A modernist work of profound wisdom that continues to enthral readers with its subtle blend of Eastern mysticism and Western culture, the Penguin Modern Classics edition of Hermann Hesse's Steppenwolf is revised by Walter Sorell from the original translation by Basil Creighton. At first sight Harry Haller seems a respectable, educated man. In reality he is the Steppenwolf: wild, strange, alienated from society and repulsed by the modern age. But as he is drawn into a series of dreamlike and sometimes savage encounters - accompanied by, among others, Mozart, Goethe and the bewitching Hermione - the misanthropic Haller discovers a higher truth, and the possibility of happiness. This blistering portrayal of a man who feels himself to be half-human and half-wolf was the bible of the 1960s counterculture, capturing the mood of a disaffected generation, and remains a haunting story of estrangement and redemption. Herman Hesse (1877 - 1962) suffered from depression and weathered series of personal crises which led him to undergo psychoanalysis with J. B. Lang; a process which resulted in Demian (1919), a novel whose main character is torn between the orderliness of bourgeois existence and the turbulent and enticing world of sensual experience. This dichotomy is prominent in Hesse's subsequent novels, including Siddhartha (1922), Steppenwolf (1927), Narcissus and Goldmund (1930) and his magnum opus, The Glass Bead Game (1943). Hesse was awarded the Nobel Prize for Literature in 1946. If you enjoyed Steppenwolf, you might like Hesse's Siddhartha, also available in Penguin Classics. 'A savage indictment of bourgeois society ... the gripping and fascinating story of disease in a man's soul' The New York Times

..". a ground-breaking and well-researched study, a lucid documentation of the impact of Turkish migration to Germany, bringing together materials from a range of disciplines, including history, sociology, religious studies, and literature. The array of knowledge assembled in this volume is made accessible for the first time to an English speaking audience ... provides detailed background and varied accounts of historical and socio-political changes in a rapidly changing German society struggling with it its self-perception and frictions arising from the coexistence of Turks and Germans ... provides a well-founded academic analysis of data, trends, and traditions, yet still leaves room for the personal experiences and perspectives of Turks establishing their own identity and political voice in German society ... a great source for graduate German course investigating migrant culture and literature in contemporary German society." German Studies Review

..". offers and should be commended for an informative review of migrant literature in Germany, substantive statistics on the condition of migration to Germany, and a suggestive exchange with a migrant author in person-a rarity in the literature." H-Net Reviews (H-SAE)

..". an instructive introduction into the history of Turkish migration." Journal of Area Studies

For many decades Germany has had a sizeable Turkish minority that lives in an uneasy co-existence with the Germans around them and as such has attracted considerable interest abroad where it tends to be seen as a measure of German tolerance. However, little is known about the actual situation of the Turks. This volume provides valuable information, presented in a most original manner in that it combines literary and cultural studies with social and political analysis. It focuses on the Turkish-born writer Emine Sevgi Ozdamar, who writes in German and whose work, especially her highly acclaimed novel Das ist eine Karawanserei, is examined critically and situated in the context of German "migrant literature."

David Horrocks is Lecturer in German at the University of Keele, concentrating on twentieth-century German literature with special emphasis on the reflection in literary works of social issues and historical problems.

Eva Kolinsky is Professor of Modern German Studies at the University of Keele with a special interest in contemporary German society and politics.

For many decades Germany has had a sizeable Turkish minority that lives in an uneasy co-existence with the Germans around them and as such has attracted considerable interest abroadwhere it tends to be seen as a measure of German tolerance. However, little is known about theactual situation of the Turks. This volume provides valuable information, presented in a mostoriginal manner in that it combines literary and cultural studies with social and political analysis.It focuses on the Turkish-born writer Emine Sevgi OEzdamar, who writes in German and whosework, especially her highly acclaimed novel Das ist eine Karawanserei, is examined criticallyand situated in the context of German "migrant literature".

Fresh articles about a much neglected genre, fiction from and about the Jewish ghetto. Throughout the 19th and early 20th centuries ghetto fiction played an important part in the expression of a particularly German-Jewish quest for identity. The volume Ghetto Writing takes the occasion of the 150th anniversary of the publication of Leopold Kompert's collection of ghetto stories Aus dem Ghetto (1848) to fill a gap and give testimony to an important genre that has been unduly silenced in the literary histories of the post-war period. The volume presents some 15 articles by scholars from Scandinavia, Germany, Great Britain, and Ireland whose contributions offer new analyses of ghetto writing by well known authors such as Heinrich Heine and Joseph Roth, andcompletely new material on forgotten ghetto writers who deserve to be rediscovered, such as Alexander Granach. The articles cover various types of ghetto writing, ranging from ghetto fiction in the tradition of Leopold Kompert and Karl Emil Franzos, to diaries, travelogues, autobiography, and even contemporary German HipHop and Rap lyrics.

Bahnwarter Thiel (1988), by far the best story ever written by Gerhart Hauptmann, follows the principles of the Naturalist movement in its detailed study of the life and milieu of a humble and apparently unexceptional Prussian railwayman. Yet in its exploitation of symbolism, of techniques sometimes close to Impressionism, and in its subtle use of a changing narrative perspective, this Novelle goes beyond the essentially 'scientific' Naturalist approach: Hauptmann thus succeeds in exploring the complex interaction of suppressed social, psychological, physiological, and religious impulses far better than in any other work of this era. This new edition has been prepared with the changing needs of the today's learners and students of German in mind. The late S.D. Stirk's scholarly edition of 1952, which also included Fasching, has seen sterling service, and we are greatly indebted to it. However, by concentrating on just one story, we have been able to offer more linguistic help in the notes and vocabulary, as well as devoting considerably more space in the introduction to detailed comments on characterisation and technique. References to other works and to other periods of Hauptmann's long career as a writer have been kept to a minimum.