This manual encompasses a comprehensive approach to the management of labour. Based on the simple proposition that effective uterine action is the key to normal delivery, Active Management of Labour covers all aspects of delivery for nulliparous women with vertex presentation and single foetus. This is an accessible and practical guide for obstericians and midwives as well as anaesthetists and the auxiliary staff of maternity units. Encourages an active interest in labour by all professional staff Emphasises the importance of constant personal attention and good communication in labour Discusses in detail the need to distinguish between: - first and subsequent births - single cephalic and all other pregnancies - induction and acceleration of labour Fosters the development of a team spirit between midwife and obstetrician Demonstrates how good labour ward organisation can improve care Proves the importance of audit in ensuring quality of care Updated chapters on dystocia and caesarean section New key points summary at the end of each chapter Updated review of clinical outcomes at the National Maternity Hospital

A captivating treasure of a novel about Clemmie, a young Victorian Egyptologist, and her entanglement with the legend of the goddess, Nephthys.

Quiet and reserved, Clemmie is happy in the background. Although her parents may overlook her talents, her ability to read hieroglyphs makes her invaluable at the Egyptian relic parties which have made her father the toast of Victorian society.

But at one such party, the words Clemmie interprets from an unusual amulet strike fear into her heart. The beautiful and dangerous glyphs she holds in her hands will change her life forever.

Five years later, Clemmie arrives in Egypt on a mission to save what remains of her family. The childhood game she used to play about the immortal sisters, Isis and Nephthys, has taken on a devastating resonance and it is only by following Nephthys' story that she can undo the mistakes of the past.

On her journey up the Nile she will meet unexpected allies and enemies and, along with long-buried secrets and betrayals, Clemmie will be forced to step into the light.

The gripping real story of the ordinary American man who found himself at the centre of a deadly terrorist organisation - and working for both MI5 and the FBI. A bored trucker from New York took a holiday to Ireland with his new girlfriend and brought down the IRA. Just a quick Google search reveals the level of interest across Britain, Ireland and the US into exactly how this ordinary blue-collar worker found himself at the centre of an espionage ring. David Rupert, a complete outsider with no connection to Ireland, rose to the very top of the Real IRA, all while working for the FBI and British intelligence. But the story is really about just how a bored, frustrated New York trucking manager becomes one of Britain's most valued spies, brings down the entire IRA structure and makes $10 million dollars in the process. Along the way he finds himself in the most extraordinary and terrifying situations - he is involved in major terrorist operations, sets up an Iraqi sting operation and organises US arms shipments with a man being trained to kill the then British prime minister, Tony Blair.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Interweaving academic theory, (auto)ethnography, and memoir-styled narrative, Christopher M. Driscoll explores what the "white devil" trope means for understanding and responding to tensions emerging from toxic white masculinity. The book provides a historical and philosophical account of the "white devil" as it appears in the stories and myths of various black religious and philosophical traditions, particularly as these traditions are expressed through the contemporary cultural expression of hip-hop. Driscoll argues that the trope of the white devil emerges from a self-hatred in many white men that is concealed (and revealed) through various defence mechanisms - principally, anger - and the book provides rich ground to discuss the relationship between perceptions of self (i.e. who we are), emotional regulation, and our behaviour towards others (i.e. how we act).

Based on new research, this book offers insights into the reality of immigration and its sociocultural impact with a focus on the experience of young children and their families coming to the USA. Wilma Robles-Melendez and Wayne Driscoll discuss immigration realities and their social and educational implications and review the current literature on studies and reports about immigration. They also provide insights and experiences of young immigrant children and their families with a focus on the USA and offer recommendations for early childhood practice for programs serving young immigrant children. The key subjects addressed include socially just practices, developmentally based programs, services for young children and families with diverse and cultural backgrounds. Immigration in the USA is discussed here as part of the global crisis in immigration and the lessons learned will be vital for educators, researchers and policy makers around the world.

Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies, but no book-length portrait has appeared before now. Through his own lively and eloquent reminiscences, "Stepping Stones "retraces the poet's steps from his first exploratory testing of the ground as an infant to what he called his "moon-walk" to the podium to receive the 1995 Nobel Prize in Literature. It also fascinatingly charts his post-Nobel life and is supplemented with a number of photographs, many from the Heaney family album and published here for the first time. In response to firm but subtle questioning from Dennis O'Driscoll, Heaney sheds a personal light on his work (poems, essays, translations, plays) and on the artistic and ethical challenges he faced during the dark years of the Ulster Troubles. Combining the spontaneity of animated conversation with the considered qualities of the best autobiographical writing, "Stepping Stones "provides an original, diverting, and absorbing store of reflections and recollections. Scholars and general readers alike are brought closer to the work, life, and creative development of a charismatic and lavishly gifted poet whose latest collection, "District and Circle," was awarded the T. S. Eliot Prize in 2007.

""Stepping Stones"--a conversation-style response to questions submitted over the years by Dennis O'Driscoll--is an outspoken oral work of art."--Karl Miller, "The Times Literary Supplement"

""Stepping Stones: Interviews With Seamus Heaney," poet Dennis O'Driscoll's extraordinary book, takes its title from the place in Heaney's Nobel lecture where he observes that both his writing and his life can be seen as 'a journey where each point of arrival . . . turned out to be a stepping-stone rather than a destination, ' and the emphasis on continuing process informs it from beginning to end. The book's form is that of extended interviews, conducted (largely in writing) over a period of years, in which the interviewer, O'Driscoll, defines his role as that of prompter rather than interrogator. Its purpose--in the continuing absence of any substantial biography--is to present interviews, freed from space limitations, that might come to comprise 'a comprehensive portrait of the man and his times'--and, of course, of the work itself. (Heaney's only stipulation was that he would not speak in analytic detail of any of the poems, though he does cite particular aspects of many, and to dazzling effect.) O'Driscoll calls the book 'a survey of [Heaney's] life, often using the poems as reference points, ' thus providing 'a biographical context for the poems and a poetry-based account of the life.' For this reason he is right to find the result 'very much a book for readers of [Heaney's] oeuvre.' But it is much, much more. Many-leveled, it is a book that rearranges itself according to the angle of the reader's questioning, and while it will surely send many readers to the poems themselves, whether for the first or the dozenth time, it has, as great autobiography must have, stand-alone value as well. Some of this value is documentary, whether detailing the nuances of Irish cultural politics during the Troubles of the late '60s, or trenchantly evoking the writers and writings that assumed a place in Heaney's development. Richly deployed, this is the stuff of cultural history, and it is inevitably central to Heaney's probing account of his formation as man and poet. What I want to stress here, however, is that the book is more than simply an account of experience; it is itself "an agency of" experience. You come away from it--at least you can: I did--moved, enlarged and deepened. "Stepping Stones" consists of three sections, the first evoking in magical detail the poet's childhood on the family farm (Mossbawn) in County Derry--'a small, ordinary, nose-to-the-grindstoney place'--and his subsequent schooling in Belfast. The long central section organizes the intertwinings of life and work through the successive collections of the poems; and the third--the briefest--brings the account up to date, describing the poet's stroke in 2006, his recovery, and his view of the world on the eve of his 70th birthday . . . This is not only a radically original book; in its own quiet way it is also a great one."--Donald Fanger, "Truthdig"" "
"Popular contemporary Irish poet O'Driscoll began work on this book of interviews with Nobel Prize-winning poet Seamus Heaney in September 2001. Interestingly, aside from some transcriptions in Chapters 13 and 15, these interviews were conducted in writing and through the mail. This format allowed Heaney to pick which questions to answer and to rearrange their order as he chose, and O'Driscoll sees his role as 'prompter rather than interrogator, ' giving Heaney a good deal of influence on the final book. The result is not a comprehensive biography (nor is it meant to be) but rather 'a survey of his life, using the poems as reference points.' Though Heaney has been interviewed by many others, this collection's unique method of creation makes it a worthy addition to literature collections."--Felicity D. Walsh, "Library Journal
""There is no shortage of writing by or about Nobel Prize-winning Irish poet Heaney. Yet this big book is a unique and useful addition to the Heaney canon: beginning in 2001, the Dublin-based poet, essayist and anthologist O'Driscoll entered into an extended correspondence with Heaney for the purpose of collaboratively constructing a kind of autobiography-in-interviews. The result is a collection of 16 discreet interviews, the first two of which discuss Heaney's childhood and poetic growth. Then there is one interview-chapter for each of Heaney's celebrated books (except the last two, which are grouped together), followed by a summing up. In conversation, Heaney comes across as extremely friendly, expansively intelligent and in possession of the groundedness in the details of his environment that readers of his poems will be familiar with. Here are boyhood recollections ('Our travelling grocery van . . . was run first by a man called McCarney, but 'the egg man' was our name for him'), memories of the famous Belfast Group and accounts of coming-of-age, and then coming to international prominence, against the backdrop of Ireland's troubled 20th-century politics. And, of course, Heaney traces the events--both political and personal--that led to many of his poems. For fans of Heaney, of 20th-century Irish literature or anyone eager to get deep into the mind of a major artist, this is an essential book."--"Publishers Weekly"

In this career-defining book, the poems of Dennis O'Driscoll are gathered together for the first time. Beginning with Kist in 1982 and ending with the posthumous Update in 2014, the selection was made by O'Driscoll himself before his death in 2012 and includes revised, authoritative versions of some older poems as well as thirtythree hitherto uncollected: the definitive poetic ouevre.

Why do people take offence at things that are said? What is it exactly about an offending utterance which causes this negative reaction? How well motivated is the response to the offence? Offensive Language addresses these questions by applying an array of concepts from linguistic pragmatics and sociolinguistics to a wide range of examples, from TV to Twitter and from Mel Gibson to Donald Trump. Establishing a sharp distinction between potential offence and actual offence, Jim O'Driscoll then examines a series of case studies where offence has been caused, assessing the nature and degree of both the offence and the documented response to it. Through close linguistic analysis, this book explores the fine line between free speech and criminal activity, searching for a principled way to distinguish the merely embarrassing from the reprehensible and the censurable. In this way, a new approach to offensive language emerges, involving both how we study it and how it might be handled in public life.