T. S. Eliot's lifelong quest for a world of the spirit is the theme of this book by leading Eliot scholar A. David Moody. The first four essays in the collection map Eliot's spiritual geography: the American taproot of his poetry, his profound engagement with the philosophy and religion of India, his near and yet detached relations with England, and his problematic cultivation of a European mind. At the centre of the collection is a study of the Latin poem Pervigilium Veneris, a fragment of which figures enigmatically in the concluding lines of The Waste Land. The third part of the collection is a set of five investigations of Eliot's poems, dealing particularly with The Waste Land, Ash Wednesday and Four Quartets, and attending to how they express and shape what he called 'the deeper, unnamed feelings which form the substratum of our being'.

This third and final volume of A. David Moody's critical life of Ezra Pound presents Pound's personal tragedy in a tragic time. The first volumes of Moody's biography have been acclaimed as 'masterly' (Daily Telegraph), 'exceptional' (Literary Review), and 'invaluable' (New York Times Book Review). In this concluding volume, we experience the 1939-1945 World War, and Pound's hubristic involvement in Fascist Italy's part in it; we encounter the grave moral and intellectual error of Pound holding the Jewish race responsible for the war; and his consequent downfall, being charged with treason, condemned as an anti-Semite, and shut up for twelve years in an institution for the insane. Further, we see Pound stripped for life, by his own counsel and wife, of his civil and human rights. Pound endured what was inflicted upon him, justly and unjustly, without complaint; and continued his lifetime's effort to promote, in and through his Cantos and his translations, a consciousness of a possible humane and just social order. The contradictions run deep and compel, as tragedy does, a steady and unprejudiced contemplation and an answering depth of comprehension.

The poet Ezra Pound (1885-1972) was the only child of Homer Loomis Pound (1885-1942) and Isabel Weston Pound (1860-1948). He grew up in Philadelphia, where his father was an assayer in the U.S. Mint; was educated at the University of Pennsylvania, and at Hamilton College in upstate New York; taught briefly at Wabash College, Crawfordsville, Indiana; then left America for London, where he lived from 1908 to the end of 1920, after which he lived in Paris until 1924, and then in Rapallo, Italy. His letters home reveal not only the warm affection, openness, and playfulness of the young man to his devoted parents, from schooldays through college and on into his life as teacher, poet, and critic, but also the ways in which he shared with them the ideas, influences, and experiences that went into the development of his exceptional poetic genius. He kept them in touch with his progress in realising his ambition to become a good and powerful poet, with what he was writing and doing, who he was meeting, his dealings with publishers, editors, and magazines, and his bold plans for reforms and revolutions. The letters are a rich mine of information about Pound himself and about the literary and social worlds in which he moved and had his being. They also display his epistolary idiosyncrasies and his inventive and witty way with words. Altogether they are of great human as well as literary and historical interest, and give an intimate insight into this revolutionary and influential poet's life and work. This is an essential volume for anyone interested in Pound, and an irresistible book for the general reader with an interest in literary life in the twentieth century.
All the extant letters to his parents up to 1929, the year they moved to be near him in Rapallo, are included here in full. Ezra Pound's daughter Mary de Rachewiltz directed the edition, and contributes a memoir of Isabel and Homer Pound. There is a comprehensive Glossary of persons named in the letters, and the letters are accompanied by explanatory notes and commentary.

The long-awaited second volume of A. David Moody's critically acclaimed three-part biography of Ezra Pound weaves together the illuminating story of his life, his achievements as a poet and a composer, and his one-man crusade for economic justice. The years 1921-1939 were the most productive of Pound's career. In 1920s Paris, he was among the leading figures of the avant-garde and, in that ambience, he composed an opera, made original contributions to the theory of harmony, and wrote the first thirty cantos of his great epic. Moody explores this creativity in fascinating detail, examining the environment that allowed for some of Pound's greatest work. This period also brought Pound's politics firmly into view and Moody is able to shed new light on his sympathy for Mussolini's Fascism, his invoking Confucian China as a model of responsible government, and his abiding commitment to the democratic values of the American Constitution. Pound is revealed as a great poet and a flawed idealist caught up in the turmoil of his darkening time and struggling, sometimes blindly and in error and self-contradiction, to be a force for enlightenment.

This first volume of what will be a full-scale portrait presents Ezra Pound as a very determined and energetic young genius setting out to make his way both as a poet and as a force for civilization in England and America in the years before, during and just after the 1914-18 war. In a clear and lively narrative A. David Moody weaves a story of Pound's early life and loves; of his education in America; of his apprentice years in London, devoted to training himself to be as a good and powerful a poet as he had it in him to become; of his learning there from W. B.Yeats and Ford Madox Hueffer, then forming his own Imagiste group, and going on from that to join with Wyndham Lewis in his Vorticism, and to link up also with James Joyce and T. S. Eliot to create the modernist vortex in the midst of the 1914-18 war. We see Pound scraping a living by writing prose for individualist and socialist periodicals, and emerging as not only an inspired literary critic, but as a critic of music and society as well. Above all, Moody shows Pound's evolution as a poet from the derivative idealism and aestheticism of his precocious youth into the truly original author of Homage to Sextus Propertius and Hugh Selwyn Mauberley. We find Pound established by 1920 as a force for revolution in poetry; as a force for the liberation of the individual from stifling conventions; and as a force for renaissance in America. We find him becoming committed, moreover, to the reform of the capitalist system in the name of economic justice for all. This is the first biography to put Pound's poetry at the heart of his existence, where he himself placed it, and to view his extraordinarily active life, his loves, and his creative effort, as a single complex drama. The altogether new and comprehensive account of all of his poems, from the earliest through Cathay and up to Hugh Selwyn Mauberley and the first Cantos , will illuminate his poetry and make it more accessible. With that there is an exceptionally clear and cogent analysis of the ideas informing his Imagisme and his Vorticism ; and of the ideas informing his commitments to the freedom and fulfilment of the individual, to a cultural renaissance, and to social and economic reform. The poetry, the prose writings, and the personal life are all woven together into a brilliant narrative portrait of the poet as a young man. The second volume, The Epic Years, carries on the narrative of his life and works from 1921, the year in which he took up residence in Paris.

This third and final volume of A. David Moody's critical life of Ezra Pound presents Pound's personal tragedy in a tragic time. In this volume, we experience the 1939-1945 World War, and Pound's hubristic involvement in Fascist Italy's part in it; we encounter the grave moral and intellectual error of Pound holding the Jewish race responsible for the war; and his consequent downfall, being charged with treason, condemned as an anti-Semite, and shut up for twelve years in an institution for the insane. Further, we see Pound stripped for life, by his own counsel and wife, of his civil and human rights. Pound endured what was inflicted upon him, justly and unjustly, without complaint; and continued his lifetime's effort to promote, in and through his Cantos and his translations, a consciousness of a possible humane and just social order. The contradictions run deep and compel, as tragedy does, a steady and unprejudiced contemplation and an answering depth of comprehension.

This second volume of A. David Moody's full-scale portrait, covering Ezra Pound's middle years, weaves together into a single highly readable and challenging narrative, in a way that has not been done before, the illuminating story of his life, his achievement as a poet and a composer, and his one-man crusade for economic justice. There is new insight into his complicated personal relationships. There are detailed accounts of the composition of his two operas and of his original contribution to the theory of harmony. A canto by canto and decad by decad elucidation of the form and meaning of the first seventy-one cantos of his epic reveals their hitherto unperceived musical structures and their overall design. The thinking behind his support for Mussolini's economic programme during the Great Depression of the 1930s is brought to light, and shown to be not "fascist" but essentially true to the principles of the American Revolution, and, behind that, to Confucian ideas of responsible government. At the same time it is made clear that he saw only what he wanted to see in Mussolini's Fascism, and later in Hitler's Nazism, and was blind to their darker policies. And it is clear that he went most seriously wrong in deploying, as a weapon in his war on the injustice of the capitalist financial system, the anti-Semitism endemic in Europe and America and at that time turning murderous in Nazi Germany. Pound is revealed as a great poet and a flawed idealist caught up in the turmoil of his darkening time and struggling, sometimes blindly and in error and self-contradiction, to be a force for enlightenment. A third volume will carry on the narrative of his life and works from 1939 to his death in 1972.

AUTUMN is a self-publishing phenomenon which has been downloaded more than half a million times since publication in 2001 and has spawned a series of sequels and a movie starring Dexter Fletcher and David Carradine. Film rights to HATER, another book by Moody, have been bought by Guillermo del Toro (HELLBOY, PAN'S LABYRINTH) and Mark Johnson (producer of the CHRONICLES OF NARNIA films). A disease of unimaginable ferocity has torn across the face of the planet leaving billions dead. A small group of survivors shelter in the remains of a devastated city, hiding in terror as the full effects of the horrific infection start to become clear. The sudden appearance of a company of soldiers again threatens the survivors' fragile existence. Do they bring with them hope, help and answers, or more pain, fear and suffering?

The sun is dying. The temperature around the world is rising by the hour with no sign of any respite. At this rate the planet will soon become uninhabitable; all life extinguished. It might be weeks away, it might be days... we may only have hours remaining. Society is crumbling. The burning world is descending into chaos. Steven Johnson's wife is hundreds of miles away and all that matters is reaching her before the end. He has to act now, no time to stop and think. Every second is precious. Tomorrow is too late. "An engaging and heart-breaking read - Moody is the go-to-guy for extraordinary stories starring ordinary people" -Wayne Simmons, author of Plastic Jesus and Flu "He brings to mind old Brit horror writer James Herbert. And that is some recommendation" -London Lite "David Moody spins paranoia into a deliciously dark new direction" -Jonathan Maberry, author of Patient Zero and Rot and Ruin

David Moody presents the final book in the acclaimed AUTUMN series. The human race is finished. Mankind is all but dead and only a handful of frightened individuals remain. These people have survived through chance, not skill, and they are a desperate bunch: cheating lovers, workshy civil servants, permanently drunk publicans, teenage rebels, obsessive accountants, failed husbands, first-time cross-dressers, disrobed priests and more... Experience the end of the world as seen from almost fifty different perspectives. Part-companion, part-guidebook and part-sequel, AUTUMN: THE HUMAN CONDITION follows the individual stories of these desperate survivors through their final dark days. 'The best survival horror since Richard Matheson's I am Legend' - Wayne Simmons, author of Flu and Plastic Jesus 'Moody is as imaginative as Barker, as compulsory as King, and as addictive as Palahniuk' - Scream the horror magazine 'Takes the genre in a fascinating new direction. If John Wyndham was alive and writing zombie novels, they'd read like this' - Jonathan Maberry, best-selling author of Patient Zero and Rot & Ruin

The most important event in human history takes place in the middle of nowhere. Perspectives are altered. Perceptions are changed. Nothing will ever be the same again. Is this a moment of deliverance for the human race, or the beginning of its end? Tom Winter thinks he knows, but if he's right, then seven billion other people are wrong.