A close examination of an important theme in Machaut's works. A milestone in Machaut studies and in late-medieval French literature in general. Machaut, already considered the seminal figure in late-medieval poetics and music, here comes across in these respects more clearly than ever. Kelly also further contextualises him within what we might call the authorial `apprenticeship tradition' of Boethius, the Roman de la Rose, Dante, and later Gower, Chaucer, and Christine de Pizan. The fruit of one of the field's most distinguished scholars today. Nadia Margolis, Mount Holyoke College. Guillaume de Machaut was celebrated in the later Middle Ages as a supreme poet and composer, and accordingly, his poetry was recommended as amodel for aspiring poets. In his Voir Dit, Toute Belle, a young, aspiring poet, convinces the Machaut figure to mentor her. This volume examines Toute Belle as she masters Machaut's dual arts of poetry and love, focusing onher successful apprenticeship in these arts; it also provides a thorough review of Machaut's art of love and art of poetry in his dits and lyricsm, and the previous scholarship on these topics. It goes on to treat Machaut's legacy among poets who, like Toute Belle, adapted his poetic craft in new and original ways. A concluding analysis of melodie identifies the synaesthetic pleasure that late medieval poets, including Machaut, offer their readers. Douglas Kelly is Professor Emeritus at the University of Wisconsin, Madison.

First English translation of an important twelfth-century romance, giving an account of the Trojan war and its consequences. Benoit de Sainte-Maure's Roman de Troie, dating to around 1165, is, along with the Roman de Thebes and the Roman d'Eneas, one of the three "romances of antiquity" (romans d'antiquite). These romances launched the plots, themes and structures of the genre, then blossoming in the hands of authors such as Chretien de Troyes. As an account of the Trojan War, Benoit's work is of necessity a poem about war and its causes, how it was fought and what its consequences were for the combatants. But the author's choice of the octosyllabic rhyming couplet, his fondness for description, his ability to recount the intensity of personal struggles, and above all his fascination with the trials and tribulations of Love, which affect some of the work's most prominent warriors (among them Paris and his love for Helen, and Troilus and his love for Briseida), all combine to fashion this romance - in which events from long ago are presented as a reflection of the poet's own feudal and courtly worlds. This translation, the first into English, aims to bring the poem and the author to a wider audience. It is accompanied by an introduction and notes.

Arthur and the grail stories appeared in this French prose cycle together for the first time; scholars explore its social, historical, literary and manuscript contexts and account for its enduring interest. The early thirteenth-century French prose Lancelot-Grail Cycle (or Vulgate Cycle) brings together the stories of Arthur with those of the Grail, a conjunction of materials that continues to fascinate the Western imagination today. Representing what is probably the earliest large-scale use of prose for fiction in the West, it also exemplifies the taste for big cyclic compositions that shaped much of European narrative fiction for three centuries. A Companion to the Lancelot-Grail Cycle is the first comprehensive volume devoted exclusively to the Lancelot-Grail Cycle and its medieval legacy. The twenty essays in this volume, all by internationally known scholars, locate the work in its social, historical, literary, and manuscript contexts. In addition to addressing critical issues in the five texts that make up the Cycle, the contributors convey to modern readers the appeal that the text must have had for its medieval audiences, and the richness of composition that made it compelling. This volume will become standard reading for scholars, students, and more general readers interested in the Lancelot-Grail Cycle, medieval romance, Malory studies, and the Arthurian legends. Contributors: RICHARD BARBER, EMMANUELE BAUMGARTNER, FANNI BOGDANOW, FRANK BRANDSMA, MATILDA T. BRUCKNER, CAROL J. CHASE, ANNIE COMBES,HELEN COOPER, CAROL R. DOVER, MICHAEL HARNEY, DONALD L. HOFFMAN, DOUGLAS KELLY, ELSPETH KENNEDY, NORRIS J. LACY, ROGER MIDDLETON, HAQUIRA OSAKABE, HANS-HUGO STEINHOFF, ALISON STONES, RICHARD TRACHSLER. CAROL DOVER is associate professor of French and director of undergraduate studies, Georgetown University, Washington DC.

A fine collection...an excellent introduction to Chretien's world and work. Highly recommended. CHOICE Chretien de Troyes is arguably the creator of Arthurian romance, and it is on his work that later writers have based their interpretations. This book offers both crucial information on, and a comprehensive coverage of, all aspectsof the work of Chretien de Troyes - the literary and historical background, patronage, his influence on other writers, manuscripts and editions of his work and, at the heart of the volume, major essays on the themes, techniques and artistic achievements in each of his compositions; the contributions, all from leading experts in Chretien and related studies, have been commissioned especially for this volume and are designed to remain accessible to studentswhile also addressing specialists in Arthurian studies and Chretien de Troyes. They reflect the most current critical and scholarly views on one of the greatest of medieval authors. CONTRIBUTORS: JOHN W. BALDWIN, JUNEHALL MCCASH, LAURENCE HARF-LANCNER, NORRIS J. LACY, DOUGLAS KELLY, KEITH BUSBY, PETER F. DEMBOWSKI, ROBERTA L. KRUEGER, DONALD MADDOX, SARA STURM-MADDOX, JOAN TASKER GRIMBERT, MATILDA TOMARYN BRUCKNER, TONY HUNT, RUPERT T. PICKENS, ANNIE COMBES, MICHELLE SZKILNIK, EMMANUELE BAUMGARTNER

First English translation of an important twelfth-century romance, giving an account of the Trojan war and its consequences. Winner of the 2018 CHOICE Outstanding Academic Title Award Benoît de Sainte-Maure's Roman de Troie, dating to around 1165, is, along with the Roman de Thèbes and the Roman d'Eneas, one of the three"romances of antiquity" (romans d'antiquité). These romances launched the plots, themes and structures of the genre, then blossoming in the hands of authors such as Chrétien de Troyes. As an account of the Trojan War, Benoît's work is of necessity a poem about war and its causes, how it was fought and what its consequences were for the combatants. But the author's choice of the octosyllabic rhyming couplet, his fondness for description, his abilityto recount the intensity of personal struggles, and above all his fascination with the trials and tribulations of Love, which affect some of the work's most prominent warriors (among them Paris and his love for Helen, and Troilusand his love for Briseida), all combine to fashion this romance - in which events from long ago are presented as a reflection of the poet's own feudal and courtly worlds. This translation, the first into English, aims to bring the poem and the author to a wider audience. It is accompanied by an introduction and notes. Glyn S. Burgess is Emeritus Professor of French at the University of Liverpool; Douglas Kelly is Emeritus Professor of French and Medieval Studies at the University of Wisconsin-Madison.

One of the most important medieval authors studied in historical and literary context. Chretien de Troyes is arguably the creator of Arthurian romance, and it is on his work that later writers have based their interpretations. This book offers both crucial information on, and a comprehensive coverage of, all aspectsof the work of Chretien de Troyes - the literary and historical background, patronage, his influence on other writers, manuscripts and editions of his work and, at the heart of the volume, major essays on his themes, techniques and artistic achievements in each of his compositions; the contributions, all from leading experts in Chretien and related studies, have been commissioned especially for this volume and are designed to remain accessible to studentswhile also addressing specialists in Arthurian studies and Chretien de Troyes. They reflect the most current critical and scholarly views on one of the greatest of medieval authors. CONTRIBUTORS: JOHN W. BALDWIN, JUNE HALL MCCASH, LAURENCE HARF-LANCNER, NORRIS J. LACY, DOUGLAS KELLY, KEITH BUSBY, PETER F. DEMBOWSKI, ROBERTA L. KRUEGER, DONALD MADDOX, SARA STURM-MADDOX, JOAN TASKER GRIMBERT, MATILDA TOMARYN BRUCKNER, TONY HUNT, RUPERT T. PICKENS, ANNIE COMBES, MICHELLE SZKILNIK, EMMANUELE BAUMGARTNER

New editor, new directions: the series broadens its scope to encompass European literatures other than French and English; still, however, "an indispensable component of any historical or Arthurian library". NOTES AND QUERIES This new volume of Arthurian Literature, the first under its new editor Keith Busby, is devoted to the Roman van Walewein(The Romance of Walewein [Gawain]) by Penninc and Pieter Vostaert, an undisputed gem of Middle Dutch literature which has recently become accessible to an English-speaking audience through translation. Essentially a fairy-tale written into Arthurian romance, it presents a Gawain quite different to the man found in the English Sir Gawain and the Green Knightor the French Gauvain. Expert readings of the Walewein, especially commissioned and collected by BART BESAMUSCA and ERIK KOOPERof the University of Utrecht are provided by a group of renowned scholars, contributing to the on-going critical appraisal of the Walewein. KEITH BUSBY is George Lynn Cross Research Professor at the Center for Medieval and Renaissane Studies, University of Oklahoma. Contributors: BART BESAMUSCA, ERIK KOOPER, WALTER HAUG, DOUGLAS KELLY, NORRIS J. LACY, MATHIAS MEYER, AD PUTTER, FELICITY RIDDY, THEA SUMMERFIELD, JANE H.M. TAYLOR, BART VELDHOEN, NORBERT VOORWINDEN, LORI WALTERS

The significance of the works of Alain Chartier in the development of European literature. Chartier in Europe is the first sustained enquiry into the distinctive influence of the fifteenth-century French poet and diplomat, Alain Chartier, on the reading and writing cultures of England, Italy, Scotland, and Spain,as well as France. Opening with essays that assess Chartier's own construction of an authoritative voice, the volume then analyses the transmission and reception context of his Latin and French prose and poetry, and examines theways in which the translation of his work into other vernaculars shaped his burgeoning reputation. Established and younger scholars from the fields of English, French, History, Scottish and Hispanic studies build a cross-disciplinary approach that illuminates Chartier's importance not only in the realm of French literature but in the evolution of a wider European literature. In addition, Chartier in Europe presents a full bibliography of published work on Chartier and includes a foreword by James Laidlaw, the first modern editor of Chartier's complete French poetical works. EMMA CAYLEY is Senior Lecturer in French at the University of Exeter; ASHBY KINCH is Associate Professor of English Literature at the University of Montana. OTHER CONTRIBUTORS: Barbara K. Altmann, Julia Boffey, Florence Bouchet, William Calin, Douglas Kelly, James Laidlaw, Joan E. McRae, Catherine Nall, ClaraPascual-Argente, Dana Symons.

Christine de Pizan's lifelong quest for certainty. Christine de Pizan's Changing Opinion examines the evolution of Christine's thought on true and false opinion. She reflected deeply on the subject of opinion while analyzing, evaluating, challenging, and changing her own and others' opinions in her lifelong quest for certain truth. Parsing opinion in Christine's writings gives us insight into her thought on controversial issues while highlighting opinions that were and, indeed, often still are, subjective and controversial. The first two chapters treat her definition and description of opinion, including her conception of the thinking mind and the arts by which that mind expresses thought; they also follow her changingopinion about the nature and power of fortune in the world she knew. The next three chapters treat three specific changes in her opinions on misogyny, chivalric [or courtly] love, and self-interest and enlightened self-interest in society. The last chapter relates Christine's views on opinion to recent work on subjectivity in medieval writing. DOUGLAS KELLY is Professor Emeritus at the University of Wisconsin, Madison.

Five hundred years ago, the Reformers were defending doctrines such as justification by faith alone, the authority of Scripture, and God's grace in salvation--some to the point of death. Many of these same essential doctrines are still being challenged today, and there has never been a more crucial time to hold fast to the enduring truth of Scripture.

In Reformation Theology, Matthew Barrett has brought together a team of expert theologians and historians writing on key doctrines taught and defended by the Reformers centuries ago. With contributions from Michael Horton, Gerald Bray, Michael Reeves, Carl Trueman, Robert Kolb, and many others, this volume stands as a manifesto for the church, exhorting Christians to learn from our spiritual forebears and hold fast to sound doctrine rooted in the Bible and passed on from generation to generation.

The supplement to the 1976 original bibliography reflects the expanding scope of modern Chretien studies, including items from around the world, with the assistance of an international team of scholars. The Supplement builds on and completes the Chretien de Troyes Bibliography first published in 1976. Together the two volumes constitute the fullest and most complete bibliographical source now available on this major medieval author. Chretien de Troyes bequeathed a corpus of highly original and widely influential Arthurian romances. Indeed, his direct or indirect influence continued throughout the middle ages and beyond into modern times. The Bibliographypermits students of medieval romance to quickly identify the areas in which Chretien scholarship has been active. Items are listed under twenty-two topics, with numerous sub-sections under each topic, and cross-references for items that treat more than one of the topics. The broad geographic and linguistic scope of modern Chretien studies is evident in items not only from western Europe and North America, but also from the growing body of medieval scholarship in eastern Europe, Asia, Africa, South America, and Australasia. To ensure accuracy and completeness, the editor has been assisted by scholars competent in the many languages in which Chretien studies are now published, most notably in Japanese, Welsh, Rumanian, Hungarian and Polish, as well as by other scholars and librarians who generously provided assistance and information in finding items difficult to access.

Noel Johnson, Douglas Kelly, Duncan Carse and Gordon Davies star as Dick Barton in this exciting BBC Radio 4 collection set in the world of criminal masterminds, espionage and adventure! Dick Barton and The Secret Weapon In their very first adventure, Dick Barton and his army friend Snowey White join Colonel Gardiner of military intelligence to defeat the villainous Wilhelm Kramer. A new super-weapon has been stolen and Kramer plans to use it to hold the world to ransom. Dick Barton and the Paris Adventure In the second Dick Barton adventure, Barton and his friends join forces with the French police on the trail of an international smuggling operation. Dick Barton and the Cabatolin Diamonds The third adventure in the series sees Dick and Snowey's holiday plans for a Mediterranean cruise curtailed, when they are asked to help Freddy Belfont from the Home Office break a gang of diamond smugglers. Dick Barton and the Smash and Grab Raiders Dick, Snowey and Jock assist Sir Alexander Morton to catch a group of audacious smash and grab raiders. Plus a bonus CD including three previously unreleased isolated episodes; the earliest surviving recording from the series and the final episode ever made. Also included is a documentary featuring interviews with the principle cast and an extract from the now lost Dick Barton and the Bonazio Gang.