For courses in Soil Mechanics and Foundations. Essentials of Soil Mechanics and Foundations: Basic Geotechnics, Seventh Edition, provides a clear, detailed presentation of soil mechanics: the background and basics, the engineering properties and behavior of soil deposits, and the application of soil mechanics theories. Appropriate for soil mechanics courses in engineering, architectural and construction-related programs, this new edition features a separate chapter on earthquakes, a more logical organization, and new material relating to pile foundations design and construction and soil permeability. It's rich applications, well-illustrated examples, end-of-chapter problems and detailed explanations make it an excellent reference for students, practicing engineers, architects, geologists, environmental specialists and more.

Regan Hall's directorial feature debut is a fast-paced sports drama set in London. Sparks fly when Shania (Lenora Crichlow), a sprinter from the city's back streets, comes head to head with Lisa (Lily James), an equally ambitious young runner from a wealthy middle class background. Their fierce rivalry soon reaches breaking point as both girls strive to make it to the top. Bradley James, Rupert Graves and Noel Clarke co-star.

Beginning with responses to fascism in the 1930s and ending with protests against the Iraq wars, David McCarthy shows how American artists - including Philip Evergood, David Smith, H. C. Westermann, Ed Kienholz, Nancy Spero, Leon Golub, Chris Burden, Robert Arneson, Joyce Kozloff, Martha Rosler, and Coco Fusco-have borne witness, registered dissent, and asserted the enduring ability of imagination to uncover truths about individuals and nations. During what has been called the American Century, the United States engaged in frequent combat overseas while developing technologies of unprecedented lethality. Many artists, working collectively or individually, produced antiwar art to protest the use or threat of military violence in the service of an expansionist state. In so doing, they understood themselves to be fighting on behalf of two liberal beliefs: that their country was the guarantor of liberty against empire, and that modern art was a viable means of addressing the most compelling events and issues of the moment. For many artists, creative work was a way to participate in democratic exchange by challenging and clarifying government and media perspectives on armed conflict. Charting a seventy-five-year history of antiwar art and activism, American Artists against War, 1935-2010 lucidly tracks the continuities, preoccupations, and strategies of several generations.

SEEING AFRESH offers an informed, thoughtful and multi-faceted reflection on fresh expressions of church. It explores their theological foundations, missional motivations and the cultural influences that have shaped their development, and reflects upon the life and practice of the church in today's changing contexts. It relates the stories of various fresh expressions of church and asks what can be learned from them. Throughout, David McCarthy draws on vivid examples from popular culture to enliven his analysis and to make connections between the gospel and the world that God loves. PART ONE gives an overview of fresh expressions of church and how they develop. PART TWO asks what experience has taught us about God, ourselves and the communities we serve. PART THREE tells actual stories from those involved in fresh expressions of church as they reflect upon the wider lessons they have learnt and PART FOUR seeks to discern the church's future direction of travel.