At the turn of the nineteenth century, Haiti became the first and only modern country born from a slave revolt. During the first decades of Haitian independence, a wealth of original poetry was created by the inhabitants of the former French Caribbean island colony and published in Haitian newspapers. These deeply felt poems celebrated the legitimacy of the new nation and the value of the authors' African origins while revealing a common mission shared by all Haitians in the young republic: freedom from oppressors and equality for all. This powerfully moving collection of Haitian verse written between 1804 and the late 1840s sheds a much-needed light on an important and often neglected period in Haiti's literary history. Editors Doris Kadish and Deborah Jenson have gathered together poetry that has remained largely unknown and difficult to access since its original publication two centuries ago. Featuring superb translations from the original French by Norman Shapiro and a foreword by the Haitian-born novelist Edwidge Danticat, this essential volume stands as a monument to a turning point in Haitian and world history and makes a significant corpus of poetry accessible to a wide audience for the first time.

Twelve scholars representing a variety of academic fields contribute to this study of slavery in the French Caribbean colonies, which ranges historically from the 1770s to Haiti's declaration of independent statehood in 1804. Including essays on the impact of colonial slavery on France, the United States, and the French West Indies, this collection focuses on the events, causes, and effects of violent slave rebellions that occurred in Saint-Domingue, Guadeloupe, and Martinique. In one of the few studies to examine the Caribbean revolts and their legacy from a U.S. perspective, the contributors discuss the flight of island refugees to the southern cities of New Orleans, Savannah, Charleston, Norfolk, and Baltimore that branded the lower United States as ""the extremity of Caribbean culture."" Based on official records and public documents, historical research, literary works, and personal accounts, these essays present a detailed view of the lives of those who experienced this period of rebellion and change.

Based on events that began in Saint-Domingue on August 21, 1791, The Saint-Domingue Plantation; or, The Insurrection vividly dramatizes the genesis and outbreak of a slave revolt. When a representative of the French Assembleia (c)e nationale, Monsieur de Tendale, arrives at the Valombre family plantation to examine the condition of slaves in Saint-Domingue and to preach their liberation, he sparks a debate among the local curA (c) and the Valombres -- Monsieur, Madame, son leia (c)on, and daughter CA (c)lestine -- who disagree about how slaves should be treated and whether they should be freed. Meanwhile, rebellion brews on the plantation. As the slave revolt unfolds, the play's white hero, leia (c)on, realizes the discrepancy between his liberal political and philosophical ideas and the reality of his family's economic interests. The black hero, Timur, confronts the slaves' bloodthirsty desire to kill the masters, their resistance to his leadership, and the realization that freedom places heavy demands on him and the other insurgents.Translated into English by Norman R. Shapiro for the first time since its publication in 1825, The Saint-Domingue Plantation addresses a wide range of topics that antislavery activists raised during Charles de RA (c)musat's time, including antitorture measures, slaves' access to the sacrament of marriage, and religious education. An informative introduction by Doris Y. Kadish places the play in its historic and literary contexts, inviting further discussion and interpretation of this important work.