Deborah Sawyer discusses this crucial yet unresolved question in the context of contemporary and postmodern ideas about gender and power, based on fresh examination of a number of texts from Hebrew and Christian scripture. Such texts offer striking parallels to contemporary gender theories (particularly those of Luce Irigaray and Judith Butler), which have unravelled given notions of power and constructed identity. Through the study of gender in terms of its application by biblical writers as a theological strategy, we can observe how these writers use female characters to undermine human masculinity, through their 'higher' intention to elevate the biblical God. "God Gender and the Bible" demonstrates that both maleness and femaleness are constructed in the light of divine omnipotence. Unlike many approaches to the Bible that offer hegemonist interpretations, such as those that are explicitly Christian or Jewish, or liberationist or feminist, this enlightening and readable study sustains and works with the inconsistencies evident in biblical literature.

Deborah Sawyer discusses this crucial yet unresolved question in the context of contemporary and postmodern ideas about gender and power, based on fresh examination of a number of texts from Hebrew and Christian scripture. Such texts offer striking parallels to contemporary gender theories (particularly those of Luce Irigaray and Judith Butler), which have unravelled given notions of power and constructed identity. Through the study of gender in terms of its application by biblical writers as a theological strategy, we can observe how these writers use female characters to undermine human masculinity, through their 'higher' intention to elevate the biblical God. God Gender and the Bible demonstrates that both maleness and femaleness are constructed in the light of divine omnipotence. Unlike many approaches to the Bible that offer hegemonist interpretations, such as those that are explicitly Christian or Jewish, or liberationist or feminist, this enlightening and readable study sustains and works with the inconsistencies evident in biblical literature.

The Bible is often said to be one of the foundation texts of Western culture. The present volume shows that it goes far beyond being a religious text. The essays explore how religious, political and cultural identities, including ethnicity and gender, are embodied in biblical discourse. Following the authors, we read the Bible with new eyes: as a critic of gender, ideology, politics and culture. We ask ourselves new questions: about God's body, about women's role, about racial prejudices and about the politics of the written word.
Reading Bibles, Writing Bodies crosses boundaries. It questions our most fundamental assumptions about the Bible. It shows how biblical studies can benefit from the mainstream of Western intellectual discourse, throwing up entirely new questions and offering surprising answers. Accessible, engaging and moving easily between theory and the reading of specific texts, this volume is an exciting contribution to contemporary biblical and cultural studies.

Fueled with high-octane testosterone and noteworthy for a kill rate more customary in computer games than in works of literature, David Gunn's novels take no prisoners and make no apologies. Like war itself, they are raw and violent, horrifying yet mysteriously moving. These qualities also characterize Gunn's hero and narrator, Lt. Sven Tveskoeg, a killing machine whose DNA marks him as less-or perhaps more-than human. Whatever he is, he is always as enthralling as he is lethal.
Sven has survived everything a hostile universe can throw at him. But he'd be the first to admit that it isn't smarts that have kept him alive for so long. And it's not luck, either. Because luck wouldn't have seen him plucked out of obscurity to serve in the army of Emperor OctoV, a machine-human hybrid who appears to be a teenage boy but is actually immeasurably older. Maybe Sven has survived out of sheer orneriness-although his artificially intelligent, unmistakably sarcastic, and more or less sociopathic sidearm might argue otherwise-but Sven isn't one to ponder such questions.
In Day of the Damned, Sven and his band of misfit auxiliaries have arrived at Farlight, capital of the Octavian Empire, for a little well-earned rest and relaxation. Sven visits his old friends Debro and Anton, whom he liberated from the prison planet of Paradise, and their teenage daughter Aptitude, whose husband he assassinated and who now has a major crush on him.
But what begins as a respite quickly turns into a bloodbath as civil war erupts. And behind the double crosses and Byzantine betrayals threatening to topple OctoV from the throne he has held for thousands of years are the United Free, a galaxy-spanning empire with the technology of gods and the morals of schoolchildren.
As usual, big trouble seems to be following Sven. Which is all right with him. He isn't that fond of vacations, anyway.

The Bible is often said to be one of the foundation texts of Western culture. The present volume shows that it goes far beyond being a religious text. The essays explore how religious, political and cultural identities, including ethnicity and gender, are embodied in biblical discourse. Following the authors, we read the Bible with new eyes: as a critic of gender, ideology, politics and culture. We ask ourselves new questions: about God's body, about women's role, about racial prejudices and about the politics of the written word.
Reading Bibles, Writing Bodies crosses boundaries. It questions our most fundamental assumptions about the Bible. It shows how biblical studies can benefit from the mainstream of Western intellectual discourse, throwing up entirely new questions and offering surprising answers. Accessible, engaging and moving easily between theory and the reading of specific texts, this volume is an exciting contribution to contemporary biblical and cultural studies.

The Aux have been dropped on a far-flung planet called Hekati, only it's in Uplift space and not really a planet at all. As for their mission, it's so damn secret that General Jaxx hasn't even told Lieutenant Sven Tveskoeg what it's about. It appears a citizen of the United Free, an empire not only more vast than Octo V's but far more technologically advanced, has gone missing on this artificial world and it's up to Sven and the Aux to find the poor soul. But Hekati is a realm where nothing is quite as it seems and no one can be trusted. Smelling a rat, Sven is so not happy - and when he's not happy is when bad things start to happen - and the body count starts to rise... The devil-may-care not-quite 100% human mercenary soldier-cum-killing machine Tveskoeg and the Death's Head squad are back: cue more extreme violence, a mega death toll, dirty sex, fiendish plot twists and explosive, non-stop action!