This book examines how medieval medical theories were derived from the teachings of Christianity, Judaism and Islam. It maintains that the mystical element was the most attractive branch of medical wisdom and shows how religious rites and observances like prayer and anointing were adapted to medical usage.;But while for thinkers like Roger Bacon disease was a fall from grace, there was also a practical approach to illness. The book evaluates medieval recipes for drugs and more mundane notions of disease in the light of the findings of modern medicine. It shows for instance how the concept of "flying venom" relates to modern germ theory.

The Chester Cycle in Context, 1555-1575 considers the implications of recent archival research which has profoundly changed our view of the continuation of performances of Chester's civic biblical play cycle into the reign of Elizabeth I. Scholars now view the decline and ultimate abandonment of civic religious drama as the result of a complex network of local pressures, heavily dependent upon individual civic and ecclesiastical authorities, rather than a result of a nation-wide policy of suppression, as had previously been assumed.

The Chester Cycle in Context, 1555-1575 considers the implications of recent archival research which has profoundly changed our view of the continuation of performances of Chester's civic biblical play cycle into the reign of Elizabeth I. Scholars now view the decline and ultimate abandonment of civic religious drama as the result of a complex network of local pressures, heavily dependent upon individual civic and ecclesiastical authorities, rather than a result of a nation-wide policy of suppression, as had previously been assumed.

This volume of studies seeks an anthropological view of medicine and the healing arts as they were situated within the lives of medieval people. Miracle cures and charms as well as drugs and surgery fall within the scope of the authors represented here, as does advice about diet and regimen. As well, the volume looks at wellness and illness in broad contexts, avoiding the tendency of modern medicine to focus on the isolation and definition of pathological states.

Written to honour the distinguished work and career of Alexandra F. Johnston, 'Bring furth the pagants' brings together original essays in early English drama by colleagues and students of the founder and director of the Records of Early English Drama Project

Editors David N. Klausner and Karen Sawyer Marsalek have grouped the contributions into three primary areas of Johnston's research: the study of documentary records in relation to drama, including new research on the York documents; the interpretation of early English drama, focusing both on the biblical plays and also on the moral interludes, including a broad survey of the role of the Expositor figure in English and French plays; and the drama of the later sixteenth and seventeenth centuries (Marlowe and Shakespeare) from the standpoint of its medieval background.

Diverse, thought-provoking, and original, this collection acts as an important complement to the REED volumes and provides a fitting tribute to the scholar it honours.

ContributorsCaroline M. BarronDavid BevingtonGarrett P.J. EppDavid N. KlausnerSally-Beth MacLeanKaren Sawyer MarsalekPeter MeredithDavid MillsBarbara D. PalmerK. Janet RitchMargaret RogersonChester ScovilleJ.A.B. SomersetMeg Twycross

The Records of Early English Drama volumes make available historical transcripts that provide evidence of early English drama, music, ceremonial dance, and other forms of communal public entertainment in Britain from the Middle Ages to 1642, when the Puritans closed the London theatres.