Published in association with the seminar series of the same name held by the University of Oxford, "Samuel Beckett: Debts and Legacies" presents the best new scholarship addressing the sources, development and ongoing influence of Samuel Beckett's work. Edited by convenors Dr Peter Fifield and Dr David Addyman, the volume presents ten research essays by leading international scholars ranging across Beckett's work, opening up new avenues of enquiry and association for scholars, students and readers of Beckett's work.Among the subjects covered the volume includes studies of: -Beckett and the influence of new media 1956-1960-the influence of silent film on Beckett's work-death, loss and Ireland in Beckett's drama - tracing Irish references in Beckett's plays from the 1950s and 1960s, including" Endgame," "All That Fall," " Krapp's Last Tape" and "Eh Joe"-a consideration of Beckett's theatrical notebooks and annotated copies of his plays which provide a unique insight into his attitude toward the staging of his plays, the ways he himself interpreted his texts and approached theatrical practice.-the French text of the novel "Mercier et Camier," which both biographically and aesthetically appeared at a very significant moment in Beckett's career and indicates a crucial development in his writing-the matter of tone in Beckett's drama, offering a new reading of the ways in which this elusive property emerges and can be read in the relationship between published text, canon and performance

This Reader's Guide provides a timely critical overview that allows readers to orient themselves authoritatively in the rapidly-evolving field of contemporary British poetry. Focusing on key themes and issues, and a wide range of poets, the Guide captures the intersection between the historical and cultural contexts of critical debate today.

CAA is the foremost conference on digital archaeology, and this volume offers a comprehensive and up-to date reference to the state of the art. This volume contains a selection of the best papers presented at the 40th Annual Conference of Computer Applications and Quantitative Methods in Archaeology (CAA), held in Southampton from 26 to 29 March 2012. The papers, all written and peer-reviewed by experts in the field of digital archaeology, explore a multitude of topics to showcase ground-breaking technologies and best practice from various archaeological and informatics disciplines, with a variety of case studies from all over the world. Download the Table of Contents and a sample chapter

Effective management is becoming increasingly important in all aspects of archaeology. Archaeologists must manage the artefacts thay deal with, their funding, ancient sites, as well as the practice of archaeology itself. Managing Archaeology is a collecton of outstanding papers from experts involved in these many areas. The contributors focus on the principles and practice of management in the 1990s, covering such crucial aeas as the management of contract and field archaeology, heritage management, marketing, law and information technology. The resulting volume is important and informative reading for archaeologists and heritage managers, as well as planners, policy makers and environmental consultants.

'This book is a character study for the future of British Archaeology as it seeks to define its role for the coming millennium.' - New Scientist

'Managing archaeology will undoubtedly emerge as a milestone in archaeological literature and will prove particularly valuable for those already on the professional career ladder.' - Antiquity

'It presents a broad view of the inner mechanisms of contemporary British Archaeology and its preoccupations and will be of interest to those working within the profession as well as providing useful insights for those less formally involved.' - Archaeological Journal

'This book is essential reading for all those involved in the practice of archaeology.' - International Journal of Heritage Studies

'Anyone interested in the process of archaeology will find something to interest them in this multi-authored volume ... This is an important volume because it raises many of the issues which archaeologists think about but do not necessarily talk about.' - Tim Schadla-Hall, The Archaeologist

'What emerges from this volume is a clear understanding that archaeology is now both a discipline, a scholarly academic undertaking, and a profession, a service provided to others for a consideration, not always monetary in nature.' - Historical Archaeology

Shortlisted for the 2018 Irish Times Poetry Now Award. In his fifth collection of poems, David Wheatley twins his birthplace and his current home, Ireland and Scotland, to engage issues of globalism, identity, and language. He takes inspiration from the Russian Futurist poet Velimir Khlebnikov, self-nominated President of Planet Earth, who in a state of apocalyptic rapture envisioned a new world culture, its rise and its dramatic undoing. In The President of Planet Earth Wheatley brings an experimental sensibility to bear on questions of land and territory, channelling the messianic aspirations of modernism into subversive comedy. We move between Pictish pre-history, the imaginary South American nation ofaA A aA A `Oblivia', aA A and post-independence referendum Scotland. Wheatley marries classical, Gaelic, Scots and continental traditions. He deploys several styles - prose poetry; concrete poetry; translations from Middle Irish, Latin and French; sestinas and sonnets in Scots - to heady effect. The President of Planet Earth refashions language and the world it shapes, devising a transformative poetics.

In Child Ballad, David Wheatley's sixth collection, he explores a world transformed by the experience of parenthood. Conducting his children through landscapes of Northern Scotland, he follows pathways laid down by departed Irish missionaries and by wolves. He maps a rich territory of rivers, trees and mountains. Also present are histories, some evidenced, some no longer visible and yet to be inferred. Stylistically, Child Ballad is multifaceted, drawing on influences from the Scottish ballad tradition and the Gaelic bards, on French symbolism and on the American Objectivists. Wheatley is an Irish poet living and teaching in Scotland: as a cultural corridor, his Scotland is a space of migrations and palimpsests, different traditions held in dynamic balance and fusion. Writing across geographical and historical distances as he does, Wheatley develops an aesthetic of complex intimacy, alert to questions of memory and loss, communicating the ache of the here and now. He sees through the eyes of young children and the world looks very different in its gifts and threats. He provides intimate descriptions of parenthood and descriptions of a Northern Scottish natural world. He deploys an ambitious range of poetic styles and forms. His poems put deep roots down into history and geology, and with translation into other languages. Themes of migration and politics are never far away. Child Ballad sings of midlife, of resettlement and marriage as well as parenthood.

Geographical Information Systems (GIS) and related spatial technologies have a new and powerful role to play in archaeological interpretation.
Beginning with a conceptual approach to the representation of space adopted by GIS; the book examines spatial databases; the acquisition and compilation of data; the analytical compilation of data; the analytical functionality of GIS and the creation and utilisation of critical foundation data layers such as the Digital Elevation Model (DEM)
The ways in which GIS can most usefully facilitate archaeological analysis and interpretation are then explored particularly as a tool for the management of archaeological resources. Formal analysis of archaeological material, and the use of trend surface, contouring and interpolation procedures are considered. Predictive modelling analysis of visibility and intervisibility are explained. Finally there is a discussion of leading-edge issues, including three-dimensional GIS, object-oriented GIS, the relationship between GIS and 'Virtual Reality' technologies, and the integration of GIS with distributed systems and the Internet.
The approach is light, and technical detail is kept to a minimum, recognising that most readers are simply interested in using GIS effectively. The text is carefully illustrated with worked case-studies using archaeological data. The book provides a single reference source for archaeologists- students, professionals and academics in archaeology as well as those in anthropology and related disciplines.

This volume explores the pervasive influence exerted by some prehistoric monuments on European social life over thousands of years, and reveals how they can act as a node linking people through time, possessing huge ideological and political significance. Through the advancement of theoretical approaches and scientific methodologies, archaeologists have been able to investigate how some of these monuments provide resources to negotiate memories, identities, and power and social relations throughout European history. The essays in this collection examine the life-histories of carefully chosen megalithic monuments, stelae and statue-menhirs, and rock art sites of various European and Mediterranean regions during the Iron Age and Roman and Medieval times. By focusing on the concrete interaction between people, monuments, and places, the volume offers an innovative outlook on a variety of debated issues. Prominent among these is the role of ancient remains in the creation, institutionalization, contestation, and negotiation of social identities and memories, as well as their relationship with political economy in early historic European societies. By contributing to current theoretical debates on materiality, landscape, and place-making, The Lives of Prehistoric Monuments in Iron Age, Roman, and Medieval Europe seeks to overcome disciplinary boundaries between prehistory and history, and highlight the long-term, genealogical nature of our engagement with the world.

Geographis Information Systems (GIS) and related technologies have a new and powerful role to play in archaeological interpretation
Beginning with a conceptual approach to the representation of space adopted by the GIS; the book examines spatial databases; the acqusition and compilation of data; the analytical functionality of GIS and the creation and utilisation of critical foundation data layers such as the Digital Elevation Model (DEM).
The ways in which GIS can most usefully facilitaate archaeological analysis and interpretation is then explored, particularly as a tool for the management of archaeological resources. Formal analysis of archaeological material, and the use of trend surface, contouring and interpolation proceedures are considered. Predictive modeling analysis of visibility and intervisibility are explained. Finally, there is a discussion of leading-edge issues, including three-dimensional GIS, object oriented GIS, the relationship between GIS and 'Virtual Reality' technologies, and the integration of GIS with distributed systems and the internet.
The approach is light, and the detail is kept to a minimum, recognising that most readers are simply interested in using GIS effectively. The text is carefully illustrated with worked case-studies usingarchaeological data. The book provides a single reference source for archaeologists - students, professional archaeologists and academics in archaeology as well as those in anthrolpology and related disciplines.
Key Features
* accessible textbook
* heavily illustrated
* full colour section

A History of Irish Women's Poetry is a ground-breaking and comprehensive account of Irish women's poetry from earliest times to the present day. It reads Irish women's poetry through many prisms - mythology, gender, history, the nation - and most importantly, close readings of the poetry itself. It covers major figures, such as Maire Mhac an tSaoi, Eavan Boland, Eilean Ni Chuilleanain, as well as neglected figures from the past. Writing in both English and Irish is considered, and close attention paid to the many different contexts in which Irish women's poetry has been produced and received, from the anonymous work of the early medieval period, through the bardic age, the coterie poets of Anglo-Ireland, the nationalist balladeers of Young Ireland, the Irish Literary Revival, and the advent of modernity. As capacious as it is diverse, this book is an essential contribution to scholarship in the field.