Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Michael Batty Centre for Advanced Spatial Analysis, University College London Landscapes, like cities, cut across disciplines and professions. This makes it especially difficult to provide an overall sense of how landscapes should be studied and researched. Ecology, aesthetics, economy and sociology combine with physiognomy and deep physical structure to confuse our - derstanding and the way we should react to the problems and potentials of landscapes. Nowhere are these dilemmas and paradoxes so clearly highlighted as in Australia - where landscapes dominate and their relationship to cities is so fragile, yet so important to the sustainability of an entire nation, if not planet. This book presents a unique collection and synthesis of many of these perspectives - perhaps it could only be produced in a land urb- ised in the tiniest of pockets, and yet so daunting with respect to the way non-populated landscapes dwarf its cities. Many travel to Australia to its cities and never see the landscapes - but it is these that give the country its power and imagery. It is the landscapes that so impress on us the need to consider how our intervention, through activities ranging from resource exploitation and settled agriculture to climate change, poses one of the greatest crises facing the modern world. In this sense, Australia and its landscape provide a mirror through which we can glimpse the extent to which our intervention in the world threatens its very existence.

Michael Batty Centre for Advanced Spatial Analysis, University College London Landscapes, like cities, cut across disciplines and professions. This makes it especially difficult to provide an overall sense of how landscapes should be studied and researched. Ecology, aesthetics, economy and sociology combine with physiognomy and deep physical structure to confuse our - derstanding and the way we should react to the problems and potentials of landscapes. Nowhere are these dilemmas and paradoxes so clearly highlighted as in Australia - where landscapes dominate and their relationship to cities is so fragile, yet so important to the sustainability of an entire nation, if not planet. This book presents a unique collection and synthesis of many of these perspectives - perhaps it could only be produced in a land urb- ised in the tiniest of pockets, and yet so daunting with respect to the way non-populated landscapes dwarf its cities. Many travel to Australia to its cities and never see the landscapes - but it is these that give the country its power and imagery. It is the landscapes that so impress on us the need to consider how our intervention, through activities ranging from resource exploitation and settled agriculture to climate change, poses one of the greatest crises facing the modern world. In this sense, Australia and its landscape provide a mirror through which we can glimpse the extent to which our intervention in the world threatens its very existence.

One of the most famous intellectuals of the second half of the nineteenth century, Herbert Spencer (1820 1903) wrote across an impressive range of scientific and philosophical subjects. Although at the time his work was successful and influential, especially in America, it has since been subjected to criticism and reassessment. Principally remembered for his evolutionary theory and for coining the term 'survival of the fittest', Spencer came to be regarded as a Social Darwinist and proponent of unrestricted capitalism. In the field of sociology, he advocated the application of scientific examination to social phenomena, and his individualist philosophy provided inspiration for later libertarian thinkers. Published in 1908 by David Duncan (1839 1923), this substantial biography closely tracks Spencer's developing interests, closing with an assessment of his character and significance. It contains an abundance of extracts from letters to such figures as Charles Darwin, John Stuart Mill and T. H. Huxley."

A group of medics (Stephen Boyd, Raquel Welch, William Redfield, Arthur Kennedy and Donald Pleasence) and a submarine are miniaturised and injected into the bloodstream of a top Czech scientist, who was shot while defecting, in order to carry out delicate, life-saving surgery. Travelling though his body is hazardous, but far more dangerous is the suspicion that one of them is a traitor. They race against time to perform the surgery and escape from the body before they return to their full size. The film won Oscars for Best Cinematography and Best Editing.

A group of medics (Stephen Boyd, Raquel Welch, William Redfield, Arthur Kennedy and Donald Pleasence) and a submarine are miniaturised and injected into the bloodstream of a top Czech scientist, who was shot while defecting, in order to carry out delicate, life-saving surgery. Travelling though his body is hazardous, but far more dangerous is the suspicion that one of them is a traitor. They race against time to perform the surgery and escape from the body before they return to their full size. The film won Oscars for Best Cinematography and Best Editing.