Tiwi Textiles: Design, Making, Process tells the story of the innovative Tiwi Design centre on Bathurst Island in northern Australia, dedicated to the production of hand-printed fabrics featuring Indigenous designs, from the 1970s to today. Written by early art coordinator Diana Wood Conroy with oral testimony from senior Tiwi artist Bede Tungutalum, who established Tiwi Design in 1969 with fellow designer Giovanni Tipungwuti, the book traces the beginnings of the centre, and its subsequent place in the Tiwi community and Australian Indigenous culture more broadly. Bringing together many voices and images, especially those of little-known older artists of Paru and Wurrumiyanga (formerly Nguiu) on the Tiwi Islands and from the Indigenous literature, Tiwi Textiles features profiles of Tiwi artists, accounts of the development of new design processes, insights into Tiwi culture and language, and personal reflections on the significance of Tiwi Design, which is still proudly operating today.

In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies. The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice. This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history. Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.

Which of the two sides of Clement prevailed the ‘official’ or the personal? The book attempts to answer this question by examining his ideas and actions in connection with some of the major issues of the reign: for example, his attempts to solve the problem of the ‘usurping’ emperor, Louis of Bavaria, through the appointment of Charles of Bohemia (Charles IV); to deal with a crisis in the Hundred Years War between France and England; to check Islamic expansion and to heal the Greek Schism; to curb the oligarchic challenge of those who thought that the papacy should be at Rome rather than at Avignon. Clement was a great orator and the book is based partly on his sermons, many of which are unpublished. It is the only study of an Avignon pope in English.

This book offers an introduction to medieval economic thought, as it emerges from the works of the twelfth to the fifteenth century academic theologians, lawyers and other sources. Using Italian merchants' writings, vernacular poetry, parliamentary legislation, and manorial court rolls, it discusses property, charity, the role of money, weights, measures, coinage, trade, fair price and fair wage. It makes a relatively neglected subject accessible by exploring the relationship between theory and practice.

This book offers an introduction to medieval economic thought, as it emerges from the works of the twelfth to the fifteenth century academic theologians, lawyers and other sources. Using Italian merchants' writings, vernacular poetry, parliamentary legislation, and manorial court rolls, it discusses property, charity, the role of money, weights, measures, coinage, trade, fair price and fair wage. It makes a relatively neglected subject accessible by exploring the relationship between theory and practice.