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Karl Llewellyn described Thomas Scrutton as 'the greatest
English-speaking commercial judge of a century'. Scrutton played a
key role in a number of politically sensitive court cases from the
Great War to the 1930s. This biography draws on unpublished sources
to evaluate his contribution as counsel, campaigner and judge in a
number of areas: the development of a modern law of copyright; the
checking of executive power in and after the Great War; and his
attempt to develop English commercial law on a basis which
reflected the practices and expectations of the commercial
community. In addition to providing valuable insights into the
nature of legal practice and advancement in the Victorian and
Edwardian eras, the book examines Llewellyn's claim that Scrutton
adopted a 'realist' approach to the development of commercial law,
and uses the body of Scrutton's judgments to explore the limits of
a 'realist' approach to jurisprudence.
M6 F9. 5 M or F. A room in a 12th-century manor house. A tour guide
is taking a group of visitors around a 12th-century manor and
brings them to a mysterious room with no windows or doors, an
'oubliette', from the French for 'to forget'. Unknown to the
present-day tourists, they are accompanied in the room by Anne who
lived in the manor 500 years previously as a servant girl to its
lord, James Darlow. She is soon joined by a group of other servants
who have been stealing from their master, and by Susan Makem, an
eccentric loner rumoured to be a witch. As the story unfolds the
reason for the 'oubliette' becomes clear.
The story of Puss in Boots is ingeniously combined with that of
Cinderella in this hilarious show. Puss in Boots transforms humble
Colin Miller into Prince Charming. Cinderella's Fairy Godmother
helps her to become Princess Priscilla, despite her meddling
stepsisters. The two marry, providing two happy endings. Outrageous
characters, a wealth of jokes and a fast-paced plot make this a
hugely likeable show, which can be performed by a small cast
without songs.-2 women or men
M4 F2. The living room of a country house A comedy of manners set
in the late 1920s, Mirage takes place at the country house party of
Gerald and Evadne Fairfax. Newlyweds Pamela and Desmond Borage
arrive first, followed by the caddish Dinsdale Morton who swiftly
closets himself in the gun room to hide from Pamela, who can't
stand the sight of him - or his ukulele. Pamela and Gerald are
embroiled in a steamy affair while gin-loving Evadne is hysterical
after being disturbed in a state of undress by an "intruder" who
turns out to be Desmond. He, meanwhile, is preoccupied with the
fact that he has inadvertently signed up for the Foreign Legion.
The Fairfaxes' deadpan butler, Butters, oversees proceedings with a
cup of whisky-laced tea to fortify himself. Mr Desmond Borage. Mrs
Pamela Borage (nee Anstruther), his wife. Butters, a butler. Mr
Gerald Fairfax. Mrs Evadne Fairfax, his wife. Mr Dinsdale Morton.
Marcel arrives at the Signac home hoping to see his beloved
Marie-Celeste, a dancer. Instead he encounters the maid, Honorine,
while Yvette, the lady of the house, mistakes Marcel for Claude, a
marauding vagrant. A raucous, swiftly-moving comedy of mistaken
identities, shotguns and confusion with an unexpectedly happy
ending for all concerned.
The Crowns, the King and the Long Lost Smile is a play ior seven
men, three women and extras. The play tells the story of how the
Crown Troupe -Thomas, Ben, Will and Sally-a strolling band of
entertainers, help the Princess Dulcinea find her father the King,
who has been kidnapped by the wicked Baron Drax, and thus regain
her long lost smile. The easily staged settings encourage plenty of
audience participation.Flexible cas
This perceptive play for young adults, set ten years after the
bomb, portrays with frightening clarity the destruction of human
character as social standards are lost in a struggle for power and
survival. In the ruins of an abandoned building fifteen teenage
survivors struggle to make sense of the desolation. Ironically,
they begin to repeat their parents' mistakes. The play ends with a
thought provoking clash of personalities.Flexible cast
This delightful comedy of errors follows the fortunes of Perkin and
Wat. Perkin is royal odd-job man to the court of the Emperor. His
friend, Wat, has recently been demoted from court pastrycook
following a disastrous batch of cakes (Wat swears he was framed by
the head cook). Wat is the comic focus, meaning well, but
repeatedly foiled. Our heroes triumph at the last, Wat regaining
his status and Perkin winning the heart of Princess Sophie.Large
flexible cast
This plays needs 11 principals; extras; and, various simple
settings. Tom "Tink" Bell is the town crier, not a "boo hoo" crier,
but a "yoo hoo" crier. Unfortunately he's prone to making mistakes,
and when he accidentally announces that celebrations for the
Emperor Persimmon the Twelfth's birthday will take place every
Friday, sure enough the emperor insists that is what must happen.
Soon the town is on the brink of bankruptcy from the cost of all
the festivities, and two tricksters, Sly and Wily, have convinced
the emperor to spend even more money on a new outfit that they
claim only very intelligent and powerful people can see. Sly and
Wily have also tricked Jack into parting with his beloved cow in
exchange for five "magic" beans, but can Jack save the town by
retrieving the gold at the top of the beanstalk? And what will
happen when the emperor appears in his brand new "birthday suit"?
David Foxton's play for children merges two popular pantomimes with
hilarious results and plenty of audience participation. This
casting includes: Tom Bell, the town crier, known to all as "Tink";
Aloysisus Sly, a rogue and confidence trickster, partner to Wily;
Cressida Wilhelmina Wily, a rogue and confidence trickster, partner
to Sly; Abigail Bell, Tink's long suffering daughter; Abacus, the
Treasurer to the Court; Lord Chamberlain; Guard Captain; Emperor
Persimmon, our Emperor; Empress Petronella, Emperor's wife; Jack,
the young man of Beanstalk fame; Jack's Mother; 2 Attendants; and,
Courtiers, Guards, Fashion Models and stage hands.
Plotting abounds among the individuals in an animated deck of
playing cards, as the greediest of the cards hatch a plan to steal
the trophies and gate money from a stadium event.
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