoundly humane vision of the world. The title of his eleventh collection, Belongings, signals that these are poems concerned both with our possessions and with what possesses us. Among much else in the word belongings, the poems draw on a sense of our 'co-ordinates' - something like the eastings and northings that give a map-reference - how you might triangulate a life. The poems ask: Where do you belong? And have in mind also the hostile: You don't belong here. Go back where you belong. Many, possibly all, the poems in the collection touch more or less closely on such matters. Perhaps all poetry does, showing a life in its good or bad defining circumstances. In the poem 'Red', the defining geography is literal, drawn from an old geological map of Manchester in which Constantine finds 'the locus itself, a railway cutting / Behind the hospital I was born in', from which the paths of a life led outward. In other poems the particular becomes universal, a territory holding all our belongings, our memories of the people and the places we hold in our hearts. Behind these explorations another kind of belonging is challenged: our relationship with the planet to which we belong, but which does not belong to us.

Even in Germany, the true scope and force of Bertolt Brecht s poetry did not become apparent until long after his death in 1956, and even today, so many of his more than 2,000 poems have never appeared in English. Love Poems, the first volume in a monumental undertaking by David Constantine and Tom Kuhn to translate his poetic legacy into English, positions Brecht, the author of Mother Courage and The Threepenny Opera, not merely as one of the most famous playwrights of the twentieth century but also as a fiercely creative twentieth-century poet, one of the best in the whole of German literature. With a personal foreword by his own daughter, Barbara Brecht-Schall, Love Poems features 78 astonishing and deeply personal love poems many addressed to particular women that reveal Brecht as lover and love poet whose bitter struggle to keep faith, hope, and love alive during desperate times represents the essence of human relationships."

Named to Kirkus Reviews' Best Story Collections of 2015 Featuring the story adapted into the Academy Award nominated film, 45 YEARS "I started reading these stories quietly, and then became obsessed, read them all fast, and started re-reading them again and again. They are gripping tales, but what is startling is the quality of the writing. Every sentence is both unpredictable and exactly what it should be." A.S. Byatt, The Guardian The first American publication by one of the greatest living fiction masters, In Another Country spans David Constantine's remarkable thirty-year career. Known for their pristine emotional clarity, their spare but intensely evocative dialogue, and their fearless exposures of the heart in moments of defiance, change, resistance, flight, isolation, and redemption, these stories demonstrate again and again Constantine's timeless and enduring appeal. David Constantine is an award-winning short story writer, poet, and translator. His collections of poetry include The Pelt of Wasps, Something for the Ghosts (shortlisted for the Whitbread Poetry Prize), Nine Fathom Deep, and Elder. He is the author of one novel, Davies, and has published four collections of short stories in the United Kingdom, including the winner of the 2013 Frank O'Connor Award, Tea at the Midland and Other Stories. He lives in Oxford, where, until 2012, he edited Modern Poetry in Translation with his wife Helen.

A reprint of the J M Dent edition of 1997. Heinrich von Kleist was born and grew up in the Enlightenment and died in a suicide pact in 1811, aged only thirty-four. He left behind him literary works which are among the most disturbing and amusing of any produced in that revolutionary and romantic period.

Filled with characters that are often delicately caught in moments of defiance, disregarding their age, their family, or the prevailing political winds, this collection finds a space for resistance and taking an honest delight in it. Alphonse, having broken out of an old people's home, changed his name, and fled the country, pedals down the length of the Rhone despite knowing he has barely six months to live. Meanwhile, a clergyman chooses to spend Christmas Eve--and the last few hours in his job--in a frozen, derelict school, dancing a wild jig with a vagrant called Goat. Holding real life at arm's length, this volume's bewitching, finely-wrought stories allow readers to escape and to take possession of the moment.

Goethe viewed the writing of poetry as essentially autobiographical, and the works selected in this volume represent more than sixty years in the life of the poet. In early poems such as ?Prometheus, ? he rails against religion in an almost ecstatic fervor, while ?To the Moon? is an enigmatic meditation on the end of a love affair. The "Roman Elegies" show Goethe's use of Classical meters in an homage to ancient Rome and its poets, and ?The Diary, ? suppressed for more than a century, is a narrative poem whose eroticism is combined with its morality. In selections from "Faust," arguably his greatest and most personal work, Goethe creates an exhilarating depiction of humankind's eternal search for truth.
?Faithful and felicitous, these verse translations . . . are an excellent introduction to [Goethe?s] genius.?
?"The Daily Telegraph" (London)

A major new translation of one of the greatest dramatic-poetic works in all of German literature
A magnificent drama shaped by themes of redemption and salvation, "Faust" is the magnum opus of Goethe, "the last true polymath to walk the earth" (George Eliot). As his journey continues, Faust follows Mephistopheles through ancient Greek mythology. Deeply smitten by the incomparably beautiful Helen of Troy, Faust marries Helen, embodying for Goethe his "imaginative longing to join poetically the Romantic medievalism of the Germanic West to the classical genius of the Greeks." "Faust, Part II" even includes eerie premonitions of such modern phenomena as inflation and the creation of life by scientific synthesis.

'I have so much and my feeling for her devours everything, I have so much and without her everything is nothing.' The Sorrows of Young Werther propelled Goethe to instant fame when it first appeared in 1774. Goethe drew on his own unhappy experiences to tell the story of Werther, a young man tormented by his love for Lotte, a tender-hearted girl who is promised to someone else. Overwhelmed by his feelings, Werther begins to see only one way to escape from his anguish. Goethe's story of a sensitive young artist alienated from society channelled the Romantic sensibility of the day and led to a wave of imitations. Werther's searching introspection and the passionate intensity with which he bares his soul have an immediacy that is all the more powerful for being expressed in letters; charting the course of his emotions, they give added drama to the unfolding account. David Constantine's new translation captures the novel's lyric clarity, and his introduction and notes illuminate Goethe's achievement. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In Elective Affinities Goethe conducts an experiment with the lives of people who are living badly. Charlotte and Eduard, aristocracts with little to occupy them, invite Ottilie and the Captain into their lives; against morality, good sense, and conscious volition all four are drawn into relationships as inexorably as if they were substances in a chemical equation. The novel asks whether we have free will or not; more disturbingly, it confronts its characters with the monstrous consequences of their repression of any real life in themselves. Goethe wrote Elective Affinities when he was sixty and long established as Germany's literary giant. He remained an uneasy and scandalous figure, none the less, and readers of Elective Affinities were profoundly disturbed by its penetrating study of marriage and passion. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The latest volume in Methuen's Collected Brecht includes two plays previously untranslated into English Volume 8 of Brecht's collected plays contains his last completed plays, from the eight years between his return from America to Europe after the war and his death in 1956. Brecht's ANTIGONE (1948) is a bold adaptation of Holderlin's classic German translation of Sophocles' play. A reflection on resistance and dictatorship in the aftermath of Nazism, it was a radical new experiment in epic theatre. THE DAYS OF THE COMMUNE (1949) is a semi-documentary account of the Paris Commune, and Brecht's most serious and ambitious historical play. TURANDOT is Brecht's version of the classic Chinese story is a satire on the intelligentsia of the Weimar Republic, Nazi bureaucracy, and other targets.

A reprint of the J M Dent edition of 1997. Heinrich von Kleist was born and grew up in the Enlightenment and died in a suicide pact in 1811, aged only thirty-four. He left behind him literary works which are among the most disturbing and amusing of any produced in that revolutionary and romantic period. He is a modern writer: in the characters and situations he created we recognise our own aspirations and anxieties. Selected Writings includes a translation, with notes, of Kleist's best known plays, stories, and essays.

The eight stories in this volume offer a varied and representative collection of twentieth century German authors from a range of political and cultural backgrounds. Styles include the non-fictional manner of Kluge's montage technique and the contrasting classical storytelling of Penzoldt. With reading notes and parallel texts in German and English, this anthology is valuable to the German student of English as well as the English student of German. Reflecting trends in German literature, the stories have been selected for their quality as well as their readability, and will enhance the appreciation of both languages.

The characters in David Constantine's fifth collection are all in pursuit of sanctuary; the violence and mendacity of the outside world presses in from all sides - be it the ritualised brutality suffered by children at a Catholic orphanage, or the harrowing videos shared among refugees of an atrocity 'back home'. In each case, the characters withdraw into themselves, sometimes abandoning language altogether, until something breaks and they can retreat no further. In Constantine's luminous prose, these stories capture such moments in all their clarity; moments when an entire life seems to hang in the balance, the past's betrayals exposed, its ghosts dragged out into the daylight; moments in which the possibility of defiance and redemption is everything.