This volume gathers personal recollections by fifteen eminent historians of the American South. Coming from distinctive backgrounds, traveling diverse career paths, and practicing different kinds of history, the contributors exemplify the field's richness on many levels. As they reflect on why they joined the profession and chose their particular research specialties, these historians write eloquently of family and upbringing, teachers and mentors, defining events and serendipitous opportunities. The struggle for civil rights was the defining experience for several contributors. Peter H. Wood remembers how black fans of the St. Louis Cardinals erupted in applause for the Dodgers' Jackie Robinson. ""I realized for the first time,"" writes Wood, ""that there must be something even bigger than hometown loyalties dividing Americans."" Gender equality is another frequent concern in the essays. Anne Firor Scott tells of her advisor's ridicule when childbirth twice delayed Scott's dissertation: ""With great effort I managed to write two chapters, but Professor Handlin was moved to inquire whether I planned to have a baby every chapter."" Yet another prominent theme is the reconciliation of the professional and the personal, as when Bill C. Malone traces his scholarly interests back to ""the memories of growing up poor on an East Texas cotton farm and finding escape and diversion in the sounds of hillbilly music."" Always candid and often witty, each essay is a road map through the intellectual terrain of southern history as practiced during the last half of the twentieth century.

More than 600,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be six million. In This Republic of Suffering, Drew Gilpin Faust reveals the ways that death on such a scale changed not only individual lives but the life of the nation, describing how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality.

First published in 1865, Belle Boyd's memoir of her experiences as a Confederate spy has stood the test of time and interest. Belle first gained notoriety when she killed a Union soldier in her home in 1861. During the Federal occupations of the Shenandoah Valley, she mingled with the servicemen and, using her feminine wiles, obtained useful information for the Rebel cause.

In this new edition, Kennedy-Nolle and Faust consider the domestic side of the Civil War and also assess the value of Boyd's memoir for social and literary historians in its challenge to our understanding the most divisive years in American history.

First published in 1864, Macaria; or, Altars of Sacrifice was the third novel of Augusta Jane Evans, one of the leading women writers of nineteenth-century domestic fi ction. A wartime best seller, with more than twenty thousand copies in circulation in the print-starved Confederacy before the war's end, the novel was also extremely well received along the Union front, so much so that some northern offi cials thought it should be banned. Long out of print and largely unavailable until now, Macaria is a compelling narrative about women and war. In Macaria, Evans charts the journey of two southern women toward ultimate self-realisation through their service in the war-torn Confederacy. Discarding the theme of romantic fulfi llment, Evans skillfully crafts a novel about women compelled by the departure and death of so many southern men to fi nd meaning in their own ""single blessedness,"" rather than in marriage. Drew Gilpin Faust, in her perceptive introduction to this edition, places the novel in the context of the concerns of Confederate nationalism and the contributions of women during the Civil War. She provides an ideological and historical framework within which to interpret the novel and introduce it to a new generation of readers. Largely overlooked in the current revival of women's fi ction, Augusta Jane Evans is less well known today than she should be. The reissue of this volume will do much to garner Evans a well-deserved place in the existing body of American literature, and especially southern and women's literature.

For decades, historians have debated the meaning and significance of Confederate nationalism and the role it played in the outcome of the Civil War. Yet they have paid little attention to the actual development and content of this Confederate ideology. In The Creation of Confederate Nationalism, Drew Gilpin Faust argues that coming to a fuller understanding of southern thought during the Civil War period offers a valuable refraction of the essential assumptions on which the Old South and the Confederacy were built. She shows the benefits of exploring Confederate nationalism ""as the South's commentary upon itself, as its effort to represent southern culture to the world at large, to history, and perhaps most revealingly, to its own people.

From his birth in 1807 to his death in 1864 as Sherman's troops marched in triumph toward South Carolina, James Henry Hammond witnessed the rise and fall of the cotton kingdom of the Old South. Planter, politician, and partisan of slavery, Hammond built a career for himself that in its breadth and ambition provides a composite portrait of the civilization in which he flourished.

A long-awaited biography, Drew Gilpin Faust's James Henry Hammond and the Old South reveals the South Carolina planter who was at once characteristic of his age and unique among men of his time. Of humble origins, Hammond set out to conquer his society, to make himself a leader and a spokesman for the Old South. Through marriage he acquired a large plantation and many slaves, and then through shrewd management and progressive farming techniques he soon became one of the wealthiest men in South Carolina. He was elected to the United States House of Representatives and served as governor of his state. A scandal over his personal life forced him to retreat for many years to his plantation, but eventually he returned to public view, winning a seat in the United States Senate that he resigned when South Carolina seceded from the Union.

James Henry Hammond's ambition was unquenchable. It consumed his life, directed almost his every move, and ultimately, in its titanic calculation and rigidity, destroyed the man confined within it. Like Faulkner's Thomas Sutpen, Faust suggests, Hammond had a "design," a compulsion to direct every moment of his life toward self-aggrandizement and legitimation. Hammond envisioned himself as the benevolent, paternal, but absolute master of his family and his slaves. But in reality, neither his family, his slaves, nor even his own behavior was completely under his command. Hammond ardently wished to perfect and preserve the southern way of life. But these goals were also beyond his control. At the time of his death it had become clear to him that his world, the world of the Old South, had ended.

In one volume, these essentially unabridged selections from the works of the proslavery apologists are now conveniently accessible to scholars and students of the antebellum South. The Ideology of Slavery includes excerpts by Thomas R. Dew, founder of a new phase of proslavery militancy; William Harper and James Henry Hammond, representatives of the proslavery mainstream; Thornton Stringfellow, the most prominent biblical defender of the peculiar institution; Henry Hughes and Josiah Nott, who brought would-be scientism to the argument; and George Fitzhugh, the most extreme of proslavery writers.

The works in this collection portray the development, mature essence, and ultimate fragmentation of the proslavery argument during the era of its greatest importance in the American South. Drew Faust provides a short introduction to each selection, giving information about the author and an account of the origin and publication of the document itself.

Faust's introduction to the anthology traces the early historical treatment of proslavery thought and examines the recent resurgence of interest in the ideology of the Old South as a crucial component of powerful relations within that society. She notes the intensification of the proslavery argument between 1830 and 1860, when southern proslavery thought became more systematic and self-conscious, taking on the characteristics of a formal ideology with its resulting social movement. From this intensification came the pragmatic tone and inductive mode that the editor sees as a characteristic of southern proslavery writings from the 1830s onward. The selections, introductory comments, and bibliography of secondary works on the proslavery argument will be of value to readers interested in the history of slavery and of nineteenth-centruy American thought.

When Confederate men marched off to battle, southern women struggled with the new responsibilities of directing farms and plantations, providing for families, and supervising increasingly restive slaves. Drew Faust offers a compellilng picture of the more than half-million women who belonged to the slaveholding families of the Confederacy during this period of acute crisis, when every part of these women's lives became vexed and uncertain. Faust chronicles the clash of the old and the new within a group that was at once beneficiary and victim of the social order of the Old South.

This journal records the Civil War experiences of a sensitive, well-educated, young southern woman. Kate Stone was twenty when the war began, living with her widowed mother, five brothers, and younger sister at Brokenburn, their plantation home in northeastern Louisiana. When Grant moved against Vicksburg, the family fled before the invading armies, eventually found refuge in Texas, and finally returned to a devastated home. Kate began her journal in May, 1861, and made regular entries up to November, 1865. She included briefer sketches in 1867 and 1868. In chronicling her everyday activities, Kate reveals much about a way of life that is no more: books read, plantation management and crops, maintaining slaves in the antebellum period, the attitude and conduct of slaves during the war, the fate of refugees, and civilian morale. Without pretense and with almost photographic clarity, she portrays the South during its darkest hours.