The latest edition in the successful Builders Series, Civic Builders contains international coverage of government buildings and city halls. Commencing with an introduction on the history of civic buildings, this volume goes on to showcase 30 contemporary case studies by world renown architects, including Foster and Partners, Richard Meir and Helmut Jahn. Each project is fully illustrated by the incorporation of texts, plans and photos of civic buildings.

Civic life is not only about the authority of government and the duties of citizens, but should also encompass passion and imagination. Civic Builders presents recent municipal buildings around the world that subscribe to this attitude: they all demonstrate a quality of playfulness and liveliness, whilst maintaining their dignity and power.

The book focuses on the city hall, where people have the most direct experience of government, both on the purely symbolic level and in the nitty-gritty of governmental functions. Organised chronologically, it begins with Säynätsalo Town Hall in Finland and three North American city halls: Toronto, Boston and Dallas. The Post-Modernist Portland Building, the James R. Thompson Center and Mississauga City Hall take us into the 1980s, followed by a profusion of intriguing civic buildings that began to emerge in Europe, North America and Asia in the 1990s - including Ottawa City Hall, the Vidhan Bhavan, La Flèche Town Hall, Murcia Town Hall and the Clark County Government Center, which is shown on the cover. It concludes with several projects in the United States that are still on the drawing board.

Beyond city halls, the book includes legislative buildings such as the Reichstag (1999) and the European Parliament Building (1999); some buildings that are only symbolically public, such as the Berlin Chancellery (2001) and the Chamber of Commerce and Industry of Slovenia (1999); and designs that show civic imagination can flourish even in the service of administration.

It is possible to see in these buildings a warmth and welcome, and a sense of connection to community. They bring to mind the base meaning of 'metropolis', whose roots are literally 'mother-city'. In short, they show the human touch.

Other titles available in the Wiley-Academy 'Builders' series:
Museum (1854901915), Theatre (1854904507), Library (0471977357, Church (0471977551), Monument (0471983683), Airport (0471984450), Bank (0471853593), Cinema (0471491381), University (0471988340), Bridge (047149786X)

Future titles include:
School Builders by Eleanor Curtis
Hospital Builders by Tony Monk
Theme Park Builders by Loraine Dearstyne Fowlow
Museum Builders II by Laura Hourston
Office Builders by Katherine MacInnes

"With a new epilogue"
Richly illustrated with houses large and small, old and new, with photographs, plans, and cutaway drawings, this is a book for people who want a house but who may not know what they really need, or what they have a right to expect.
The authors establish the basis for good building by examining houses in the small Massachusetts town of Edgartown; in Santa Barbara, California, where a commitment was made to re-create an imaginary Spanish past; and in Sea Ranch, on the northern California coast, where the authors attempt to create a community. These examples demonstrate how individual houses can express the care, energies, and dreams of the people who live in them, and can contribute to a larger sense of place.

Architects today incorporate principles of sustainable design as a matter of necessity. But the challenge of unifying climate control and building functionality, of securing a managed environment within a natural setting--and combating the harsh forces of wind, water, and sun--presented a new set of obstacles to architects and engineers in the mid-twentieth century. First published in 1963, Design with Climate was one of the most pioneering books in the field and remains an important reference for practitioners, teachers, and students, over fifty years later. In this book, Victor Olgyay explores the impact of climate on shelter design, identifying four distinct climatic regions and explaining the effect of each on orientation, air movement, site, and materials. He derives principles from biology, engineering, meteorology, and physics, and demonstrates how an analytical approach to climate management can merge into a harmonious and aesthetically sound design concept. This updated edition contains four new essays that provide unique insights on issues of climate design, showing how Olgyay's concepts work in contemporary practice. Ken Yeang, John Reynolds, Victor W. Olgyay, and Donlyn Lyndon explore bioclimatic design, eco design, and rational regionalism, while paying homage to Olgyay's impressive groundwork and contributions to the field of architecture.

The ecologically inspired planning and innovative architecture created at The Sea Ranch in the mid-1960s caused a quiet revolution in architecture. When the region, a former sheep ranch and lumbering area, was rediscovered for its beauty in the 1960s, it was radically developed as a community that would exist in harmony with its environment. This revised and updated edition of the now-classic monograph contains ten additional projects without sacrificing any of the originally included, lavishly illustrated work. New projects include work by many of the same renowned architects. Also including an updated account of the ongoing development process and land management issues, the revision proves the continued relevance of The Sea Ranch as it enters its fiftieth year--and this monograph remains its definitive portrait.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

This ode to the spirit of place consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with the authors' personal observations. This collaboration between two distinguished architects and former colleagues is a joyous celebration of admired places and a thoughtful consideration of the role that design has played in giving these places their memorable qualities. It is also an invitation to readers to inhabit the chambers of the book with their own imaginations to join in the making of the Memory Palace proposed. The authors' informal, witty, and anecdotal style extends to the illustrations-the freehand travel sketches, line drawings, and watercolors of places they have remembered and enjoyed. Chambers for a Memory Palace consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with personal observations on the composition of places and the architectural elements central to each building, garden, court, monument, or open space described. The examples considered in these dialogues range from classic Western tradition to Asian temples and Islamic tombs, from ancient ruins to modern cities. In "Axes that Reach/Paths that Wander," Lyndon and Moore discuss the Cranbrook Academy of Art in Bloomfield Hills, the Taj Mahal in Agra, Vaux le Vicomte in France, the Beverly Hills Civic Center, and the Kimbell Museum in Forth Worth. In "Orchards that Measure/Pilasters that Temper," they consider the rhythmic spacing of elements in the Mosque at Cordoba, the Cathedral at Bourges, the thousand-pillared mandapas of South Indian temples, the facades of Schauspielhaus in Berlin, and the Seagram building in New York City. They use these and many other examples to illustrate the ways in which architecture, experience, and memory intertwine to help us experience events and places.