A prisoner in a WWII concentration camp discovers a superpower that could keep him alive – he can make the commandant laugh by telling jokes. Pushed to ends of his wit and humanity, Gagman is propelled into a spiralling madness in which he would sell his soul for a gag simply to live another day.

Evoking themes from The Tattooist of Auschwitz and The Boy in the Striped Pyjamas, Dov Fedler weaves the story of a Faustian bargain brokered in hell, where redemption only comes in the form of a punchline. He must stay funny – or die.

Enhanced by Fedler’s own haunting illustrations, Gagman masterfully juxtaposes humour and pathos, while exploring themes of survivor guilt, desperate determination and the search for the meaning of life in the wake of the Holocaust. Swapping his yellow star for a tattered comic book, Gagman roams the new world and our consciousness determined to find answers to the deepest questions about loss, hope and belonging.

Gagman is a touching and unique tale of survival through unimaginable horror.

Dov Fedler was a "laatlammetjie", born and bred in Johannesburg in 1940 just as Hitler was getting into his stride. A third child was not on his parents' "want-list". It was hard enough supporting two much older children and a printing business struggling to exist.

When Dov was about three his mother had a "nervous breakdown" which is when he remembers seeing his first pencil and knowing precisely what it was that he wanted to do with his life. There are no coincidences in Dov's life. He believes that a hand of destiny has steered his path towards becoming a leading South African cartoonist for more than 45 years. Many dramatic encounters (not with aliens or spirits, but with everyday people) have shaped him and he wouldn't have missed any of it.

Dov's story is intensely personal and honest, with a powerful combination of humour, emotion and community history. OUt Of Line attempts to do a few short things. It is an autobiography but it is also an attempt to capture a particular history of a specific generation; that of the Jewish baby boomers who descended from mainly Lithuanian stock.

Renowned cartoonist Dov Fedler got the opportunity in the 1980s to have a dream come true: Directing a movie. He had no idea how to do it, but didn’t let that stop him. This memoir is a humorous story of the pitfalls that opened up as he worked on a movie where the cast wasn’t allowed to speak English to him while he spoke no isiZulu, the producer was just shy of being a crook, and where Dov had no idea the apartheid government was funding it.