An early example of satirical political writing by a woman. The book, with its blend of politics and sexuality, is based on the public and private lives of prominent politicians and society figures of the time.

An early example of satirical political writing by a woman. The book, with its blend of politics and sexuality, is based on the public and private lives of prominent politicians and society figures of the time.

Delarivier Manley is increasingly coming to the fore as a prominent figure in early eighteenth-century fiction, and The Adventures of Rivella in particular has been attracting attention not only as an important example of amatory fiction, but also as an early autobiographical novel. At one level, Sir Charles Lovemore tells the story of Rivella's life to his friend, the Chevalier d'Aumont; at another, Manley uses the male persona to portray herself as an unrivalled literary goddess of love, repudiating conventional equations of woman, writer, and whore, and refusing to confuse chastity with moral integrity.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>Bodleian Library (Oxford)<ESTCID>T170237<Notes>Anonymous. By Mrs. Mary de la Riviere Manley.<imprintFull> Dublin]: London: printed for John Morphew; and, reprinted and sold by E. Waters, Dublin, 1714. <collation>24p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT127824Anonymous. By Delarivire Manley. With a half-title.London: printed for William Turner, at the Angel at Lincolns-Inn back-gate;; and Egbert Sanger, at the Post-House at the Middle-Temple Gate in Fleetstreet, 1707. 12], 68 p.; 4

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>Cambridge University Library<ESTCID>T173883<Notes><imprintFull>Dublin: reprinted for Patrick Dugan, 1720. <collation>viii,230, 2]p.; 8

Delarivier Manley and Mary Pix were among the groundbreaking "female wits," who debuted their original plays for the public stage in 1695-96. Two of these plays contain explicitly Islamicate themes. Manley's The Royal Mischief expands on The Travels of Sir John Chardin into Persia(1686), and Pix's Ibrahim draws on Rycaut's History of the Turkish Empire (1687). Continuing this interest, Manley's Almyna (1706-7) responds to the newly translated Arabian Nights Entertainments (1704-17), and Pix's The Conquest of Spain (1705) engages the history of Islamic Spain recounted in The Life of the Most Illustrious Monarch Almanzor (1693). These plays have been modernized and annotated in this edition, most for the first time. This edition also includes appendices with excerpts from historical sources and a select bibliography.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.