After Franz Kafka died in 1924, his novels and short stories were published in ways that downplayed both their author's roots in Prague and his engagement with Jewish tradition and language, so as to secure their place in the German literary canon. Now, nearly a century after Kafka began to create his fictions, Germany, Israel, and the Czech Republic lay claim to his legacy. Kafka's Jewish Languages brings Kafka's stature as a specifically Jewish writer into focus. David Suchoff explores the Yiddish and modern Hebrew that inspired Kafka's vision of tradition. Citing the Jewish sources crucial to the development of Kafka's style, the book demonstrates the intimate relationship between the author's Jewish modes of expression and the larger literary significance of his works. Suchoff shows how "The Judgment" evokes Yiddish as a language of comic curse and examines how Yiddish, African American, and culturally Zionist voices appear in the unfinished novel, Amerika. In his reading of The Trial, Suchoff highlights the black humor Kafka learned from the Yiddish theater, and he interprets The Castle in light of Kafka's involvement with the renewal of the Hebrew language. Finally, he uncovers the Yiddish and Hebrew meanings behind Kafka's "Josephine the Singer, or the Mouse-Folk" and considers the recent legal case in Tel Aviv over the possession of Kafka's missing manuscripts as a parable of the transnational meanings of his writing.

Series Information:
CultureWork: A Book Series from the Center for Literary and Cultural Studies at Harvard

Proceedings of the Brandeis conference on Jewish Germanists who fled Nazi Germany and their impact on Anglo-American German studies. Among the Jewish academics and intellectuals expelled from Germany and Austria during the Nazi era were many specialists in German literature. Strangely, their impact on the practice of Germanistik in the United States, England, and Canada has been given little attention. Who were they? Did their vision of German literature and culture differ significantly from that of those who remained in their former homeland? What problems did they face in theAmerican and British academic settings? Above all, how did they help shape German studies in the postwar era? This unique and important symposium, which convened at Brandeis University under the auspices of its Center for Germanand European Studies, addresses these and many other questions. Among its distinguished participants--who numbered over thirty in all--are Peter Demetz (Yale, emeritus), Gesa Dane (Goettingen), Amir Eshel (Stanford), Willi Goetschel (Toronto), Barbara Hahn (Princeton), Susanne Klingenstein (MIT), Christoph Koenig (Deutsches Literaturarchiv, Marbach), Ritchie Robertson (Oxford), Egon Schwarz (Washington University St. Louis, emeritus), Hinrich Seeba (UC Berkeley), Walter Sokel (University of Virginia, emeritus), Frank Trommler (University of Pennsylvania), and many more. The volume includes not only the (revised) essays of the participants but also their prepared responses, transcripts of the panel discussion, and dialogue of the participants with members of the audience. Stephen D. Dowden is professor of German at Brandeis University; Meike G. Werner is assistant professor of German at Vanderbilt University.

First published in 1957, The Legacy of German Jewry is a comprehensive rethinking of the German-Jewish experience. Goldschmidt challenges the elegiac view of Gershom Scholem, showing us the German-Jewish legacy in literature, philosophy, and critical thought in a new light.Part One re-examines the breakthrough to modernity, tracing the moves of thinkers like Moses Mendelssohn, building on the legacies of religious figures like the Baal Shem Tov and radical philosophers such as Spinoza. This vision of modernity, Goldschmidt shows, rested upon a belief that aremnantsa of the radical past could provide ideas and energy for reconceiving the modern world. Goldschmidtas philosophy of the remnant animates Part Two as well, where his account of the political history of the Jews in modernity and the riches of Jewish culture as recast in German-Jewish thought provide insights into Leo Baeck, Hermann Cohen, and Franz Rosenzweig, among others. Part Three analyzes the post-Auschwitz complex, and uses the Book of Job to break through that trauma.Ahead of his time and biblical in his perspective, Goldschmidt describes the innovative ways that German-Jewish writers and thinkers anticipated what we now call multiculturalism and its concern with the Other. Rather than destined to destruction, the German-Jewish experience is reconceived here as a past whose unfulfilled project remains urgent and contemporaryaa dream yet to be realized in practice, and hence a task that still awaits its completion.

The Holocaust changed what it means to be a Jew, for Jew and non-Jew alike. Much of the discussion about this new meaning is a storm of contradictions. In "The Imaginary Jew," Alain Finkielkraut describes with passion and acuity his own passage through that storm.

Finkielkraut decodes the shifts in anti-Semitism at the end of the Cold War, chronicles the impact of Israel's policies on European Jews, opposes arguments both for and against cultural assimilation, reopens questions about Marx and Judaism, and marks the loss of European Jewish culture through catastrophe, ignorance, and cliche. He notes that those who identified with Israel continued the erasure of European Judaism, forgetting the pangs and glories of Yiddish culture and the legacy of the Diaspora.