From July to November 2021, Little Amal, a 3.5m-high puppet created by Handspring Puppet Company ('War Horse') will travel 8,000km from the Syria-Turkey border along the established refugee route through Europe to the UK, ending at the Manchester International Festival. With 100 theatrical events in 65 cities, along the way, 'The Walk' will be the world's largest live performance and its aim is to celebrate the contribution that migrants and refugees make to the cultures and communities through which they pass and to the countries in which they find a new home. With an introduction by Nizar Zuabi (artistic director of Good Chance) and an afterword by David Lan (formerly of The Young Vic and one of the producers of 'The Walk'), The Long Walk with Little Amal is the official companion book to a cross-border collaboration on a magnificent scale. The journey is documented by award-winning photojournalist Andre Liohn and contributing essayists include: PEN International Writer of Courage Samar Yazbek (Syria); prize-winning Turkish-Kurdish novelist Burhan Sonmez (Turkey); Greek-Armenian literary and crime writer Petros Markaris (Greece); Prix Goncourt-winning author and film director Philippe Claudel (France); Children's Laureate Cressida Cowell (UK); crime writer Olivier Norek whose fiction has been set in Calais' The Jungle (France); and bestselling author Timur Vermes (Germany).

The true story of the flourishing of a theatre in a wartime Jewish Ghetto. Winner of the Evening Standard Award for Best Play and the Critics Circle Award for Best New Play. Set in the Jewish ghetto of Vilna, Lithuania, in 1942, and based on diaries written during the darkest days of the holocaust, Ghetto tells of the unlikely flourishing of a theatre at the very time the Nazis began their policy of mass extermination. Joshua Sobol's play Ghetto was first performed at the Haifa Municipal Theatre in Israel and the Freie Volksbuhne, Berlin, in 1984. This English-language version, adapted by David Lan, was first performed in the Olivier Theatre at the National Theatre, London, in April 1989, directed by Nicholas Hytner. This edition of Ghetto includes Jeremy Sams' songs and music from the play, as well as extracts from the original ghetto diary.

This book analyzes the Responsibility to Protect (R2P) in the context of the conflict in Darfur, using detailed empirical evidence. The volume traces Darfur's evolution from forgotten conflict to a major global cause and back to obscurity. The emergence of a far-reaching international response to the war in Darfur began in 2004 and included the most influential international advocacy movement since the anti-apartheid campaign and one of the world's largest peacekeeping missions. The book analyzes how Darfur slid back into international obscurity after 2011, despite ongoing violence against civilians and the continued risk of conflict escalation following Omar al-Bashir's ousting in April 2019. Based on an analysis of more than 100 interviews and over 1,000 media reports, the book examines one of the most pressing questions related to the R2P: why do some situations of mass atrocities cause an international outcry, while others are met with complacency and silence? It argues that the presence or absence of a compelling narrative, which frames a situation in moral terms and unambiguously conveys who is responsible, who suffers, and what should be done, facilitates whether or not sufficient traction will be gained to beget a robust R2P response. This book will be of much interest to students of the Responsibility to Protect, human rights, peacekeeping, conflict resolution, African politics and International Relations in general.

David Lan's new version of Verga's classic play "Mothers like me? We should be burned alive. We should be fed to the pigs, mothers like me." A mother fumes about her daughter's love affair as they hurtle towards tragedy in Verga's passionate Italian drama, first performed in 1894.David Lan's acclaimed new version premiered at the RSC in June 2000.

David Lan evokes a unique theatre of life. Sometimes hilarious, always deeply felt we travel with him to Peter Brook's Paris, to Chekhov's Yalta, to Lithuania in search of his great grandparents, to Broadway for the Tony Awards. There's escaping the South African army, the Royal Court in the 90s, spirit mediums in Zimbabwe. And his years running the Young Vic, drawing in great artists such as Ivo Van Hove, Jude Law, Gillian Anderson, Stephen Daldry and shows such as Yerma, The Jungle and The Inheritance. 'Exceptional. Rich, warm and sparkling.' Peter Brook 'He is the Chagall of theatre, hurtling over his colourful life and the world, his shirt flying, dreaming on behalf of humanity.' Fiona Shaw 'Sincere, passionate, vulnerable, open, serious, loving. A great read for fans of theatre and of humanity.' Ivo Van Hove

At a time of turmoil, wise Tobit is struck blind. Suddenly penniless, he sends his son Tobias to reclaim an old debt. Tobias is afraid but a stranger arrives and offers to guide him ...An orchestra, a company of singers, a choir and two choruses drawn from Lambeth and Southwark accompany Tobias across mountains towards love and self-knowledge in this joyous musical tale. "Tobias and the Angel" opens at the Young Vic, London, in October 2006.

The first volume of collected plays from acclaimed dramatist David Lan Painting a Wall: 'an essential theatrical image of the human condition' - Plays and Players Red Earth: 'Mature skill...in the course of a lunchtime, 70 years of South African history are played out with power and poignancy' - The Times Flight: 'a play that gives you faith in new writing' - City Limits Desire: 'a ballad and an act of faith' - Sunday Times The Ends of the Earth: 'The work of a genuine theatrical poet ...we should be so lucky to have ambitious, hypnotic writing in our theatre' - Observer 'These plays are unique in contemporary theatre; wonderful immersions into foreign worlds that touch our own' (John Lahr)

David Lan's new version of one of Chekhov's greatest plays, was commissioned for a co-production between the Royal Shakespeare Company and the Young Vic. Directed by Katie Mitchell, it premiered at the Young Vic, London, in March 1998, a century after its Uncle Vanya is the first of Chekhov's three great masterpieces. Set on a remote farm in the Ukraine, it tells of two obsessive love affairs that lead nowhere, and a flirtation that brings disaster. Written towards the end of the 1890s, it casts a diamond-hard glance towards our century."A notably sharp, bright translation" (The Times)

Almost every anti-colonial struggle this century has been led by an army of guerrillas. No such struggle has succeeded without a very high degree of cooperation between guerrillas and the local peasantry. But what does 'cooperation' between peasants and guerrillas really consist of? What effect does it have on the way they view the world for which they fight? In the struggle for Zimbabwe (1966-80), hundreds of thousands of peasants provided the guerrillas with practical help and support. But they went a good deal further. Throughout the country scores of spirit mediums, the religious leaders of Shona, gave active support to resistance. With their participation, the scale of the war expanded into an astonishing act of collaboration between ancestors and their descendants, the past and the present, the living and the dead. This book is a detailed study of one key 'operational zone' in the Zambezi valley. It shows that to understand the meaning the war and independence have for the people of Zimbabwe themselves, we must take into account not only the nationalist guerrillas and politicians, the bearers of guns, but also the mediums of the spirits of the Shona royal ancestors, the bringers of rain.

This translation of Checkov's tragi-comic play - perhaps his most popular - is being published to coincide with a production at the National Theatre, starring Vanessa Regrave.

The author was born in 1940 and spent his childhood in two small villages, the paternal and the maternal, in southern Vietnam: Binh Chuan and Tuy An (An Phu). The villages were deeply affected by the powerful political events of the next fifty years. In this memoir (first sentence: ""I was born as the Japanese Troops were invading northern Vietnam""), the author writes of what he saw, heard and knew, providing an invaluable social history of the country.Readers will learn about people who have endured separation, dictatorship, carnage, persistent suffering and poverty, all the while yearning for independence and prosperity. Included are many stories - some funny, some heartbreaking - that reveal how the Vietnamese people lived, as well as their thoughts on war, on the French, Japanese and Americans, on the Nationalist and Communist governments, and on escape. The result is a heartfelt ""social painting"" of the nation.