This study weaves the story of Freemasonry into the narrative of American religious history. Freighted with the mythical legacies of stonemasons' guilds and the Newtonian revolution, English Freemasonry came to colonial America with a vast array of cultural baggage, which was drawn on, added to, and transformed in different ways in its sojourn through American culture. David Hackett argues that from the 1730s through the early twentieth century the religious worlds of an evolving American social order broadly appropriated the changing beliefs and initiatory practices of this all-male society. For much of American history, Freemasonry was a counter and complement to Protestant churches and a forum for collective action among racial and ethnic groups outside the European American Protestant mainstream. Moreover, to differing degrees and at different times, the cultural template of Freemasonry gave shape and content to the American "public sphere." By expanding and complicating the terrain of American religious history to include a group not usually seen to be a carrier of religious beliefs and rituals, That Religion in Which All Men Agree shows how Freemasonry's American history contributes to a broader understanding of the multiple influences that have shaped religion in American culture.

This path-breaking study analyzes the social and religious transformation of Albany, New York, from the town's colonial origins through industrialization in the early nineteenth century. Rather than see the transformation of traditional societies as a process of modernization, Hackett adopts a broader conception of religion as a cultural system and argues that culture influences social order differently in different historical periods. During most of Albany's colonial period, the Dutch townspeople absorbed British people and customs into their Calvinist way of life. Following the Revolution, large scale immigration, urbanization, and the initial spurt of an industrial economy transformed Albany into a bustling commercial center. At the same time new political and religious ideologies that disagreed among themselves yet together advocated economic growth, democracy, education, and individual rights, challenged and finally replaced Calvinism. Drawing on the resources of sociology, social history, and religion, this study illuminates not only the social history of Albany but also presents a new interpretation of the relationship between religion and social order in American history.

This powerful study weaves the story of Freemasonry into the narrative of American religious history. Freighted with the mythical legacies of stonemasons' guilds and the Newtonian revolution, English Freemasonry arrived in colonial America with a vast array of cultural baggage, which was drawn on, added to, and transformed during its sojourn through American culture. David G Hackett argues that from the 1730s through the early twentieth century the religious worlds of an evolving American social order broadly appropriated the beliefs and initiatory practices of this all-male society. For much of American history, Freemasonry was both counter and complement to Protestant churches, as well as a forum for collective action among racial and ethnic groups outside the European American Protestant mainstream. Moreover, the cultural template of Freemasonry gave shape and content to the American public sphere." By including a group not usually seen as a carrier of religious beliefs and rituals, Hackett expands and complicates the terrain of American religious history by showing how Freemasonry has contributed to a broader understanding of the multiple influences that have shaped religion in American culture.