A fine collection...an excellent introduction to Chretien's world and work. Highly recommended. CHOICE Chretien de Troyes is arguably the creator of Arthurian romance, and it is on his work that later writers have based their interpretations. This book offers both crucial information on, and a comprehensive coverage of, all aspectsof the work of Chretien de Troyes - the literary and historical background, patronage, his influence on other writers, manuscripts and editions of his work and, at the heart of the volume, major essays on the themes, techniques and artistic achievements in each of his compositions; the contributions, all from leading experts in Chretien and related studies, have been commissioned especially for this volume and are designed to remain accessible to studentswhile also addressing specialists in Arthurian studies and Chretien de Troyes. They reflect the most current critical and scholarly views on one of the greatest of medieval authors. CONTRIBUTORS: JOHN W. BALDWIN, JUNEHALL MCCASH, LAURENCE HARF-LANCNER, NORRIS J. LACY, DOUGLAS KELLY, KEITH BUSBY, PETER F. DEMBOWSKI, ROBERTA L. KRUEGER, DONALD MADDOX, SARA STURM-MADDOX, JOAN TASKER GRIMBERT, MATILDA TOMARYN BRUCKNER, TONY HUNT, RUPERT T. PICKENS, ANNIE COMBES, MICHELLE SZKILNIK, EMMANUELE BAUMGARTNER

A close examination of an important theme in Machaut's works. A milestone in Machaut studies and in late-medieval French literature in general. Machaut, already considered the seminal figure in late-medieval poetics and music, here comes across in these respects more clearly than ever. Kelly also further contextualises him within what we might call the authorial `apprenticeship tradition' of Boethius, the Roman de la Rose, Dante, and later Gower, Chaucer, and Christine de Pizan. The fruit of one of the field's most distinguished scholars today. Nadia Margolis, Mount Holyoke College. Guillaume de Machaut was celebrated in the later Middle Ages as a supreme poet and composer, and accordingly, his poetry was recommended as amodel for aspiring poets. In his Voir Dit, Toute Belle, a young, aspiring poet, convinces the Machaut figure to mentor her. This volume examines Toute Belle as she masters Machaut's dual arts of poetry and love, focusing onher successful apprenticeship in these arts; it also provides a thorough review of Machaut's art of love and art of poetry in his dits and lyricsm, and the previous scholarship on these topics. It goes on to treat Machaut's legacy among poets who, like Toute Belle, adapted his poetic craft in new and original ways. A concluding analysis of melodie identifies the synaesthetic pleasure that late medieval poets, including Machaut, offer their readers. Douglas Kelly is Professor Emeritus at the University of Wisconsin, Madison.

First English translation of an important twelfth-century romance, giving an account of the Trojan war and its consequences. Benoit de Sainte-Maure's Roman de Troie, dating to around 1165, is, along with the Roman de Thebes and the Roman d'Eneas, one of the three "romances of antiquity" (romans d'antiquite). These romances launched the plots, themes and structures of the genre, then blossoming in the hands of authors such as Chretien de Troyes. As an account of the Trojan War, Benoit's work is of necessity a poem about war and its causes, how it was fought and what its consequences were for the combatants. But the author's choice of the octosyllabic rhyming couplet, his fondness for description, his ability to recount the intensity of personal struggles, and above all his fascination with the trials and tribulations of Love, which affect some of the work's most prominent warriors (among them Paris and his love for Helen, and Troilus and his love for Briseida), all combine to fashion this romance - in which events from long ago are presented as a reflection of the poet's own feudal and courtly worlds. This translation, the first into English, aims to bring the poem and the author to a wider audience. It is accompanied by an introduction and notes.

Arthur and the grail stories appeared in this French prose cycle together for the first time; scholars explore its social, historical, literary and manuscript contexts and account for its enduring interest. The early thirteenth-century French prose Lancelot-Grail Cycle (or Vulgate Cycle) brings together the stories of Arthur with those of the Grail, a conjunction of materials that continues to fascinate the Western imagination today. Representing what is probably the earliest large-scale use of prose for fiction in the West, it also exemplifies the taste for big cyclic compositions that shaped much of European narrative fiction for three centuries. A Companion to the Lancelot-Grail Cycle is the first comprehensive volume devoted exclusively to the Lancelot-Grail Cycle and its medieval legacy. The twenty essays in this volume, all by internationally known scholars, locate the work in its social, historical, literary, and manuscript contexts. In addition to addressing critical issues in the five texts that make up the Cycle, the contributors convey to modern readers the appeal that the text must have had for its medieval audiences, and the richness of composition that made it compelling. This volume will become standard reading for scholars, students, and more general readers interested in the Lancelot-Grail Cycle, medieval romance, Malory studies, and the Arthurian legends. Contributors: RICHARD BARBER, EMMANUELE BAUMGARTNER, FANNI BOGDANOW, FRANK BRANDSMA, MATILDA T. BRUCKNER, CAROL J. CHASE, ANNIE COMBES,HELEN COOPER, CAROL R. DOVER, MICHAEL HARNEY, DONALD L. HOFFMAN, DOUGLAS KELLY, ELSPETH KENNEDY, NORRIS J. LACY, ROGER MIDDLETON, HAQUIRA OSAKABE, HANS-HUGO STEINHOFF, ALISON STONES, RICHARD TRACHSLER. CAROL DOVER is associate professor of French and director of undergraduate studies, Georgetown University, Washington DC.

First English translation of an important twelfth-century romance, giving an account of the Trojan war and its consequences. Winner of the 2018 CHOICE Outstanding Academic Title Award Benoît de Sainte-Maure's Roman de Troie, dating to around 1165, is, along with the Roman de Thèbes and the Roman d'Eneas, one of the three"romances of antiquity" (romans d'antiquité). These romances launched the plots, themes and structures of the genre, then blossoming in the hands of authors such as Chrétien de Troyes. As an account of the Trojan War, Benoît's work is of necessity a poem about war and its causes, how it was fought and what its consequences were for the combatants. But the author's choice of the octosyllabic rhyming couplet, his fondness for description, his abilityto recount the intensity of personal struggles, and above all his fascination with the trials and tribulations of Love, which affect some of the work's most prominent warriors (among them Paris and his love for Helen, and Troilusand his love for Briseida), all combine to fashion this romance - in which events from long ago are presented as a reflection of the poet's own feudal and courtly worlds. This translation, the first into English, aims to bring the poem and the author to a wider audience. It is accompanied by an introduction and notes. Glyn S. Burgess is Emeritus Professor of French at the University of Liverpool; Douglas Kelly is Emeritus Professor of French and Medieval Studies at the University of Wisconsin-Madison.

The two romances translated in this volume, the Roman de Thebes and the Roman d'Eneas, form, along with the Roman de Troie by Benoit de Sainte-Maure, a group of texts that are of considerable importance within French and European literature and culture. Composed between c. 1150 and c. 1165, these romances create a bridge between classical tales (the Thebes is based on the Thebaid of Statius, the Eneas on the Aeneid of Virgil) and the burgeoning vernacular romances, represented especially by Chretien de Troyes. As a group, these three works are frequently known as the romances of antiquity (romans d'antiquite) and they introduce into French literature the dominant contemporary themes of chivalry and love. They are set against a feudal and courtly background in which themes such as war, prowess inheritance and the possession of land are crucial. As they adapt their Latin sources, these romances, especially the Eneas, exploit the works of Ovid, especially in the presentation of the theme of love, and they also make use of the principles of rhetorical composition as studied in the schools (both romances contain remarkable examples of descriptions of both people and objects). This is the first volume to contain two complete translations of the three romances of antiquity. The translation of the Roman d'Eneas is the first English translation of this text since that of John A. Yunck in 1974.

One of the most important medieval authors studied in historical and literary context. Chretien de Troyes is arguably the creator of Arthurian romance, and it is on his work that later writers have based their interpretations. This book offers both crucial information on, and a comprehensive coverage of, all aspectsof the work of Chretien de Troyes - the literary and historical background, patronage, his influence on other writers, manuscripts and editions of his work and, at the heart of the volume, major essays on his themes, techniques and artistic achievements in each of his compositions; the contributions, all from leading experts in Chretien and related studies, have been commissioned especially for this volume and are designed to remain accessible to studentswhile also addressing specialists in Arthurian studies and Chretien de Troyes. They reflect the most current critical and scholarly views on one of the greatest of medieval authors. CONTRIBUTORS: JOHN W. BALDWIN, JUNE HALL MCCASH, LAURENCE HARF-LANCNER, NORRIS J. LACY, DOUGLAS KELLY, KEITH BUSBY, PETER F. DEMBOWSKI, ROBERTA L. KRUEGER, DONALD MADDOX, SARA STURM-MADDOX, JOAN TASKER GRIMBERT, MATILDA TOMARYN BRUCKNER, TONY HUNT, RUPERT T. PICKENS, ANNIE COMBES, MICHELLE SZKILNIK, EMMANUELE BAUMGARTNER

New editor, new directions: the series broadens its scope to encompass European literatures other than French and English; still, however, "an indispensable component of any historical or Arthurian library". NOTES AND QUERIES This new volume of Arthurian Literature, the first under its new editor Keith Busby, is devoted to the Roman van Walewein(The Romance of Walewein [Gawain]) by Penninc and Pieter Vostaert, an undisputed gem of Middle Dutch literature which has recently become accessible to an English-speaking audience through translation. Essentially a fairy-tale written into Arthurian romance, it presents a Gawain quite different to the man found in the English Sir Gawain and the Green Knightor the French Gauvain. Expert readings of the Walewein, especially commissioned and collected by BART BESAMUSCA and ERIK KOOPERof the University of Utrecht are provided by a group of renowned scholars, contributing to the on-going critical appraisal of the Walewein. KEITH BUSBY is George Lynn Cross Research Professor at the Center for Medieval and Renaissane Studies, University of Oklahoma. Contributors: BART BESAMUSCA, ERIK KOOPER, WALTER HAUG, DOUGLAS KELLY, NORRIS J. LACY, MATHIAS MEYER, AD PUTTER, FELICITY RIDDY, THEA SUMMERFIELD, JANE H.M. TAYLOR, BART VELDHOEN, NORBERT VOORWINDEN, LORI WALTERS

Five hundred years ago, the Reformers were defending doctrines such as justification by faith alone, the authority of Scripture, and God's grace in salvation--some to the point of death. Many of these same essential doctrines are still being challenged today, and there has never been a more crucial time to hold fast to the enduring truth of Scripture.

In Reformation Theology, Matthew Barrett has brought together a team of expert theologians and historians writing on key doctrines taught and defended by the Reformers centuries ago. With contributions from Michael Horton, Gerald Bray, Michael Reeves, Carl Trueman, Robert Kolb, and many others, this volume stands as a manifesto for the church, exhorting Christians to learn from our spiritual forebears and hold fast to sound doctrine rooted in the Bible and passed on from generation to generation.

The complex role warfare played in ancient Greek and Roman civilizations is examined through coverage of key wars and battles; important leaders, armies, organizations, and weapons; and other noteworthy aspects of conflict. Conflict in Ancient Greece and Rome: The Definitive Political, Social, and Military Encyclopedia is an outstandingly comprehensive reference work on its subject. Covering wars, battles, places, individuals, and themes, this thoroughly cross-referenced three-volume set provides essential support to any student or general reader investigating ancient Greek history and conflicts as well as the social and political institutions of the Roman Republic and Empire. The set covers ancient Greek history from archaic times to the Roman conquest and ancient Roman history from early Rome to the fall of the Western Roman Empire in 476 CE. It features a general foreword, prefaces to both sections on Greek history and Roman history, and maps and chronologies of events that precede each entry section. Each section contains alphabetically ordered articles-including ones addressing topics not traditionally considered part of military history, such as "noncombatants" and "war and gender"-followed by cross-references to related articles and suggested further reading. Also included are glossaries of Greek and Latin terms, topically organized bibliographies, and selected primary documents in translation. Provides an up-to-date and comprehensive treatment of conflict in the ancient Greek and Roman worlds that relates warfare to society, politics, economy, and culture Examines major wars and other key conflicts; important generals and leaders; and Greek and Roman political, military, social, and cultural institutions Presents ancillary information, including maps and illustrations; a topically arranged bibliography; sourcebooks of primary sources in translation; and lists of the most interesting "sound bites" attributed to Greek and Roman leaders in ancient times