‘England’ and ‘Englishness’ have received much attention in the twenty-first century, not least in debates over Brexit. About England explores how these concepts have been imagined since the 1960s, covering themes including politics, popular culture, geography, art, architecture, film and music. David Matless navigates the country’s complex cultural terrain, revealing the ways in which the national is entangled with the local, the regional, the European, the international, the imperial, the post-imperial and the global. He also addresses physical landscapes, from the village and country house to the urban, suburban and industrial, and reflects on the ‘English modern’. About England uncovers the genealogy of recent cultural and political debates in England, showing how twenty-first-century concerns and anxieties have been moulded by events over the previous sixty years.

Landscape has been central to definitions of Englishness for centuries. David Matless argues that landscape has been the site where English visions of the past, present and future have met in debates over questions of national identity, disputes over history and modernity, and ideals of citizenship and the body. Landscape and Englishness is extensively illustrated and draws on a wide range of material - topographical guides, health manuals, paintings, poetry, architectural polemic, photography, nature guides and novels. The author first examines the inter-war period, showing how a vision of Englishness and landscape as both modern and traditional, urban and rural, progressive and preservationist, took shape around debates over building in the countryside, the replanning of cities, and the cultures of leisure and citizenship. He concludes by tracing out the story of landscape and Englishness down to the present day, showing how the familiar terms of debate regarding landscape and heritage are a product of the immediate post-war era, and asking how current arguments over care for the environment or expressions of the nation resonate with earlier histories and geographies.

Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural, and political frameworks in different places and at different historical moments. Taking an explicitly spatial approach, this unique interdisciplinary text explores the role played by music in the formation and articulation of geographical imaginations--local, regional, national, and global. Contributors show how music's facility to be recorded, stored, and broadcast; to be performed and received in private and public; and to rouse intense emotional responses for individuals and groups make it a key force in the definition of a place. Covering rich and varied terrain--from Victorian England, to 1960s Los Angeles, to the offices of Sony and Time-Warner and the landscapes of the American Depression--the volume addresses such topics as the evolution of musical genres, the globalization of music production and marketing, alternative and hybridized music scenes as sites of localized resistance, the nature of soundscapes, and issues of migration and national identity.

This book arises out of an ESRC project devoted to an examination of the economic, social and cultural impacts of the 'service class' on rural areas. The research was an attempt to document these impacts through close empirical work in a set of three rural communities, but something happened on the way. The authors found that the 'rural' became a real sticking point. Respondents used it in different ways - as a bludgeon, as a badge, as a barometer - to signify many different things - security, identity, community, domesticity, gender, sexuality, ethnicity - nearly always by drawing on many different sources - the media, the landscape, friends and kin, animals. It became abundantly clear that the 'rural', whatever chameleon form it took, was a prime and deeply felt determinant of the actions of many respondents. Yet it was also clear that to the authors they possessed no theoretical framework that could allow them to negotiate the 'rural' to deconstruct its diverse nature as a category. Rather each of the extended essays in the book is an attempt by each author to draw out one aspect of the 'rural' by drawing on different traditions in social and cultural theory.