Published on the occasion of the exhibition, Jean-Michel Basquiat: Art and Objecthood, at Nahmad Contemporary, this book will illuminate the role of found objects and unconventional materials in the Jean- Michel Basquiat's oeuvre. Basquiat, whose artistic practice has profoundly impacted audiences on an international scale, used objects and media from his environs to proliferate messages of social justice and change. Featuring a breadth of works that the artist made using unconventional painted supports and found-object sculptures, this publication will provide an innovative, in-depth look into the artist's sculptural practice. In addition to painting and drawing on items within his domestic spaces-refrigerators, chairs, and cabinets-Basquiat also left his mark on items he encountered on the street-discarded windows and doors, mirrors, wood boards, and subway tiles. The publication will present new scholarship by leading Basquiat academics and art historians that will explore Basquiat's use of found objects and materials and their role in addressing issues of social inequality and the politics of race in the United States.

During the late 1970s and early 1980s, New York City was financially and socially bankrupt, but the art and music scene was flourishing. During these years, the downtown New York music scene – no wave, hip-hop, disco funk and club culture – shaped Jean-Michel Basquiat as both a musician and an artist. This catalogue for a travelling exhibition explores how Basquiat’s painting has parallels in his music (sampling, cut-up, rapping), and takes a new look at his production as a writer and a poet in light of his connections with the then-emerging hip-hop culture. This beautifully illustrated exhibition catalogue of rarely seen photographs and images sheds new light on Basquiat as a musician, exploring how his art and music are related, and how they reflect on his identity as a Black artist in the United States, the downtown New York music scene, and contemporary culture.

The first African-American artist to attain art superstardom, Jean-Michel Basquiat (1960-1988) created a huge oeuvre of drawings and paintings (Julian Schnabel recalls him once accidentally leaving a portfolio of about 2,000 drawings on a subway car) in the space of just eight years. Through his street roots in graffiti, Basquiat helped to establish new possibilities for figurative and expressionistic painting, breaking the white male stranglehold of Conceptual and Minimal art, and foreshadowing, among other tendencies, Germany's" Junge Wilde" movement. It was not only Basquiat's art but also the details of his biography that made his name legendary--his early years as "Samo" (his graffiti artist moniker), his friendships with Andy Warhol, Keith Haring and Madonna and his tragically early death from a heroin overdose. This superbly produced retrospective publication assesses Basquiat's luminous career with commentary by, among others, Glenn O'Brien, and 160 color reproductions of the work.
Jean-Michel Basquiat was born in Brooklyn, New York, to a Puerto Rican mother and a Haitian father--an ethnic mix that meant young Jean-Michel was fluent in French, Spanish and English by the age of 11. In 1977, at the age of 17, Basquiat took up graffiti, inscribing the landscape of downtown Manhattan with his signature "Samo." In 1980 he was included in the landmark group exhibition "The Times Square Show"; the following year, at the age of 21, Basquiat became the youngest artist ever to be invited to Documenta. By 1982, Basquiat had befriended Andy Warhol, later collaborating with him; Basquiat was much affected by Warhol's death in 1987. He died of a heroin overdose on August 22, 1988, at the age of 27.

An exploration of the personal and artistic connections between two icons of twentieth-century art Keith Haring (1958-1990) and Jean-Michel Basquiat (1960-1988) changed the art world of the 1980s through their idiosyncratic imagery, radical ideas, and complex sociopolitical commentary. Each artist invented a distinct visual language, employing signs, symbols, and words to convey strong messages in unconventional ways, and each left an indelible legacy that remains a force in contemporary visual and popular culture. Offering fascinating new insights into the artists' work, Keith Haring | Jean-Michel Basquiat reveals the many intersections among Haring and Basquiat's lives, ideas, and practices. This lavishly illustrated volume brings together more than two hundred images-works created in public spaces, paintings, sculptures, objects, works on paper, photographs, and more. These rich visuals are accompanied by essays and interviews from renowned scholars, artists, and art critics, exploring the reach and range of Haring and Basquiat's influence. Keith Haring | Jean-Michel Basquiat provides a valuable look at two artistic peers and boundary breakers whose tragically short but prolific careers left their marks on the art world and beyond. Distributed for the National Gallery of Victoria in association with No More Rulers

While Munch's pessimistic, melancholy world view crucially defines our understanding of his work, many important postwar and contemporary artists have drawn inspiration from several aspects of his oeuvre. This richly illustrated book explores how seven such artists- Georg Baselitz, Miriam Cahn, Peter Doig, Marlene Dumas, Tracey Emin, Jasper Johns and Andy Warhol-engaged with Munch's work at different points in, or throughout, their careers. It features elaborate reproductions of sixty works by Munch juxtaposed with those inspired by him. Readers discover how Baselitz cunningly pays tribute to his artistic hero how Tracey Emin's practice, like Munch's, is autobiographical, both drawing from their personal torment to create their unnerving works ; how Marlene Dumas was drawn to the expressiveness of Munch's portraits; and how Peter Doig draws on Munch's radical treatment of pigments and materiality. Essays by leading scholars detail each artist's unique preoccupation with Munch and offer a focused exploration of the ways women artists in particular were inspired by his examinations of loneliness, fear, and trauma.

The publication presents an overview of the artist's works from the end of the 1990s onward and reflects on the meaning of chance, play and research in Brudermann's work, as emphasized by the letters, playing cards and business cards that are inserted between the pages of the book.

In 2018 the Fondation Louis Vuitton, Paris, is hosting exhibitons on two of the greatest artists of the 20th century - Egon Schiele, and Jean-Michel Basquiat. Both exhibitions have the same curator, and are taking place at the same time. The shows illustrate exactly what it is that linked the two artists: line, and the use of expressive force.This, the catalogue of the Basquiat exhibition, labelled "the definitive exhibition" by its curator, brings together 120 of the artist's most important masterpieces, sourced from interational museums and private collections. With the astonishing radicalness of his artistic practice, Basquiat renewed the concept of art with enduring impact. This Basquiat retrospective centres on the idea of Basquiat's unique energetic line, his use of words, symbols, and how he integrates collage in his paintings, sculptures, objects, and large-scale drawings.The catalogue includes texts by great authors, including Paul Schimmel who tells of his meeting with Basquiat in California; Francesco Pellizi who knew Basquiat well and has not written about him for a long time; and Okwui Enwezor who talks about the Afro American identity.

The Show that never Was Numerous publications and exhibitions have examined Jean-Michel Basquiat's extensive oeuvre that consists of more than 3000 works, this catalogue though focuses on eight paintings only: In the summer of 1982, Basquiat traveled to Modena, Italy, for one of his first solo exhibitions in Europe at the gallery of Emilio Mazzoli. Within just a few days, he painted a group of large-format paintings that surpassed his previous work not only in terms of their scale. Each at least two by four meters in size, they mark the transition from graffiti spraying in the streets of Manhattan to painting on canvas. At the same time, they reflect an artist coming into his own. The paintings - including masterpieces that today are considered pivotal and among the most outstanding of his oeuvre - have never been shown together. This catalogue revisits this crucial moment of Basquiat's career some 40 years ago and reunites them for the first time.

Jean-Michel Basquiat's symbolic, complex, and often emotionally charged work made a huge impact on the 1980s downtown New York City art scene. And though his all-too-brief career ended when he died at age 27, Basquiat left behind an enormous legacy-not only in the number of works he produced, but also in the messages he encoded around political, social, racial, and cultural issues. This exciting book shows how Basquiat used an intricate network of signs and symbols to challenge the very system that made him a darling of the art world. It traces his inspiration from cartoons, children's drawings, and advertising as well as his own Haitian and Puerto Rican heritage; discusses the influence of African-American, African, and Aztec cultural histories; and shows how Basquiat incorporated into his work classical themes and contemporary icons-from athletes to musicians. What becomes clear is how, even as a young man, Basquiat had a profound understanding of the artist's role in art history, and of his position as a young Black artist in a world of racism, suppression and social injustice. This book helps readers decode Basquiat's unique lingua franca, an intoxicating body of work brimming with social commentary that was in turns incisive, angry, comic, hip, and heartbreaking, and that remains powerful and meaningful today.

The first book to explore the mutual influence of the groundbreaking modernists Kurt Schwitters, Joan Miro, and Hans Arp. Featuring approximately 100 key works, along with numerous reference images, this book explores the work of Kurt Schwitters, Joan Miro, and Hans Arp and the ways in which the artists influenced each others' artistic pursuits. It examines the artists' shared commitment to geometric forms over natural ones and their individual strategies for fusing painting and sculpture to mine the depths of assemblage. United by an impulse to renew and transform art, to "assassinate" painting, Schwitters, Miro, and Arp experimented with collage and assemblage in order to build on the achievements of Cubism and break with prior traditions. Not only did their work resonate within their own artistic circles, but it continues to inspire subsequent generations to this day.

Hermann Nitsch, born in Vienna in 1938, is a co-founder of Viennese Actionism, and one of the international pioneers of the Performance Art Movement. This Austrian universal artist's world-famous painting actions have made a major contribution to the development of art post 1945. More than 90 of these painting actions have been staged thus far, the most recent were held at the Bayreuth Festival in the summer of 2021 to accompany a new production of the opera The Valkyrie. Nitsch's 20th painting action took place at the Vienna Secession in 1987 and is the only instance in which the artist's action works have remained fully available. This is probably Nitsch's most important integrated work of this kind. It symbolises his extraordinary artistic development and constitutes an unrepeatable contemporary document which exudes an international radiance.