View the Table of Contents. Read the Introduction.

"This voice and timely book addresses the perceptual split between an officially 'colorblind' world and the lived experience of so many for whom race determines so much. Although centered on images of black men, these extraordinary essays provide compelling insights about stereotypes of women, whiteness, class status, ethnicity, and gender. From 'suspect profile' to 'natural athlete, ' the disuniting effects of racial cliches are meticulously analyzed in this sharp and always moving anthology."
"--Patricia J. Williams, Author of The Rooster's Egg and The Alchemy of Race and Rights"

"This exciting anthology breaks new ground in the battle to end misogyny and sexism. It gathers for the first time the diverse and eloquent voices of black men -- many of them speaking out as feminists for a revitalized vision of feminism. This unique collection offers insights, perspectives rarely heard, and tremendous hope. It is required reading for all who care about the intersection of race, gender, class and sexuality."
"--Urvashi Vaid, Director of the Policy Institute of the National Gay & Lesbian Task Force and author of Virtual Equality: The Mainstreaming of Gay and Lesbian Liberation"

In late 1995, the Million Man March drew hundreds of thousands of black men to Washington, DC, and seemed even to skeptics a powerful sign not only of black male solidarity, but also of black racial solidarity. Yet while generating a sense of community and common purpose, the Million Man March, with its deliberate exclusion of women and implicit rejection of black gay men, also highlighted one of the central faultlines in African American politics: the role of gender and sexuality in antiracist agenda.

In this groundbreaking anthology, a companion to the highly successful "Critical Race Feminism," Devon Carbado changes the terms of the debate over racism, gender, and sexuality in black America. The essays cover such topics as the legal construction of black male identity, domestic abuse in the black community, the enduring power of black machismo, the politics of black male/white female relationships, racial essentialism, the role of black men in black women's quest for racial equality, and the heterosexist nature of black political engagement.

Featuring work by Cornel West, Huey Newton, Henry Louis Gates, Jr., A. Leon Higginbotham, Jr., Houston Baker, Marlon T. Riggs, Dwight McBride, Michael Awkward, Ishmael Reed, Derrick Bell, and many others, Devon Carbado's anthology stakes out new territory in the American racial landscape.
"--Critical America, A series edited by Richard Delgado and Jean Stephancic.

In the 1980s, Professor Kimberlé Crenshaw first coined the term ‘intersectionality’. Since then, the concept has spread across national and disciplinary boundaries, and has had a transformative impact on the way in which we understand identity and the experience of discrimination. But outside the US, the application of intersectional theory has largely been disconnected from any analysis of ‘Blackness’, despite intersectionality’s origins in critical race theory (CRT). Precisely how intersectionality is shaping articulations of and political advocacy around Blackness therefore remains to be examined. Curated by Crenshaw as well as several of the leading scholars of CRT, this collection bridges that gap, and is the first to apply both these concepts to contexts outside the US. Focusing on Blackness in Britain, the contributors examine how scholars and activists are employing intersectionality to foreground Black British experiences. By focusing intersectionality in this way, the collection seeks to recover intersectionality’s foundations within CRT, and to link intersectionality to Black diasporic experiences. Its essays encompass key issues such as gender and Black womanhood, issues of representation within contemporary British culture, and the position of Black Britons within institutions such as the family, education and health. The book also looks to the role intersectionality can play in shaping future political activism, and in forging links beyond ‘Blackness’ to other social movements.

In the 1980s, Professor Kimberlé Crenshaw first coined the term ‘intersectionality’. Since then, the concept has spread across national and disciplinary boundaries, and has had a transformative impact on the way in which we understand identity and the experience of discrimination. But outside the US, the application of intersectional theory has largely been disconnected from any analysis of ‘Blackness’, despite intersectionality’s origins in critical race theory (CRT). Precisely how intersectionality is shaping articulations of and political advocacy around Blackness therefore remains to be examined. Curated by Crenshaw as well as several of the leading scholars of CRT, this collection bridges that gap, and is the first to apply both these concepts to contexts outside the US. Focusing on Blackness in Britain, the contributors examine how scholars and activists are employing intersectionality to foreground Black British experiences. By focusing intersectionality in this way, the collection seeks to recover intersectionality’s foundations within CRT, and to link intersectionality to Black diasporic experiences. Its essays encompass key issues such as gender and Black womanhood, issues of representation within contemporary British culture, and the position of Black Britons within institutions such as the family, education and health. The book also looks to the role intersectionality can play in shaping future political activism, and in forging links beyond ‘Blackness’ to other social movements.

View the Table of Contents. Read the Introduction.

"This voice and timely book addresses the perceptual split between an officially 'colorblind' world and the lived experience of so many for whom race determines so much. Although centered on images of black men, these extraordinary essays provide compelling insights about stereotypes of women, whiteness, class status, ethnicity, and gender. From 'suspect profile' to 'natural athlete, ' the disuniting effects of racial cliches are meticulously analyzed in this sharp and always moving anthology."
"--Patricia J. Williams, Author of The Rooster's Egg and The Alchemy of Race and Rights"

"This exciting anthology breaks new ground in the battle to end misogyny and sexism. It gathers for the first time the diverse and eloquent voices of black men -- many of them speaking out as feminists for a revitalized vision of feminism. This unique collection offers insights, perspectives rarely heard, and tremendous hope. It is required reading for all who care about the intersection of race, gender, class and sexuality."
"--Urvashi Vaid, Director of the Policy Institute of the National Gay & Lesbian Task Force and author of Virtual Equality: The Mainstreaming of Gay and Lesbian Liberation"

In late 1995, the Million Man March drew hundreds of thousands of black men to Washington, DC, and seemed even to skeptics a powerful sign not only of black male solidarity, but also of black racial solidarity. Yet while generating a sense of community and common purpose, the Million Man March, with its deliberate exclusion of women and implicit rejection of black gay men, also highlighted one of the central faultlines in African American politics: the role of gender and sexuality in antiracist agenda.

In this groundbreaking anthology, a companion to the highly successful "Critical Race Feminism," Devon Carbado changes the terms of the debate over racism, gender, and sexuality in black America. The essays cover such topics as the legal construction of black male identity, domestic abuse in the black community, the enduring power of black machismo, the politics of black male/white female relationships, racial essentialism, the role of black men in black women's quest for racial equality, and the heterosexist nature of black political engagement.

Featuring work by Cornel West, Huey Newton, Henry Louis Gates, Jr., A. Leon Higginbotham, Jr., Houston Baker, Marlon T. Riggs, Dwight McBride, Michael Awkward, Ishmael Reed, Derrick Bell, and many others, Devon Carbado's anthology stakes out new territory in the American racial landscape.
"--Critical America, A series edited by Richard Delgado and Jean Stephancic.