Sets out an ordered system of the arts - music, painting, sculpture, narrative, poetry and tragedy - based on the precepts of German Idealism.

Volume XII of the highly respected Theological Dictionary of the Old Testament expands the scope of this fundamental reference tool for biblical studies. Ranging from pasah, pesah (-Passover-) toqum (-stand, rise-), these eighty-six articles include thorough etymological analysis of the Hebrew roots and their derivatives within the context of Semitic and cognate languages, diachronically considered, as well as Septuagint, New Testament, and extracanonical usages. Among the articles of primary theological importance included in Volume XII are these: par'oh (-Pharaoh-), pasa, pesa' (-sin, offense, crime-), seba'ot (-Sabaoth-), sadaq, sedeq, sedaqa (-[be] righteous, righteousness-), qds, qodes (-holy-), and qahal (-congregation-). Each article is fully annotated and contains an extensive bibliography with cross-references to the entire series.

"God revealed himself in Jesus Christ!" Christian faith has confessed and proclaimed this message for nearly two thousand years. But what does it really mean? In God the Revealed, Michael Welker delves into this declaration and shows how it offers genuine insight into Christian faith. He asks "Who is Jesus Christ for us today?" and approaches the answer from five different angles - the historical Jesus, the resurrection, the cross, the reign of Christ, and eschatology. Uniquely, Welker argues for the need to place historical Jesus research in a Christology and proposes a "Fourth Quest" for the historical Jesus.

This book contains the first study of the musical culture of ancient Israel/Palestine based primarily on the archaeological record. Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginning in the Stone Age to the fourth century A.D.

This is not a study of music in the Bible or music in biblical times but a unique, in-depth investigation of the historical periods and cultures that influenced the music of the region and its people. Braun combines significant archaeological findings -- musical instruments, terra cotta and metal figures, etched stone illustrations, mosaics -- with evidence drawn from written (mainly biblical) texts and anthropological, sociological, and linguistic sources.

The portrait Braun assembles of this past musical world is both fascinating and innovative, suggesting a reconsideration of many views long accepted by tradition. Enhanced with numerous illustrations and photographs that bring the archaeological evidence to life, this exceptional work will be a valued resource for scholars, students, and general readers interested in the history of music, biblical studies, Jewish studies, and the cultures of the ancient Near East.

In the spring of 1935 Dietrich Bonhoeffer returned from England to direct a small illegal seminary for the Confessing Church. The seminary existed for two years before the Gestapo ordered it closed in August 1937. The two years of Finkenwalde's existence produced some of Bonhoeffer's most significant theological work as he prepared these young seminarians for the turbulence and risk of parish ministry in the Confessing Church. Bonhoeffer and his seminarians were under Gestapo surveillance; some of them were arrested and imprisoned. Throughout, he remained dedicated to training them for the ministry and its challenges in a difficult time. This volume includes bible studies, sermons, and lectures on homiletics, pastoral care, and catechesis, giving a moving and up-close portrait of the Confessing Church in these crucial yearsthe same period during which Bonhoeffer wrote his classics, Discipleship and Life Together.