Although not much is known about the three Stuart plays in this edition, which was first published in 1987, we can ascribe them to one of the English universities, and each is indicative of a distinctly different influence on the Renaissance academic drama. Heteroclitanomalonomia is part of a minor subgenre referred to as the academic play. It demonstrates the predominance of language or rhetoric studies in the period and its very subject is of purely academic interest. Gigantomachia displays the continuing interest of the Renaissance in classical mythology. And A Christmas Messe follows a more homely tradition, a farcical personification of the mundane. This title will be of interest to students of English Literature, Drama and Performance.

Although not much is known about the three Stuart plays in this edition, which was first published in 1987, we can ascribe them to one of the English universities, and each is indicative of a distinctly different influence on the Renaissance academic drama. Heteroclitanomalonomia is part of a minor subgenre referred to as the academic play. It demonstrates the predominance of language or rhetoric studies in the period and its very subject is of purely academic interest. Gigantomachia displays the continuing interest of the Renaissance in classical mythology. And A Christmas Messe follows a more homely tradition, a farcical personification of the mundane. This title will be of interest to students of English Literature, Drama and Performance.

The articles in this volume focus on control theory of systems governed by nonlinear linear partial differential equations, identification and optimal design of such systems, and modelling of advanced materials. Optimal design of systems governed by PDEs is a relatively new area of study, now particularly relevant because of interest in optimization of fluid flow in domains of variable configuration, advanced and composite materials studies and "smart" materials which include possibilities for built in sensing and control actuation. The book will be of interest to both applied mathematicians and to engineers.

As Earl Scruggs picked his banjo with machine gun precision at his 1945 debut at the Ryman Auditorium, he set in motion a successful career and enduring legacy that would eclipse anything the humble farm boy from North Carolina could have imagined. Scruggs's revolutionary three-finger roll patterns electrified audiences and transformed the banjo into a mainstream solo instrument pursued by innumerable musicians. In Earl Scruggs: Banjo Icon, Gordon Castelnero and David L. Russell chronicle the life and legacy of the man who single-handedly reinvigorated the five-string banjo and left an indelible mark on bluegrass and folk music. After his tenure with the father of bluegrass music, Bill Monroe, Scruggs formed (with Lester Flatt) the Foggy Mountain Boys, also known as Flatt and Scruggs; the Earl Scruggs Revue with his sons; and finally his Family & Friends band. Scruggs released more than forty albums and reached millions of fans through performances on The Beverly Hillbillies and his music's inclusion in the 1967 movie Bonnie and Clyde. Over his long career, Scruggs received numerous accolades and collaborated with stars such as Billy Joel, Elton John, Sting, Johnny Cash, Bob Dylan, Joan Baez, Vince Gill, Travis Tritt, the Byrds, and Steve Martin. Through interwoven interviews with the Scruggs family and more than sixty notable musicians and entertainers, Castelnero and Russell reveal that, despite the fame Scruggs achieved, he never lost his humility and integrity. This biography testifies to Scruggs's enduring influence and sheds light on the history of bluegrass for musicians, students, and anyone entranced by Scruggs's unmistakable sound.

As Earl Scruggs picked his banjo with machine gun precision at his 1945 debut at the Ryman Auditorium, he set in motion a successful career and enduring legacy that would eclipse anything the humble farm boy from North Carolina could have imagined. Scruggs's revolutionary three-finger roll patterns electrified audiences and transformed the banjo into a mainstream solo instrument pursued by innumerable musicians. In Earl Scruggs: Banjo Icon, Gordon Castelnero and David L. Russell chronicle the life and legacy of the man who single-handedly reinvigorated the five-string banjo and left an indelible mark on bluegrass and folk music. After his tenure with the father of bluegrass music, Bill Monroe, Scruggs formed (with Lester Flatt) the Foggy Mountain Boys, also known as Flatt and Scruggs; the Earl Scruggs Revue with his sons; and finally his Family & Friends band. Scruggs released more than forty albums and reached millions of fans through performances on The Beverly Hillbillies and his music's inclusion in the 1967 movie Bonnie and Clyde. Over his long career, Scruggs received numerous accolades and collaborated with stars such as Billy Joel, Elton John, Sting, Johnny Cash, Bob Dylan, Joan Baez, Vince Gill, Travis Tritt, the Byrds, and Steve Martin. Through interwoven interviews with the Scruggs family and more than sixty notable musicians and entertainers, Castelnero and Russell reveal that, despite the fame Scruggs achieved, he never lost his humility and integrity. This biography testifies to Scruggs's enduring influence and sheds light on the history of bluegrass for musicians, students, and anyone entranced by Scruggs's unmistakable sound.