Here, Rudiger Safranski sets his sights on the writer considered the Shakespeare of German literature. Goethe (1749-1832) awakened a burgeoning German nation and the European continent with his electrifying novel The Sorrows of Young Werther. Safranski scoured Goethe's oeuvre, relying on primary sources as well as his correspondence with contemporaries and their comments to one another, to produce an illuminating portrait of the avatar of the Romantic era. Set against the cultural and political turmoil of Europe in the late eighteenth and early nineteenth centuries, Goethe, who intersected with almost every great figure of his age, is thrillingly re-created here. As Safranski shows, Goethe's greatest creation, even in comparison to his masterpiece Faust, was his own life.

Packed with contemporary dialogue, engaging readings, active vocabulary, and an assortment of hands-on activities, NEUE HORIZONTE, 8e skillfully instills both communicative and grammatical competency using a diversified methodology that adapts well to a variety of teaching and learning styles. The new edition combines a vibrant new four-color design with its signature clear grammar presentations, practical vocabulary lessons, beautiful prose and poetry, and more. Immersing readers into a complete language-learning experience, its unique integrated treatment stresses a balance of communicative competence, cultural awareness, and mastery of language structures.

Sputnik, the Virgin Mary, a murder... 1957. In the secluded Eastern European village of Baia Luna, life orbits around church, work, home and the pub. This is very much the case for fifteen-year-old Pavel Botev - that is, until the seismic shift of world politics is felt even in his small community. When Communist party officials arrive and claim Baia Luna for the Soviet Union, Pavel's schoolteacher commits grisly suicide. Piecing together her diaries, Pavel slowly unravels the tragic story of his schoolteacher's affair with an ambitious party official and, on the very last page, he finds a single scrawled message - Send him to hell. Naturally, Pavel promises his dead teacher that he'll do just that. Meanwhile, crackled radio reports of the US-Soviet space race keep the villagers occupied and somewhat imaginative; when the statue of the Virgin Mary is stolen from the chapel, Pavel's grandfather and his gypsy best friend assume the obvious - that the Russians have kidnapped it and sent it to the moon. It seems farfetched, but when the old man mysteriously disappears, it seems that maybe the Kremlin really has taken an extraordinary interest in an ordinary place, and only Pavel stands in the way...

A volume of carefully focused essays illuminating the works of one of the leading 20th-century German writers. Alfred Doeblin (1878-1957) was one of the great German-Jewish writers of the 20th century, a major figure in the German avant-garde before the First World War and a leading intellectual during the Weimar Republic. Doeblin greatly influenced the history of the German novel: his best-known work, the best-selling 1929 novel Berlin Alexanderplatz, has frequently been compared in its use of internal monologue and literary montage to James Joyce's Ulysses and John Dos Passos's Manhattan Transfer . Doeblin's oeuvre is by no means limited to novels, but in this genre, he offered a surprising variety of narrative techniques, themes, structures, and outlooks. Doeblin's impact on German writers after the Second World War was considerable: Gunter Grass, for example, acknowledged him as "my teacher." And yet, while Alexanderplatz continues to fascinate the reading public, it has overshadowed therest of Doeblin's immense oeuvre. This volume of carefully focused essays seeks to do justice to such important texts as Doeblin's early stories, his numerous other novels, his political, philosophical, medical, autobiographical, and religious essays, his experimental plays, and his writings on the new media of cinema and radio. Contributors: Heidi Thomann Tewarson, David Dollenmayer, Neil H. Donahue, Roland Dollinger, Veronika Fuechtner, Gabriele Sander, Erich Kleinschmidt, Wulf Koepke, Helmut F. Pfanner, Helmuth Kiesel, Klaus Muller-Salget, Christoph Bartscherer, Wolfgang Dusing. Roland Dollinger is Associate Professor of German at Sarah Lawrence College; Wulf Koepke is Professor Emeritus of German at Texas A&M University; Heidi Thomann Tewarson is Professor of German at Oberlin College.

Susan Sontag (1933-2004) was one of America's first celebrity intellectuals. In the first biography to be published since her death, Daniel Schreiber portrays a glamorous woman full of contradictions and inner conflicts, whose life mirrored the cultural upheavals of her time.

While known primarily as a cultural critic and novelist, Sontag was also a filmmaker, stage director, and dramatist. It was her status as a pop icon that was unusual for an American intellectual: she was filmed by Andy Warhol and Woody Allen, photographed by Annie Leibovitz and Diane Arbus, and her likeness adorned advertisements for Absolut vodka. Drawing on newly available sources, including interviews with Nadine Gordimer, Robert Wilson, and Sontag's son, David Rieff, as well as on myriad interviews given by Sontag and her extensive correspondence with her friend and publisher Roger Straus, Schreiber explores the roles that Sontag played in influencing American public cultural and political conversations.

The art of the Sistine Chapel, decorated by artists who competed with one another and commissioned by popes who were equally competitive, is a complex fabric of thematic, chronological, and artistic references. Four main campaigns were undertaken to decorate the chapel between 1481 and 1541, and with each new addition, fundamental themes found increasingly concrete expression. One theme in particular plays a central role in the chapel: the legitimization of papal authority, as symbolized by two keys-one silver, one gold-to the kingdom of heaven. "The Sistine Chapel: Paradise in Rome" provides a concise, informative account of the decoration of the Sistine Chapel. In unpacking this complex history, Ulrich Pfisterer reveals the remarkable unity of the images in relation to theology, politics, and the intentions of the artists themselves, who included such household names as Botticelli, Michelangelo, and Raphael. Through a study of the main campaigns to adorn the Sistine Chapel, Pfisterer argues that the art transformed the chapel into a pathway to the kingdom of God, legitimising the absolute authority of the popes. First published in German, the prose comes to life in English in the deft hands of translator David Dollenmayer.

Packed with contemporary dialogue, engaging readings, active vocabulary, and an assortment of hands-on activities, NEUE HORIZONTE, 8e skillfully instills both communicative and grammatical competency using a diversified methodology that adapts well to a variety of teaching and learning styles. The new edition combines a vibrant new four-color design with its signature clear grammar presentations, practical vocabulary lessons, beautiful prose and poetry, and more. Immersing readers into a complete language-learning experience, its unique integrated treatment stresses a balance of communicative competence, cultural awareness, and mastery of language structures.