Forensic anthropology is a vastly popular and rapidly changing profession, yet to date there has been no volume that reflects the current state of the discipline and forecasts its future. The first comprehensive text in the field, Forensic Anthropology: Contemporary Theory and Practice examines the medical, legal, ethical, and humanitarian issues associated with forensic anthropology, current forensic methods, and bio-historical investigations. Forensic Anthropology offers a unique synthesis of theoretical and methodological coverage. Rather than simply describing methodology, Komar and Buikstra place forensic anthropology in the broader context of medico-legal death investigations, critically evaluating practical techniques in a scientific framework and detailing the anthropologist's role in relation to both law enforcement and the medical examiner or coroner. The authors review the current state of the field, emphasizing recent changes to the judicial guidelines regarding the admissibility of scientific evidence in court. They highlight the impact of these rulings, the increased need for scientific rigor, and the evolving nature of anthropological studies, preparing students to function effectively in the demanding judicial system that will evaluate their work in the future. The text also stresses the vital importance of research in the development of forensic applications of anthropology. Forensic Anthropology is enhanced by numerous illustrative case studies and more than ninety photos and illustrations that help to deepen and enrich students' understanding of the material. Coauthored by a top authority in forensic anthropology and an anthropologist whose fieldwork has included medico-legal death investigation in Bosnia, Kosovo, Iraq, and Darfur, this volume is an in-depth and indispensable guide to the dynamic and rapidly professionalizing field of forensic anthropology.

Shortlisted, Democracy 250 Atlantic Book Award for Historical WritingOn a frigid February evening in 1805, Amos Babcock brutally murdered Mercy Hall. Believing that he was being instructed by God, Babcock stabbed and disembowelled his own sister, before dumping her lifeless body in a rural New Brunswick snowbank. The Ballad of Jacob Peck is the tragic and fascinating story of how isolation, duplicity, and religious mania turned impoverished, hard-working people violent, leading to a murder and an execution. Babcock was hanged for the murder of his sister, but in her meticulously researched book, Debra Komar shows that itinerant preacher Jacob Peck should have swung right beside him. The mystery lies not in the whodunit, but rather in a lingering question: should Jacob Peck, whose incendiary sermons directly contributed to the killing, have been charged with the murder of Mercy Hall? In this epic saga, media accounts of what happened in the aftermath of the murder have taken on a life all their own, one built of half-truths, conjecture, and narrative devices designed to titillate, if not inform. A forensic investigation of a crime from the Canadian frontier, the tale of Jacob Peck, Amos Babcock, and Mercy Hall remains as controversial and riveting today as it was more than two hundred years ago.

Winner, Canadian Authors Award for Canadian History, Jeanne Clarke Memorial Local History Award, and Prince Edward Island Book Award for Non-FictionIs it possible to reach back in time and solve an unsolved murder, more than 170 years after it was committed?Just after midnight on April 21, 1842, John McLoughlin, Jr. -- the chief trader for the Hudson's Bay Company at Fort Stikine, in the northwest corner of the territory that would later become British Columbia -- was shot to death by his own men. They claimed it was an act of self-defence, their only means of stopping the violent rampage of their drunk and abusive leader. Sir George Simpson, the HBC's Overseas Governor, took the men of Stikine at their word, and the Company closed the book on the matter. The case never saw the inside of a courtroom, and no one was ever charged or punished for the crime. To this day, the killing remains the Honourable Company's dirtiest unaired laundry and one of the darkest pages in the annals of our nation's history. Now, exhaustive archival research and modern forensic science -- including ballistics, virtual autopsy, and crime scene reconstruction -- unlock the mystery of what really happened the night McLoughlin died.Using her formidable talents as a writer, researcher, and forensic scientist, Debra Komar weaves a tale that could almost be fiction, with larger-than-life characters and dramatic tension. In telling the story of John McLoughlin, Jr., Komar also tells the story of Canada's north and its connection to the Hudson's Bay Company.

Shortlisted, Arthur Ellis Best Non-Fiction Crime Book AwardIn 1869, in the woods just outside of the bustling port city of Saint John, a group of teenaged berry pickers discovered several badly decomposed bodies. The authorities suspected foul play, but the identities of the victims were as mysterious as that of the perpetrator. From the twists and turns of a coroner's inquest, an unlikely suspect emerged to stand trial for murder: John Munroe, a renowned architect, well-heeled family man, and pillar of the community. Munroe was arguably the first in Canada's fledgling judicial system to actively defend himself. His lawyer's strategy was as simple as it was revolutionary: Munroe's wealth, education, and exemplary character made him incapable of murder. The press and Saint John's elite vocally supported Munroe, sparking a debate about character and murder that continues to this day. In re-examining a precedent-setting historical crime with fresh eyes, Komar addresses questions that still echo through the halls of justice more than a century later: is everyone capable of murder, and should character be treated as evidence in homicide trials?

At 2:21 am on September 8, 1896, authorities in Nova Scotia killed an innocent man. Peter Wheeler -- a "coloured" man accused of murdering a white girl -- was strung up with a slipknot noose. The hanging was state-sanctioned but it was a lynching all the same. Now, a re-examination of his case using modern forensic science reveals one of the greatest miscarriages of justice in Canadian history.

On the night of January 27, 1896, 14-year-old Annie Kempton found herself home alone in the picturesque village of Bear River, Nova Scotia. She did not live to see the morning. Shortly after midnight, Annie was assaulted and bludgeoned with a piece of firewood. Her killer slit her throat three times with a kitchen knife then coldly sat and ate a jar of homemade jam before fleeing into the night. The senseless and brutal slaying devastated the town and plunged her parents into a near-suicidal abyss of guilt and grief. At trial, the prosecution's case focused on the inconsistencies in Wheeler's statements, the testimony of two children who placed Peter near the house on the night in question, and the detective's novel analysis of the physical evidence.

It was one of the first trials in Canada to use forensic science, albeit poorly. Wheeler's defense team called no witnesses and did little to challenge the evidence presented. The jury deliberated less than two hours before declaring Peter Wheeler guilty of murder.

The trial itself was a media sensation; every word was front page news. Several papers each ran their own version of "Wheeler's confession," an admission of guilt supposedly authored by the condemned man. Each rendition tried and failed to make sense of the conflicting timeline. With every new iteration, it became clearer that the case against Wheeler was not as airtight as the detective in charge, Nick Power, and the media had proclaimed.

"The Lynching of Peter Wheeler" is a story of one town's rush to judgment. It is a tale of bigotry and incompetence, arrogance and pseudoscience, fear and misguided vengeance. It is a case study in media distortion, illustrating how the print media can manipulate the truth, destroy reputations, and so thoroughly taint a jury pool, that the notion of a fair trial becomes a statistical impossibility. At the height of the Victorian era, the media created a super villain in the mold of Jack the Ripper, the perfect foil for its other creation, super-sleuth Nick Power. The masterfully constructed narrative was perfect, save for one glaring detail: Peter Wheeler did not kill Annie Kempton.