A consortium of German developers shows up on the fictional Otter Lake Reserve with a seemingly irresistible offer to improve the local economy: the creation of  Ojibway World," a Native theme park designed to attract European tourists, causing hilarious personal and political divisions within the local community.The Berlin Blues concludes Drew Hayden Taylor's Blues quartet, showcasing contemporary stereotypes of First Nations people, including a fair number that originate from Indigenous communities themselves, to the often outraged delight of his international audiences.Yet Europeans and other ethnic groups are not exempt from Taylor's incisive but good-humoured caricatures. Central to the motivation of these German developers are the hugely successful and best-selling adventure novels of the German author Karl May, whose work Adolf Hitler recommended as  good wholesome reading for all ages." Written in the early twentieth century, they popularized Rousseau's image of Indigenous peoples as  Noble Savages" among European, and especially German youth, and have led to the creation of Karl May theme parks all over central Europe, where adult tourists can shed their inhibitions and play Cowboys and Indians with a seriousness as ridiculous as it is abandoned. This is identity politics stripped of its politically correct hyper-seriousness and dramatized to its absurd and ultimately hilarious conclusion.The Berlin Blues premiered in Los Angeles at Native Voices in February 2007, touring to New York (at the Museum of the American Indian), and then to the museum in Washington D.C. the following May, followed by a reading tour in Germany. In Canada it was produced at Magnus Theatre in Thunder Bay in January 2008, and then by Persephone Theatre in Saskatoon.

"A sleepy native reservation. A troubled teen girl. A vampire returns home."

Nothing ever happens on the Otter Lake reservation. But when 16-year-old Tiffany discovers her father is renting out "her" room, she's deeply upset. Sure, their guest is polite and keeps to himself. But he's also a little creepy.

Little do Tiffany, her father or even her astute Granny Ruth suspect the truth. The mysterious Pierre L'Errant is actually a vampire, returning to his tribal home after centuries spent in Europe. But Tiffany has other things on her mind: her new boyfriend is acting weird, disputes with her father are escalating, and her estranged mother is starting a new life with somebody else.

Fed up and heartsick, Tiffany threatens drastic measures and flees into the bush. There, in the midnight woods, a chilling encounter with L'Errant changes everything... for both of them.

A mesmerizing blend of Gothic thriller and modern coming-of-age novel, The Night Wanderer is unlike any other vampire story.

A very liberal contemporary couple--Angel, an urban Native science fiction writer, and Colleen, a "non-practising" Jewish intellectual who teaches Native literature--hosts a dinner party. The guests at this little "sitcom" soiree are couples that represent what by now have become the cliched extremes of both societies: Angel's former radical Native activist buddies and Colleen's environmentally concerned vegetarian / veterinarian friends. The menu is, of course, the hosts' respectful attempt at shorthand for the irreconcilable cultural differences about to come to a head during the evening: moose roast and vegetarian lasagna.
Like all of Drew Hayden Taylor's work, alterNatives manages to say things about "Whites and Indians" that one is not supposed to talk about--it digs up the carefully buried, raw and pulsing nerve-endings of the unspeakable and exposes them to the hot bright lights of the stage. That he does so with a humour that the politically correct among his audiences continue to miss entirely beneath the sound and fury of their own self-righteous indignation is a measure of his immense talent as a dramatist. In the end, the play is not about cultural differences at all, but instead constitutes a full frontal attack on the personal qualities the sitcom holds most dear and pushes hardest at its audiences: Taylor actually has the temerity to suggest that neither "attitude" nor "sincerity" are enough to address basic human issues, no matter which side of the cultural fence the characters are on. And that's hard for the pushers of what is considered a globally enlightened culture to take.
Cast of 3 women and 3 men.