Marking the 50th anniversary of one among this philosopher’s most distinguished pieces, Blumenberg’s Rhetoric proffers a decidedly diversified interaction with the essai polyvalently entitled ‘Anthropological Approach to the Topicality (or Currency, Relevance, even actualitas) of Rhetoric’ ("Anthropologische Annäherung an die Aktualität der Rhetorik"), first published in 1971. Following Blumenberg’s lead, the contributors consider and tackle their topics rhetorically—treating (inter alia) the variegated discourses of Phenomenology and Truthcraft, of Intellectual History and Anthropology, as well as the interplay of methods, from a plurality of viewpoints. The diachronically extensive, disciplinarily diverse essays of this publication—notably in the current lingua franca—will facilitate, and are to conduce to, further scholarship with respect to Blumenberg and the art of rhetoric. With contributions by Sonja Feger, Simon Godart, Joachim Küpper, DS Mayfield, Heinrich Niehues-Pröbsting, Daniel Rudy Hiller, Katrin Trüstedt, Alexander Waszynski, Friedrich Weber-Steinhaus, Nicola Zambon.

Proving fruitful in various applications throughout its two millennia of predominance, the rhetorical techne appears to have entertained a particularly symbiotic interrelation with drama. With contributions from (among others) a Classicist, historical, linguistic, musicological, operatic, cultural and literary studies perspective, this publication offers interdisciplinary assessments of specific reciprocities between the system of rhetoric and dramatic works: tracing the longue duree of this nexus-highlighting its Ancient foundations, its various Early Modern formations, as well as certain configurations enduring to this day-enables describing shifting degrees of rhetoricity; approaching it from an interdisciplinary viewpoint facilitates focusing on the often sidelined rhetorical phenomena located beyond the textual plane, specifically memoria and actio; tackling this interchange from various viewpoints and with diverse emphases, a long-lasting and highly prolific cross-fertilization between drama and rhetoric is rendered visible. In tendering a balanced panorama of both detailed case studies and descriptive overviews, this volume also points toward terrain yet to be charted in the scholarship to come. The volume was prepared in co-operation with the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet).

Human life is susceptible of changing suddenly, of shifting inadvertently, of appearing differently, of varying unpredictably, of being altered deliberately, of advancing fortuitously, of commencing or ending accidentally, of a certain malleability. In theory, any human being is potentially capacitated to conceive of-and convey-the chance, view, or fact that matters may be otherwise, or not at all; with respect to other lifeforms, this might be said animal's distinctive characteristic. This state of play is both an everyday phenomenon, and an indispensable prerequisite for exceptional innovations in culture and science: contingency is the condition of possibility for any of the arts-be they dominantly concerned with thinking, crafting, or enacting. While their scope and method may differ, the (f)act of reckoning with-and taking advantage of-contingency renders rhetoricians and philosophers associates after all. In this regard, Aristotle and Blumenberg will be exemplary, hence provide the framework. Between these diachronic bridgeheads, close readings applying the nexus of rhetoric and contingency to a selection of (Early) Modern texts and authors are intercalated-among them La Celestina, Machiavelli, Shakespeare, Wilde, Fontane.

The contributors to this volume address three central approaches in biblical interpretation: historical settings, intertextuality, and biblical theology. The first section traces and reassesses the multifaceted aspects relevant to the historical settings of the ancient texts, writers, and worlds. The second section describes the comparative analysis of biblical literature, with inner-biblical or non-biblical texts, not only to improve textual meanings but also to deepen the relationship between biblical texts and their contexts. The final section highlights theological approaches to the Hebrew Bible, addressing the themes of Jewish theology, justice, theophany, loss, and trauma, while confronting significant ethical and theological challenges.

What's actually in the Bible? Where do we find the story of Moses or Jesus's Parable of the Prodigal Son? Who are the main characters in the books of Joshua and Acts? A Guide to Bible Basics provides a summary and chapter outline of each biblical book to facilitate comprehension of its fundamental story and subject matter. This accessible and concise book presents the basic content of the Bible with the conviction that readers first need some level of comprehension of the Bible's stories, poetry, regulations, and teachings before addressing theological, historical, and literary concerns for its relevance today. Tyler Mayfield discusses important people, places, and terms so that the reader can quickly see the primary focus. This book can be used alone to help readers in their knowledge of the Bible and is great for beginners or those in need of a refresher course.

Jim Mayfield looks at his life as he nears his 80th birthday.