This is rare look into the traditional ways of creating the beautiful masks that have brought such admiration to the native American carvers of the Pacific Northwest. The masks of the Kwakiutl people of the Pacific Northwest are noted around the world for their bold colorful designs. Used for dramatic recreations of the ancestors' adventures, they carry a depth of social, historical, and religious meaning. Lelooska has spent a lifetime creating these masks, a privilege bestowed upon him by the Kwakiutl. He has recreated many of the ceremonial masks which were lost or destroyed when the potlach was, for a time, outlawed. His masks are used in the traditional dances both at the revived gatherings and at recreations of the dances presented by the Lelooska Foundation in Ariel, Washington. Now he shares the traditional carving techniques with carvers everywhere. The Kwakiutl carvers are known particular for their transformation or opening masks, which change or open to reveal a second, inner mask. The mask carved in this new book is just such a mask, beautiful in its design and its complexity. Each step is illustrated and described to help the carver recreate the mask on his or her own. This is a unique and much awaited book by one of America's foremost artists.

The Spanish Revival movement in architecture was well established when Barker Brothers, a California furniture retailer, approached the Mason Manufacturing about creating a line of Spanish-styled furniture. That was 1929, and within a year Mason had created a 24-piece line of furniture called Monterey. It was immediately popular, and would continue in production until 1943. Today this high quality, beautifully designed and decorated home furniture is much sought after by collectors. This richly illustrated book shows Monterey furniture in color to capture the variety of its hand-painted finishes and forms. In addition, related pottery, fine art, textiles, and interior accessories from the Spanish Revival period (1915-c. 1943) are included, representing a variety of artists and manufacturers. In all, there are over 500 photographs, each with a helpful caption. The material for this book is based on an exhibit at the California Heritage Museum, Santa Monica. Guest curator, Roger Renick, has provided historical essays. For the first time, this popular phase of American decorative arts is put in its cultural context.