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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Ah want tae check she’s awricht. Ah kin luik there fur Brodie an
aw. Burds are meant tae fly. Brodie goes missing. Being a bird with
a bad wing, Iona is sent into a worry. Her mammy is busy trying to
get her ready for school and the snaw is settling in. But Brodie
must be found. Running through the garden and exploring Mad
Billy’s farm, Brodie couldn’t have gone far. After all, she was
a hoolet thit couldnae fly. A fantastic book from award-winning
Scots author Emma Grae, exploring themes of confidence and
celebrates the idea that it is okay to be different. Meet all the
different animals we encounter on the search for Brodie in this
bonnie wee book. There is an untapped market for an original
children’s book in Scots and Emma is keen to fill it with great
stories for kids aged 7-10 years old. With a snowy setting, it will
make a great gift this Christmas for any child in Scotland.
Join the Intergalactic Star Fleet! You're "go" for liftoff! Paper
airplane designer Andrew Dewar has done it again! In his new book,
he presents an amazing collection of high-performance paper
spaceships for kids who are fascinated by space travel.
Step-by-step instructions show you how to fold each of the
sci-fi-themed planes, which are designed to fly beautifully with
every launch! The book opens with a primer on the principles of
flight so kids learn about the forces that enable airplanes to fly
and how to coax the best performance from their paper models.
They'll have fun practicing with these futuristic paper
spacecraft--doing loops, barrel rolls, glides and dives. The 12
spaceships in this book include the following easy-to-fold models:
The single-winged Helix, designed to ferry crew members to space
and back The massive Stargo freighter, a spacious craft with great
performance due to its forward-swept canards The asymmetrical
Shard, the fastest ship in the fleet--the command flagship and
pride of the Star Fleet And many more! The book comes complete with
32 tear-out perforated sheets that hav folding lines printed on
them for quick and foolproof folding. It also has a pull-out
moonbase poster which kids can spread on the floor and use to park
their spaceships and practice precision landing maneuvers.
AW ANIMALS ARE EQUAL BUT SOME ANIMALS ARE MAIR EQUAL THAN ITHERS It
didnae seem unco when Napoleon wis seen daunderin aboot the
fairmhoose gairden wi a pipe in his mooth... Frae the instant
o its first publication ower seeventy year syne, Animal Fairm, in
mony weys, has come tae be oor socio-political urtext – oor
wan-singer-wan-sang, oor collective pairty piece, the script
we’re doomed tae keep repeatin... George Orwell’s faur-kent
novel Animal Fairm, yin o Time magazine’s 100 brawest
English-leid novels o aw time, has been translatit intae
Scots for the verra first time by Thomas Clark. When the
animals o Manor Fairm cast aff thirldom an tak control frae Mr
Jones, they hae howps for a life o freedom an equality. But when
the pigs Napoleon and Snawbaw rise tae pouer, the ither animals
find oot that they’re mebbe no aw as equal as they’d aince
thocht. A tragic political allegory described by Orwell as bein
‘the history o a revolution that went wrang’, this buik is as
relevant noo – if no mair sae – as when it wis first set oot.
These are tough times. Prices spiralling! Climate change!
International tension! Pandemics! It's not hard to find things to
worry about. But Scottish grannies can be an oasis of calm. Their
wit and wisdom, their compassion and knowhow, their measured good
sense and withering reproaches are exactly what is required.
Scottish grannies are reassuring. They are relevant. And they need
to be heard.
The Arbroath Smokie is one of Scotland's best loved traditional
fish delicacies, taking its name from the small coastal town in the
county of Angus it has been on the menu for a thousand years.
Unlike its famous fishy relatives, Finnan Haddies and Loch Fyne
kippers, which are cold-smoked and require cooking before heating,
Arbroath Smokies are uniquely hot-smoked, making them ready to eat
straight from the smoker. In this book, Iain R. Spink, whose family
have been involved in this traditional way of cooking haddock for
five generations, introduces the history of the Smokie and divulges
the process involved in its preparation. He also explores its
enormous versatility in 30 mouth-watering recipes for all
occasions, from Arbroath Smokie and Leek Chowder, and Luxury Fish
Pie to Tagliatelle with Creamy Lemon Smokie, and Arbroath Smokie
and Spinach Gratin.
From the Luganega to the Calabrese, Italian sausages come in all
shapes and sizes - short and fat, long and thin, horseshoe-shaped
and even circular. Sausages form an integral part of Italian
culture and cuisine, and the two are inexorably linked. There is
even a patron saint of sausages, Sant' Antonio, who is always seen
with a pig at his side and whose Feast Day, 17 January, is
celebrated with much porcine squealing as pigs are slaughtered for
the annual sausage-making festival. In this practical and humorous
book, acclaimed cookery writer Mary Contini explores the Italian
fascination with salsiccie, tracing its history and displaying its
remarkable versatility with over 55 mouth-watering recipes,
including Il Panino di San Gennaro - the best sausage roll in the
world - Philip's Fabulous Fonteluna Sugo, and Peperoni Pizza Twice!
Brunch should evoke a sense of pleasure and relaxation - and
perhaps also the temptation to try something new. Food writer and
broadcaster Ghillie Basan offers 50 recipes in seven themed
sections: brunch in a bowl, brunch with eggs, brunch on bread,
baked potato brunch, sweet-tooth brunch and boozy brunch. Featuring
Scottish ingredients in traditional recipes as well as imaginative
combinations - from herring in oatmeal with creamy scrambled eggs
and cranachan smoothie to pancetta scallops with Caesar salad
bruschetta and bacon butties with honey gooseberries - this little
book is the perfect inspiration for those days when time is more
generous and food less rushed.
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