A celebration of all things analogue, from the machines that made it work—reel-to-reel tape recorders, typewriters, and telephones—to the artefacts and the culture that they made possible   Recent years have seen an ever-growing wave of interest in this subject and there is a gap in the market for a complete, multi-category field guide. The book taps into an analogue renaissance—a gathering nostalgia for physical, real-world interaction with design and technology and a desire to reconnect with both things and people, something that has been eroded by the digital.   The multi-category approach of this book enables it to show the deeper cultural and social significance of the analogue era with the authority to convince those who know a lot about each category and the breadth to attract the non-specialist. As well as tapping into the nostalgia market, there is also an appeal to those who collect, use and maintain these older technologies.   The wide range of objects and images in this book, coupled with the text by leading design historian Deyan Sudjic, make this a standout title.  

The first biography to trace the remarkable life and career of Ukrainian-born Boris Iofan, beautifully illustrated with many of Iofan's previously unseen sketchbooks and photographs from private collections. This is a history of architecture, politics and power. Boris Iofan (1891-1976) made his mark as Stalin's architect, both in the grand projects he achieved, such as the House on the Embankment, a megastructure of 505 homes for the Soviet elite, and through his unbuilt designs, in particular the Palace of the Soviets, a baroque Stalinist dream whose iconic image was reproduced throughout the Soviet Union. Iofan's life and designs offer a unique perspective into the politics of twentieth-century architecture and the history of the Soviet Union.

In 2050, over three quarters of the world's population will live in cities. This follow-up to Phaidon's successful The Endless City is a close look at the issues that affect cities, and thus human life across the globe in the twenty-first century. Based on a series of conferences held by the London School of Economics, Living in the Endless City examines Mumbai, Sao Paolo and Istanbul through a series of essays by global scholars and thinkers, photographs illustrating key aspects of life in the three cities, and compellingly presented analytical data.

The volume traces over 50 years of activity in the field of industrial design by Antonio Citterio, one of the masters of contemporary design. Introduced by Andrea Branzi and Francesco Bonami, the volume - structured in seven chapters - offers an accurate and extensive account of a work that has seen the production of over 600 products, united by a stylistic code capable of combining a discreet and elegant modernity with a meticulous attention to detail: from the Diesis series and the Baia sofa, designed with Paolo Nava and which mark the beginning of a ten-year collaboration with B&B Italia, to the important collaborations with Flexform, Arclinea, Vitra, Flos, Axor, up to the most recent works with Cassina and Illy. The rich iconographic repertoire includes product images, archival photographs - some of which tell the “behind the scenes� of the birth of some design icons - and autographed sketches. Texts by Stefano Casciani, Francesca Picchi, Deyan Sudjic (former director of the Design Museum of London).

The incredible life story of one of the 20th century's most important designers, who knew everyone from Hemingway to Picasso. Ettore Sottsass and the Poetry of Things chronicles the life and times of one of the most important, prolific, and, above all, interesting designers and architects of the 20th century. Sottsass (1917-2007), originally trained as an architect and worked as a design consultant for Olivetti, where he developed the iconic Valentine typewriter, before going on to found the Memphis Group in the 1980s, ushering in an era of influential designs in furniture, ceramics and lighting that continue to inspire design minds today with their flamboyance and use of color. Author Deyan Sudjic (Director of London's Design Museum) does not limit his narrative to an examination of Sottsass' iconic designs. Though a native son of Italy, Sottsass cast a shadow of influence on the entire world, traveling extensively over the course of his life and interacting with some of the 20th century's most iconic figures, including Picasso, Hemingway and Allen Ginsberg. Sudjic's writing, complemented by unpublished personal photographs from Sottsass' archive, offers a unique view of Sottsass from the perspective of the world that surrounded him, recounting anecdotes of encounters between the designer and his famous contemporaries. The result is a unique and comprehensive portrait not only Sottsass but of the last 100 years of design in Italy and around the world. Features anecdotes of his encounters with the biggest creatives of the time, and details of his influences and inspirations, documenting the contemporary design scene both in Italy and abroad.

The career of architect Sergei Tchoban, born 1962 and educated in St. Petersburg, follows multiple yet closely linked trajectories in his native Russia and in Germany. He is a founding partner with the Moscow-based firm SPEECH as well as with Tchoban Voss Architekten, with offices in Hamburg, Berlin and Dresden. His designs reflect a deep interest in local and historical contexts of a project rather than an aim to create singular iconic structures. His design process is deeply rooted in sketching and drawing by hand. In 2009 he established the Tchoban Foundation and in 2013 opened the Museum for Architectural Drawing in Berlin as a home to his vast collection comprising ancient and modern masterpieces from around the world. In four conversations with Kristin Feireiss, Tchoban offers very personal insights into his design process, his understanding of architecture, and his engagement as a collector and museum founder. An essay by the British writer and broadcaster Deyan Sudjic as well as some 130 illustrations round out this beautiful volume.

With its gently curving glass outlines contrasted against solid geometric blocks, Mario Bellini's Exhibition Centre at Cernobbio, inspires other designers and architects as well as the people who work and visit there. Set against the spectacular mountains around Lake Como, it is a play on difference: between classicism and organic shapes and between architecture and nature.

The director of the Design Museum defines the greatest artefact of all time: the city We live in a world that is now predominantly urban. So how do we define the city as it evolves in the twenty-first century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities.

In 2019, the Vitra Design Museum will publish the Atlas of Furniture Design, the definitive, encyclopedic overview of the history of modern furniture design. Featuring over 1700 objects by more than 500 designers and 121 manufacturers, it includes approximately 2800 images ranging from detailed object photographs to historical images documenting interiors, patents, brochures, and related works of art and architecture. The basis for the Atlas of Furniture Design is the collection held by the Vitra Design Museum, one of the largest of its kind with more than 7000 works. The book presents selected pieces by the most important designers of the last 230 years and documents key periods in design history, including early nineteenth-century industrial furniture in bentwood and metal, Art Nouveau and Secessionist pieces and works by protagonists of classical modernism and postwar design, as well as postmodern and contemporary pieces. The Atlas of Furniture Design employed a team of more than 70 experts and features over 550 detailed texts about key objects. In-depth essays provide sociocultural and design-historical context to four historical epochs of furniture design and the pieces highlighted here, enriched by a detailed annex containing designer biographies, glossaries, and elaborate information graphics. The Atlas of Furniture Design is an indispensable resource for collectors, scholars and experts, as well as a beautifully designed object that speaks to design enthusiasts.

The twentieth century offered up countless visions of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanised home or the notion that technology might free us from home altogether, the domestic realm was a site of endless invention and speculation. But what happened to those visions? Are the smart homes of today the future that architects and designers once predicted, or has 'home' proved resistant to radical change? Home Futures: Living in Yesterday's Tomorrow -accompanying a major Design Museum exhibition of the same title-explores a number of different attitudes toward domestic life, tracing the social and technological developments that have driven change in the home. It proposes that we are already living in yesterday's tomorrow, just not in the way anyone predicted. This book begins with a lavishly illustrated catalogue portraying the 'home futures' of the twentieth century and beyond, from the work of Ettore Sottsass and Joe Colombo to Google's recent forays into the smart home. The catalogue is followed by a reader consisting of newly commissioned essays by writers such as Dan Hill and Justin McGuirk, which explore the changes in the domestic realm in relation to space, technology, society, economy and psychology.

In The Language of Things Deyan Sudjic, Director of the Design Museum, decodes the things around us: their hidden meanings, our relationship with them, how they shape our lives and why we desire them. Design is everywhere. It seduces, pleases and inspires us. It makes us part with our money. It defines who we think we are. An iPhone, an anglepoise lamp, a Picasso, a banknote, an Armani suit, a William Morris textile, a Lucky Strike packet, a spacecraft - every object tells a story. And understanding their stories offers us a whole new way of seeing the world. 'Articulate and wonderfully knowledgeable ... for anyone who takes an interest in the world around us' Time Out 'A nightmare vision of a world drowning in objects ... witty, well observed and wide-ranging' Guardian 'An elegant, witty and free-ranging survey, from Thomas Chippendale's ponderous 18th-century manor-house furnishings to Jonathan Ive's sprightly Macintosh iBooks' Daily Telegraph 'Lively ... engaging' Evening Standard 'Readable, sharp and worthwhile' Financial Times Director of the Design Museum, Deyan Sudjic was born in London of Yugoslav parents. He is a former architecture critic for the Observer, and a visiting professor at the Royal College of Art. Sudjic was Director of the Venice Architecture Biennale in 2002 and is author of The Edifice Complex, the much-praised 100-Miles City, the best-selling Architecture Pack, The Language of Things and monographs on John Pawson, Ron Arad and Richard Rogers.

The only comprehensive book on the fascinating life and work of the celebrated architectural designer, John Pawson This visual biography brings together John Pawson's architecture, life, clients, travel, photography, design, books, and ideas. Written by Deyan Sudjic, an architectural historian and long-time friend, it explores the full scope of Pawson's life, from his Yorkshire upbringing and time spent in Japan to the fashion years and the influence of art, and provides a thoughtful and intimate insight into his life, inspirations, and work. It features wonderfully engaging stories and anecdotes about Pawson's work with such clients as Bruce Chatwin, Calvin Klein, Karl Lagerfeld, Shiro Kuramata, Martha Stewart, and many more. The book features documents, photography and ephemera, including never-seen-before images from Pawson's personal and professional archives - richly illustrated, this is the ultimate book on John Pawson.

Now in its eleventh year, the Design Museum's Beazley Designs of the Year award and exhibition showcase the most innovative, relevant and thought-provoking projects in contemporary design. From the first iPhone to Zaha Hadid's final building, the nominations for the award have spanned the fields of architecture, digital, fashion, graphics, product and transport. Introduced by Deyan Sudjic and guest curator Aric Chen of M+ in Hong Kong, this illustrated book brings together all the nominated designs for 2018, along with the reasons for their selection by an international group of design experts, practitioners and critics, including Iwan Baan and Hans Ulrich Obrist. It is a snapshot of the most exciting things happening in design today. At the beginning of the second decade of its life, the essence of the concept remains the same. A wide and international group of expert nominators have been invited to put forward up to three projects each that for them reflect significant new directions in six fields, from architecture to transport. The results are put together by a guest curator to form an exhibition at the Design Museum. A jury selects winners in each category, as well as one overall design of the year. The Design Museum has published an accompanying catalogue for the award and exhibition over the past ten years, which was marked by the publication of the ten-year anniversary book Designs of our Time: 10 Years of Designs of the Year.

Designers often tend to deny the influence of changing tastes on their work. William Morris’s “joy in labour,” or the Bauhaus principle of “truth to materials,” are well- known principles of this kind; Charles Eames once advised, “innovate as a last resort – more horrors are done in the name of innovation than any other.” But of course, Charles and Ray Eames are celebrated as among the greatest design innovators of all time, and Arts and Crafts and Bauhaus knockoffs can be found in any home furnishings store.

In practice, modern design has been constantly subsumed within the imperative toward the new, on the assumption that the market will quickly burn through even the best ideas. The question is how to achieve objects of inherent value against this backdrop – to accept the fact that design operates (for all practical purposes) oriented to an insatiable market, yet one that can, on occasion, produce ideas of transcendent grace. Here is where Fredrikson Stallard come in. Look at any of their work, and you will immediately notice a certain quality of speed. At their best, Fredrikson Stallard’s objects are brilliant in just the same way that a great pop song is. There’s depth of feeling and thinking, but also a killer hook.

Fredrikson Stallard make no claims on the modernist high ground, in which objects are conceived as optimal, efficient solutions, end points of rigorous analysis. They are intuitive makers, and happy to accept the conditions of constant flux – that they are only as relevant as their last idea. They see that the values of their discipline are contingent, not timeless.

Custom and Innovation: John Miller + Partners is the first publication devoted to the work of John Miller + Partners, and explores Miller's work from his student days at the Architectural Association, to his present practice as a multi-award winning firm. The book provides an insight into the contemporary fascination with museum buildings as well as the revived interest on post-war modernism both in Europe and the USA. John Miller + Partners is responsible for some of the most highly regarded museum and university projects of the past 25 years, such as the Queen's Building and the extension to Tate Britain, as well as schemes for the Fitzwilliam Museum and the National Portrait Gallery.
Custom and Innovation: John Miller + Partners takes a close look at the architects' body of work, and examines its working practices, such as John Miller's indebtedness to Modernism and its proponents, such as Le Corbusier. Further, the book sets out the practice's departure from its precedents by showing its work to be wholly contemporary and of its moment.
Fascinating texts by respected architects and writers elucidate the firm's contribution to modern architecture. Kenneth Frampton, well known for his writing on twentieth century architecture, looks at the work of John Miller in the context of the museum building, and other typologies he works with. Robert Maxwell, Emeritus Professor of Architecture at Princeton, writes extensively on architecture, combining consultancy and architectural criticism, and here looks at the historical context of John Miller + Partners' work. Finally, Deyan Sudjic, Director of the Design Museum, London, focuses on the early work produced by John Miller through his student days to his partnership with Alan Colquhoun.

A provocative look at architecture-"exceptionally intelligent and original" (Jonathan Yardley, "The Washington Post Book World")
Deyan Sudjic-"probably the most influential figure in architecture you've never heard of" - argues that architecture, far from being auteur art, must be understood as a naked expression of power. From the grandiose projects of Stalin and Hitler to the "theme park" excess of today's presidential libraries, Sudjic goes behind the scenes of history's great manipulators of building propaganda-and exposes Rem Koolhaas, Frank Gehry, and other architects in a disturbing new light. This controversial book is essential reading for all those interested in the power of architecture-or the architecture of power.
* A "Washington Post Book World" Best Book of the Year

This an essential tool kit for understanding the world around us. It's about our obsession with collecting, the quest for authenticity and the creation of national identities. It's about Hitchcock's film sets and why we value imperfection. It's about fashion and technology, about politics and art. 'A memoir and a master class in musing on modern design . . . It's a collection of thoughtful, absorbing essays about many aspects of modern design, a subject nobody writes better about than Sudjic' - Evening Standard

Deyan Sudjic's The Edifice Complex: The Architecture of Power is a fascinating exploration of the language of architecture as an insight into the psychology of power, from tyrants to billionaires. Why do presidents and prime ministers, tycoons and tyrants share such a fascination with grand designs? Is it to impress or terrify, to wield state power, make a bid for immortality or just satisfy their egos? From Hitler's vast Chancellery to Saddam Hussein's Mother of all Battles mosque, from Olympic stadiums to Donald Trump's excesses, Deyan Sudjic examines the murky relationship between buildings, money and politics, revealing the power of architecture - and the architecture of power. 'A thrilling and passionately indignant trawl through vanity's most polluted depths' The Times 'An often frightening, sometimes hilarious set of stories of brutality, absurdity and occasionally beauty' Evening Standar 'Punchily written ... deftly amusing ... a closely argued, brilliantly marshalled, important book' Daily Mail 'Informed, lively and intelligent ... an asylum of power-mad politicians and Croesus-rich patrons' New Statesman 'By turns funny, acidic, penetrating and provocative ... as compelling a read as a popular novel' Norman Foster Director of the Design Museum, Deyan Sudjic was born in London of Yugoslav parents. He is a former architecture critic for the Observer, and a visiting professor at the Royal College of Art. Sudjic was Director of the Venice Architecture Biennale in 2002 and is author of The Edifice Complex, the much-praised 100-Miles City, the best-selling Architecture Pack, The Language of Things and monographs on John Pawson, Ron Arad and Richard Rogers.