An alluring dreambook and informative handbook for collectors of plastic bangle bracelets, illustrated with rare and common pieces in a profusion of colors and styles. Gorgeous spreads arranged by designs and techniques introduce the reader to the unexpected riches of this collecting field. 415 color photos showcase thousands of bangles.\nToday, when Bakelite and celluloid are snapped up at ever higher prices, many collectors turn to brighter, more playful, and more affordable plastic jewelry from the second half of the 20th century. Until now, collectors of Lucite and other plastic bangles had no information about these attractive collectibles.\nChapters cover the identification of plastics, techniques, designers, manufacturers, fakes and knock-offs, and collectible plastics of the future. All have current market value ranges.

Recent inquiries into the concept of the gift have been largely male-dominated and thus have ignored important aspects of the gift from a woman s point of view. In the light of philosophical work by Mauss, Levi-Strauss, Derrida, and Bataille, Women and the Gift reflects how women respond to the notion of the gift and relationships of giving. This collection evaluates and critiques previous work on the gift and also responds to how women view care, fidelity, generosity, trust, and independence in light of the gift."

In recent years, the topic of ancient Greek hero cult has been the focus of considerable discussion among classicists. Little attention, however, has been paid to female heroized figures. Here Deborah Lyons argues for the heroine as a distinct category in ancient Greek religious ideology and daily practice. The heroine, she believes, must be located within a network of relations between male and female, mortal and immortal. Using evidence ranging from Homeric epic to Attic vase painting to ancient travel writing, she attempts to re-integrate the feminine into our picture of Greek notions of the hero. According to Lyons, heroines differ from male heroes in several crucial ways, among which is the ability to cross the boundaries between mortal and immortal. She further shows that attention to heroines clarifies fundamental Greek ideas of mortal/immortal relationships.

The book first discusses heroines both in relation to heroes and as a separate religious and mythic phenomenon. It examines the cultural meanings of heroines in ritual and representation, their use as examples for mortals, and their typical "biographies." The model of "ritual antagonism," in which two mythic figures represented as hostile share a cult, is ultimately modified through an exploration of the mythic correspondences between the god Dionysos and the heroines surrounding him, and through a rethinking of the relationship between Iphigeneia and Artemis. An appendix, which identifies more than five hundred heroines, rounds out this lively work.

Originally published in 1996.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Deianeira sends her husband Herakles a poisoned robe. Eriphyle trades the life of her husband Amphiaraos for a golden necklace. Atreus's wife Aerope gives away the token of his sovereignty, a lamb with a golden fleece, to his brother Thyestes, who has seduced her. Gifts and exchanges always involve a certain risk in any culture, but in the ancient Greek imagination, women and gifts appear to be a particularly deadly combination. This book explores the role of gender in exchange as represented in ancient Greek culture, including Homeric epic and tragedy, non-literary texts, and iconographic and historical evidence of various kinds. Using extensive insights from anthropological work on marriage, kinship, and exchange, as well as ethnographic parallels from other traditional societies, Deborah Lyons probes the gendered division of labor among both gods and mortals, the role of marriage (and its failure) in transforming women from objects to agents of exchange, the equivocal nature of women as exchange-partners, and the importance of the sister-brother bond in understanding the economic and social place of women in ancient Greece. Her findings not only enlarge our understanding of social attitudes and practices in Greek antiquity but also demonstrate the applicability of ethnographic techniques and anthropological theory to the study of ancient societies.

Recent inquiries into the concept of the gift have been largely male-dominated and thus have ignored important aspects of the gift from a woman s point of view. In the light of philosophical work by Mauss, Levi-Strauss, Derrida, and Bataille, Women and the Gift reflects how women respond to the notion of the gift and relationships of giving. This collection evaluates and critiques previous work on the gift and also responds to how women view care, fidelity, generosity, trust, and independence in light of the gift."

A remarkable collection of Edward Hopper's most important paintings and original stories and poems by prominent contemporary writers.

This volume includes fifty-nine of Hopper's most important works in full color, as well as original works by thirteen renowned fiction writers and poets that pay homage to, or make reference to, the ways in which Hopper pictured our world. The contributors include Paul Auster, Anne Beattie, Tess Gallagher, Thom Gunn, John Hollander, William Kennedy, Galway Kinnell, Ann Lauterbach, Norman Mailer, Leonard Michaels, Walter Mosley, Grace Paley, and James Salter. Also featured is an essay by art historian Dr. Gail Levin.

Hopper's themes of alienation and loneliness, empty cityscapes and countrysides, the stark light of Cape Cod, silent hills and housesall have been indelibly imprinted on our collective sense of ourselves and our country. This work celebrates the impact Hopper's imagery continues to have on contemporary culture and is dedicated to a fuller understanding of Hopper's place in the American mind. 59 full-color paintings.

A unique book of facsimile pages culled from Hopper's personal ledger books.

Edward Hopper, with the help of his wife, Jo, kept scrupulously detailed notes of all his artwork and business transactions in five accountants' ledger books. Here, in a selection of facsimile pages, we see the artist as businessman, recording everything from exhibitions and reviews to sales, commissions, and resales of his varied works.

Hopper sketched most of his paintings and prints in these pages, in either pen and ink or pencil. Occasionally he added a printed reproduction as they became available. In addition to all business transactions associated with the work, Jo Hopper wrote descriptions of the colors and materials used, the subject matter, as well as personal anecdotes. In this intriguing volume, we are given a rare glimpse of this often-unseen aspect of an artist's life. We can see clearly the Hoppers' necessity and penchant for methodical record keeping and how they were able to achieve financial security through the artist's work.

In recent years, the topic of ancient Greek hero cult has been the focus of considerable discussion among classicists. Little attention, however, has been paid to female heroized figures. Here Deborah Lyons argues for the heroine as a distinct category in ancient Greek religious ideology and daily practice. The heroine, she believes, must be located within a network of relations between male and female, mortal and immortal. Using evidence ranging from Homeric epic to Attic vase painting to ancient travel writing, she attempts to re-integrate the feminine into our picture of Greek notions of the hero. According to Lyons, heroines differ from male heroes in several crucial ways, among which is the ability to cross the boundaries between mortal and immortal. She further shows that attention to heroines clarifies fundamental Greek ideas of mortal/immortal relationships. The book first discusses heroines both in relation to heroes and as a separate religious and mythic phenomenon. It examines the cultural meanings of heroines in ritual and representation, their use as examples for mortals, and their typical "biographies." The model of "ritual antagonism," in which two mythic figures represented as hostile share a cult, is ultimately modified through an exploration of the mythic correspondences between the god Dionysos and the heroines surrounding him, and through a rethinking of the relationship between Iphigeneia and Artemis. An appendix, which identifies more than five hundred heroines, rounds out this lively work. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.