The tragic story of how Rudyard Kipling sent his son to his death in the First World War. The year is 1913 and war with Germany is imminent. Rudyard Kipling's determination to send his severely short-sighted son to war triggers a bitter family conflict which leaves Britain's renowned patriot devastated by the warring of his own greatest passions: his love for children - above all his own - and his devotion to King and Country. David Haig's play My Boy Jack was first staged at Hampstead Theatre in 1997. It was revived at the Theatre Royal, Nottingham, in 2004, and toured the UK. The play was filmed for television in 2007, with Daniel Radcliffe as Jack and the author himself as Kipling.

An intense real-life thriller centred around the most important weather forecast in the history of warfare. June 1944. One man's decision is about to change the course of history. Everything is in place for the biggest invasion ever known in Europe - D-Day. One last crucial question remains: will the weather be right on the day? Problematically there are two opposing forecasts. American celebrity weatherman Colonel Krick predicts sunshine, while Scot Dr James Stagg, Chief Meteorological Officer for the Allied Forces, forecasts a storm. As the world watches and waits, General Eisenhower, Allied Supreme Commander, must decide which of these bitter antagonists to trust. The decision will not only seal the fates of thousands of men, but could win or lose the entire war. An extraordinary and little-known true story, David Haig's play thrillingly explores the responsibilities of leadership, the challenges of prophecy and the personal toll of taking a stand. Pressure premiered at the Royal Lyceum Theatre, Edinburgh, in May 2014 before transferring to Chichester Festival Theatre, in a production directed by John Dove, with the author playing James Stagg.

This new series presents innovative titles pertaining to human origins, evolution, and behavior from a multi-disciplinary perspective. Subject areas include but are not limited to biological and physical anthropology, prehistoric archaeology, evolutionary psychology, behavioral ecology, and evolutionary biology. The series volumes will be of interest primarily to students and scholars in these fields.

Until twenty years ago we had no idea which of our genes came from our father and which came from our mother. We took it for granted that our genes expressed themselves identically and that there was a 50/50 chance that they came from either parent. We also assumed that they worked in cooperation with each other. The biggest breakthrough in genetics in the past two decades has been the discovery of genomic imprinting, which allows us to trace genes to the parent of origin. David Haig has been at the forefront of theorizing these developments arguing that these "paternally and maternally active genes" comprising less than one percent of our total gene count are far from being cooperative, and have in fact been shown to be in competition with one another. If Haig's theory is correct, imprinted genes provide an extraordinary example of within-individual conflict, which is one of the most surprising developments in evolutionary biology in recent years. Examples like this are shaking up our fundamental ideas of what it means to be an individual.

This collection of Haig's papers provides a unique comprehensive overview of what is known. Each paper is followed by a commentary that links it to the others, provides background as needed, and brings readers up-to-date on developments thatoccurred after the paper's original publication. Because genomic imprinting raises questions across various fields in the life sciences, including evolutionary biology and developmental genetics, Haig's work is scattered through the literature to an unusual degree, and has never been collected in one volume.