Originally published in French in 1997 and appearing here in English for the first time, David Lapoujade's William James: Empiricism and Pragmatism is both an accessible and rigorous introduction to James's thought and a pioneering rereading of it. Examining pragmatism's fundamental questions through a Deleuzian framework, Lapoujade outlines how James's pragmatism and radical empiricism encompass the study of experience and the making of reality, and he reopens the speculative side of pragmatist thought and the role of experience in it. The book includes an extensive afterword by translator Thomas Lamarre, who illustrates how James's interventions are becoming increasingly central to the contemporary debates about materialist ontology, affect, and epistemology that strive to bridge the gaps among science studies, media studies, and religious studies.

Originally published in French in 1997 and appearing here in English for the first time, David Lapoujade's William James: Empiricism and Pragmatism is both an accessible and rigorous introduction to James's thought and a pioneering rereading of it. Examining pragmatism's fundamental questions through a Deleuzian framework, Lapoujade outlines how James's pragmatism and radical empiricism encompass the study of experience and the making of reality, and he reopens the speculative side of pragmatist thought and the role of experience in it. The book includes an extensive afterword by translator Thomas Lamarre, who illustrates how James's interventions are becoming increasingly central to the contemporary debates about materialist ontology, affect, and epistemology that strive to bridge the gaps among science studies, media studies, and religious studies.

On the complex aesthetics and ontology at work in Etienne Souriau's unique oeuvre In this concise but expansive exegesis of the philosophical aesthetics of Etienne Souriau, philosopher David Lapoujade provides a lucid introduction to many of the key concepts underpinning Souriau's existential pluralism. Among the various modes of existence that populate a world, Souriau grants particular importance to virtual beings-the lesserexistences. Always taking the form of a sketch or an outline, the perfection of such existences lies precisely in the incompletion with which they imbue all reality. They exist with a problematizing force, posing questions and inviting the establishment of an "art" that would make them more real. And yet, for this to happen, another existence must first see them-must be capable of hearing their appeals-and must be willing to defend their right to exist. Through discussions of modern art ranging from the dispossessed characters of Kafka and Beckett to the grids of Agnes Martin and the protographies of Oscar Munoz, Lapoujade leads the reader into a complex philosophical world, brimming with modal existences and animated by a unique conception of creative processes, where the philosopher as artist or artist as philosopher becomes an advocate, defending the right of certain realities to gain in existence. For Souriau, nothing is given in advance, everything is a work in the making: such is the instaurative practice that grounds his entire oeuvre.

A posthumous collection of writings by Deleuze, including letters, youthful essays, and an interview, many previously unpublished. Letters and Other Texts is the third and final volume of the posthumous texts of Gilles Deleuze, collected for publication in French on the twentieth anniversary of his death. It contains several letters addressed to his contemporaries (Michel Foucault, Pierre Klossowski, Francois Chatelet, and Clement Rosset, among others). Of particular importance are the letters addressed to Felix Guattari, which offer an irreplaceable account of their work as a duo from Anti-Oedipus to What is Philosophy? Later letters provide a new perspective on Deleuze's work as he responds to students' questions. his volume also offers a set of unpublished or hard-to-find texts, including some essays from Deleuze's youth, a few unusual drawings, and a long interview from 1973 on Anti-Oedipus with Guattari.

One of the first comprehensive treatments of Deleuzian thought. There is always something schizophrenic about logic in Deleuze, which represents another distinctive characteristic: a deep perversion of the very heart of philosophy. Thus, a preliminary definition of Deleuze's philosophy emerges: an irrational logic of aberrant movements. -from Aberrant Movements In Aberrant Movements, David Lapoujade offers one of the first comprehensive treatments of Deleuzian thought. Drawing on the entirety of Deleuze's work as well as his collaborations with Felix Guattari, from the "transcendental empiricism" of Difference and Repetition to the schizoanalysis and geophilosophy of Anti-Oedipus and A Thousand Plateaus, Lapoujade explores the central problem underlying the delirious coherence of Deleuze's philosophy: aberrant movements. These are the movements that Deleuze wrests from Kantian idealism, Nietzsche's eternal return, and the nonsense of Lewis Carroll; they are the schizophrenic processes of the unconscious and the nomadic line of flight traversing history-in short, the forces that permeate life and thought. Tracing and classifying their "irrational logics" represent the quintessential tasks of Deleuzian philosophy. Rather than abstract notions, though, these logics constitute various modes of populating the earth-involving the human as much as the animal, physical, and chemical-and the affective, mental, and political populations that populate human thought. Lapoujade argues that aberrant movements become the figures in a combat against the forms of political, social, philosophical, aesthetic, and scientific organization that attempt to deny, counter, or crush their existence. In this study of a thinker whose insights, theoretical confrontations, and perverse critiques have profoundly influenced philosophy, literature, film, and art over the last fifty years, Lapoujade invites us to join in the discordant harmonies of Deleuze's work-and in the battle that constitutes the thought of philosophy, politics, and life.

A fascinating anthology of texts and interviews written over 20 years by renowned French philosopher Gilles Deleuze. "One day, perhaps, this century will be Deleuzian," Michel Foucault once wrote. This book anthologizes 40 texts and interviews written over 20 years by renowned French philosopher Gilles Deleuze, who died in 1995. The early texts, from 1953-1966 (on Rousseau, Kafka, Jarry, etc.), belong to literary criticism and announce Deleuze's last book, Critique and Clinic (1993). But philosophy clearly predominates in the rest of the book, with sharp appraisals of the thinkers he always felt indebted to: Spinoza, Bergson. More surprising is his acknowledgement of Jean-Paul Sartre as his master. "The new themes, a certain new style, a new aggressive and polemical way of raising questions," he wrote, "come from Sartre." But the figure of Nietzsche remains by far the most seminal, and the presence throughout of his friends and close collaborators, Felix Guattari and Michel Foucault. The book stops shortly after the publication of Anti-Oedipus, and presents a kind of genealogy of Deleuze's thought as well as his attempt to leave philosophy and connect it to the outside-but, he cautions, as a philosopher.

How is it that when we think of time, we hardly think of the role affect plays in granting us access to time: the sense of waiting, regret, mourning, melancholy? In Powers of Time, David Lapoujade returns to two central themes that continuously converge throughout the writings of the French philosopher Henri Bergson: duree (duration) and intuition. If duration is synonymous with memory, how are we then capable of thinking an authentic sense of the future? Does this mean that freedom is nothing more than a reprisal of our past? Lapoujade uncovers multiple versions of Bergson: a philosopher of sympathy, a melancholic philosopher, a perspectivist Bergson, a spiritualist Bergson. Leading us beyond simplistic anthropomorphic conceptions of temporality and intuition, Lapoujade's multiple Bergsons guide us to encounter a rapport with time, memory, and duration that places us in direct contact with the nonhuman flows and movements of the universe.