David Hempton's history of the vibrant period between 1650 and 1832 engages with a truly global story: that of Christianity not only in Europe and North America, but also in Latin America, Africa, Russia and Eastern Europe, India, China, and South-East Asia. Examining eighteenth-century religious thought in its sophisticated national and social contexts, the author relates the narrative of the Church to the rise of religious enthusiasm pioneered by Pietists, Methodists, Evangelicals and Revivalists, and by important leaders like August Hermann Francke, Jonathan Edwards and John Wesley. He places special emphasis on attempts by the Spanish, Portuguese, French, Dutch and British seaborne powers to export imperial conquest, commerce and Christianity to all corners of the planet. This leads to discussion of the significance of Catholic and Protestant missions, including those of the Jesuits, Moravians and Methodists. Particular attention is given to Christianity's impact on the African slave populations of the Caribbean Islands and the American colonies, which created one of the most enduring religious cultures in the modern world. Throughout the volume changes in Christian belief and practice are related to wider social trends, including rapid urban growth, the early stages of industrialization, the spread of literacy, and the changing social construction of gender, families and identities.

Originally published in 1984, this book charts the political and social consequences of Methodist expansion in the first century of its existence. While the relationship between Methodism and politics is the central subject of the book a number of other important themes are also developed. The Methodist revival is placed in the context of European pietism, enlightenment thought forms, 18th century popular culture, and Wesley's theological and political opinions. Throughout the book Methodism is treated on a national scale, although the regional, chronological and religious diversity of Methodist belief and practice is also emphasized.

In the early twenty-first century it had become a cliche that there was a 'God Gap' between a more religious United States and a more secular Europe. The apparent religious differences between the United States and western Europe continue to be a focus of intense and sometimes bitter debate between three of the main schools in the sociology of religion. According to the influential 'Secularization Thesis', secularization has been an integral part of the processes of modernisation in the Western world since around 1800. For proponents of this thesis, the United States appears as an anomaly and they accordingly give considerable attention to explaining why it is different. For other sociologists, however, the apparently high level of religiosity in the USA provides a major argument in their attempts to refute the Thesis. Secularization and Religious Innovation in the Atlantic World provides a systematic comparison between the religious histories of the United States and western European countries from the eighteenth to the late twentieth century, noting parallels as well as divergences, examining their causes and especially highlighting change over time. This is achieved by a series of themes which seem especially relevant to this agenda, and in each case the theme is considered by two scholars. The volume examines whether American Christians have been more innovative, and if so how far this explains the apparent 'God Gap'. It goes beyond the simple American/European binary to ask what is 'American' or 'European' in the Christianity of the nineteenth and twentieth centuries, and in what ways national or regional differences outweigh these commonalities.

Originally published in 1984, this book charts the political and social consequences of Methodist expansion in the first century of its existence. While the relationship between Methodism and politics is the central subject of the book a number of other important themes are also developed. The Methodist revival is placed in the context of European pietism, enlightenment thought forms, 18th century popular culture, and Wesley's theological and political opinions. Throughout the book Methodism is treated on a national scale, although the regional, chronological and religious diversity of Methodist belief and practice is also emphasized.

Taking account of broader patterns of growth, the focus of this book is Methodism in the British Isles. Hempton discusses why Methodism, the most important religious movement in the English-speaking world in the 18th and 19th centuries, grew when and where it did and what was the nature of the Methodist experience for those who embraced it. He also explores the themes of law, politics and gender which lie at the heart of Methodist influence on individuals, communities and social structures.

Taking account of broader patterns of growth, the focus of this book is Methodism in the British Isles. Hempton discusses why Methodism, the most important religious movement in the English-speaking world in the 18th and 19th centuries, grew when and where it did and what was the nature of the Methodist experience for those who embraced it.
He also explores the themes of law, politics and gender which lie at the heart of Methodist influence on individuals, communities and social structures.

This book deals with religious cultures in all parts of the British Isles in the eighteenth and nineteenth centuries. It is an exercise in comparative history, and also shows that religion was linked with other frameworks within which people found meaning and identity, including politics, national aspiration and cultural expression. Hempton's main purpose is to show that religion, in its various denominational forms, helped to unite Britain and operated as a convenient vehicle for the expression of national and regional distinctiveness.

Insightful portraits of nine public figures who became enchanted and then disenchanted with evangelical religion In this engaging and at times heartbreaking book, David Hempton looks at evangelicalism through the lens of well-known individuals who once embraced the evangelical tradition, but later repudiated it. The author recounts the faith journeys of nine creative artists, social reformers, and public intellectuals of the nineteenth and twentieth centuries, including such diverse figures as George Eliot, Elizabeth Cady Stanton, Vincent van Gogh, and James Baldwin. Within their highly individual stories, Hempton finds not only clues to the development of these particular creative men and women but also myriad insights into the strengths and weaknesses of one of the fastest growing religious traditions in the modern world. Allowing his subjects to express themselves in their own voices-through letters, essays, speeches, novels, apologias, paintings-Hempton seeks to understand the factors at work in the shaping of their religious beliefs, and how their negotiations of faith informed their public and private lives. The nine were great public communicators, but in private often felt deep uncertainties. Hempton's moving portraits highlight common themes among the experiences of these disillusioned evangelicals while also revealing fresh insights into the evangelical movement and its relations to the wider culture. Featuring portraits of: * George Eliot * Frances W. Newman * Theodore Dwight Weld * Sarah Grimke * Elizabeth Cady Stanton * Frances Willard * Vincent van Gogh * Edmund Gosse * James Baldwin