First full-length investigation into Canadian literary medievalism as a discrete phenomenon. The essays in this volume consider what is original and distinctive about the manifestation of medievalism in Canadian literature and its origins and its subsequent growth and development: from the first novel published in Canada written by a Canadian-born author, Julia Beckwith Hart's St Ursula's Convent (1824), to the recent work of the best-selling novelist Patrick DeWitt (Undermajordomo Minor, published in 2015). Topics addressed include the strong strain of medievalist fantasy itself in the work of the young-adult author Kit Pearson, and the longer novels of Charles de Lint, Steven Erikson, and Guy Gavriel Kay; the medievalist inclinations of Archibald Lampman and W.W. Campbell, well-known nineteenth-century Canadian poets; and the often-studied Wacousta by John Richardson, first published in 1832. Chapters also cover early Canadian periodicals' engagement with orientalist medievalism; and works by twentieth-century writers such as the irrepressible Earle Birney, the witty and intellectual Robertson Davies, and the fascinating and learned Margaret Atwood.

The book provides the first comprehensive study of love and ethics in Middle English and Middle Scots poems written at the close of the Middle Ages by Geoffrey Chaucer, James I, Robert Henryson, William Dunbar, and Gavin Douglas. It shows that medieval poems often reveal a pattern in which an individual moves from selfish to selfless concerns, and how this movement is incited by love, while fulfilled through virtue. By taking into account the English and Scottish cultural contexts, as well as other traditions of writing, the book shows how the ideas on human well-being were disseminated and adjusted to meet cultural changes. In this, the book contributes to a discussion on what constitutes "mindful" or "virtuous" living, a discussion that is as relevant today as it was in the Middle Ages.