Mark Setzer has a lot on his mind. He's worried about his upcoming bar mitzvah, and he misses his best friend, who's moved to the rich side of town and started hanging out with the obnoxious kid they used to make fun of. Mark doesn't need the aggravation of his mother signing on to manage his Little League team.

But if "Mother Bagel" complicates Mark's life, she's great for the team. Suddenly, they're winning games and headed toward the championship. The problem is, Mark has some information that could change everything, and he doesn't know what to do with it. He's a friend, a teammate, and the manager's son -- can he be all these and still be true to himself?

What do you do when your mother makes you invite the most obnoxious kid in your class to your birthday party?
- Or when you have to wait another thirty-three and a third years to see a shower of stars?
- Or your parents ship you off to fat camp?
- Or you have to share your private lunch hour with a girl who's mean to you just because of the color of your skin?
In E. L. Konigsburg's witty and perceptive short stories, four young people cope with difficult situations and, in doing so, learn something that changes their lives.

Discoveries

Amedeo Kaplan dreams of discovering something -- some treasure no one realizes is there until he finds it. And he would like to discover a true friend to share this with.

Improbably, he finds the friend in aloof, edgy William Wilcox. And even more improbably, he finds his treasure among the memorabilia in the house of his eccentric neighbor, Mrs. Zender. But Amedeo and William find more than treasure -- they find a story that links a sketch, a young boy's life, an old man's reminiscence, and a painful secret dating back to the outrages of Nazi Germany. And they discover unexpected truths about art, friendship, history, heroism, and the mysteries of the human heart.

Claudia knew that she could never pull off the old-fashioned kind of running away...so she decided not to run FROM somewhere, but TO somewhere. And so, after some careful planning, she and her younger brother, Jamie, escaped -- right into a mystery that made headlines!

When suburban Claudia Kincaid decides to run away, she knows she doesn't just want to run "from" somewhere she wants to run "to" somewhere--to a place that is comfortable, beautiful, and preferably elegant. She chooses the Metropolitan Museum of Art in New York City. Knowing that her younger brother, Jamie, has money and thus can help her with the serious cash flow problem she invites him along.

Once settled into the museum, Claudia and Jamie, find themselves caught up in the mystery of an angel statue that the museum purchased at an auction for a bargain price of $250. The statue is possibly an early work of the Renaissance master Michelangelo, and therefore worth millions. Is it? Or isn't it? Claudia is determined to find out. This quest leads Claudia to Mrs. Basil E. Frankweiler, the remarkable old woman who sold the statue and to some equally remarkable discoveries about herself.

Elizabeth is an only child, new in town, and the shortest kid in her class. She's also pretty lonely, until she meets Jennifer. Jennifer is...well, "different." She's read Macbeth. She never wears jeans or shorts. She never says "please" or "thank you." And she says she is a witch.

It's not always easy being friends with a witch, but it's never boring. At first an apprentice and then a journeyman witch, Elizabeth learns to eat raw ends and how to cast small spells. And she and Jennifer collaborate on cooking up an ointment that will enable them to fly. That's when a marvelous toad, Hilary Ezra, enters their lives. And that's when trouble starts to brew.

Poor Little Rich Boy

Winston Carmichael has it all: a big house, servants, vacations in Palm Beach, and a fancy private school. But with overprotective parents and a sense of responsibility for his younger sister, Heidi, Winston sometimes feels more as if he's living in a prison than a dream.

Then one day a woman appears at the front door claiming to be Caroline -- Winston's half sister, who was kidnapped and presumed dead long before he and Heidi were born. Is she really Caroline? Is she an imposter? Or is she something far more complicated than either? And does she hold the key that could unlock the door to Winston's prison?

The Mona Lisa... Why did Leonardo da Vinci lavish three years on a painting of the second wife of an unimportant merchant when all the nobles of Europe were begging for a portrait by his hand? No one knows for sure. But this story of Leonardo, his wayward apprentice Salai, and the Duke of Milan's plain young wife, Beatrice d'Este, may hold the clue to the most famous -- and puzzling -- painting of all time.

New York City girl Claudia, a mere month shy of being a twelve-year-old, has resolved to run away from home with her younger brother, Jamie. She knows that she could never pull off the classic spur-of-the-moment departure without a destination (inevitably involving having to eat outside with the insects, and cupcakes melting in the sun); so she plans everything to perfection, including their destination: the grand, elegant, beautiful, all-encompassing Metropolitan Museum of Art. However, no sooner have Claudia and Jamie settled into their new home, than they are caught up in the mystery of an angel statue bought by the museum for the bargain price of $225. Is it in fact an as yet undiscovered work by Michelangelo, worth millions? Claudia is determined to find out, and her quest leads her to the remarkable, secretive Mrs. Frankweiler, who sold the statue to the museum - and to some equally remarkable discoveries about herself. Since its first appearance nearly 50 years ago, The Mixed-up Files of Mrs. Basil E. Frankweiler has gained a place in the hearts of generations of readers - and has rightly become one of the most celebrated and beloved children's books of all time.

When suburban Claudia Kincaid decides to run away, she knows she doesn't just want to run from somewhere, she wants to run to somewhere -- to a place that is comfortable, beautiful, and, preferably, elegant. She chooses the Metropolitan Museum of Art in New York City. Knowing that her younger brother Jamie has money and thus can help her with a serious cash-flow problem, she invites him along.

Once settled into the museum, Claudia and Jamie find themselves caught up in the mystery of an angel statue that the museum purchased at auction for a bargain price of $225. The statue is possibly an early work of the Renaissance master, Michelangelo, and therefore worth millions. Is it? Or isn't it? Claudia is determined to find out. Her quest leads her to Mrs. Basil E. Frankweiler, the remarkable old woman who sold the statue, and to some equally remarkable discoveries about herself.

Eleanor of Aquitaine, wife to two kings, mother to two others, has been waiting in Heaven a long time -- eight centuries, more or less -- to be reunited with her second husband, Henry II of England. Finally, the day has come when Henry will be judged for admission. While Eleanor, never a patient woman in life or afterlife, waits, three people, each of whom was close to Eleanor during a time of her life, join her. Their reminiscences do far more than help distract Eleanor -- they also paint a rich portrait of an extraordinary woman who was front and center in a remarkable period in history and whose accomplishments have had an important influence on society through the ages.

Speechless
Connor is sure his best friend, Branwell, couldn't have hurt Branwell's baby half sister, Nikki. But Nikki lies in a coma, and Branwell is in a juvenile behavioral center, suspected of a horrible crime and unable to utter the words to tell what really happened. Connor is the only one who might be able to break through Branwell's wall of silence. But how can he prove Branwell didn't commit the unspeakable act of which he's accused -- when Branwell can't speak for himself?

Four students, with their own individual stories, develop a special bond and attract the attention of their teacher, a paraplegic, who chooses them to represent their sixth-grade class in the Academic Bowl competition.

Claudia knew that she could never pull off the old-fashioned kind of running away....She didn't like discomfort....Therefore, she decided that her leaving home would not be just running from somewhere but would be running to somewhere. To a large place, a comfortable place, an indoor place, and preferably a beautiful place. And that's why she decided upon the Metropolitan Museum of Art in New York City.

-- from From the Mixed-up Files of Mrs. Basil E. Frankweiler

When Claudia decided to run away, she planned very carefully. She would be gone just long enough to teach her parents a lesson in Claudia appreciation. And she would go in comfort -- she would live at the Metropolitan Museum of Art. She saved her money, and she invited her brother Jamie to go, mostly because he was a miser and would have money.

Claudia was a good organizer and Jamie had some ideas too; so the two took up residence at the museum right on schedule. But once the fun of settling in was over, Claudia had two unexpected problems: She felt just the same and she wanted to feel different; and she found a statue at the Museum so beautiful she could not go home until she discovered its maker, a question that baffled the experts, too.

The former owner of the statue was Mrs. Basil E. Frankweiler. Without her -- well, without her, Claudia might never have found a way to go home.

For thirty-five years E. L. Konigsburg's story has entranced readers of all ages. This special anniversary edition contains a new afterword from the author, along with a few extra surprises to delight readers old and new.

A Time Best YA Book of All Time (2021) Run away to the Metropolitan Museum of Art with E. L. Konigsburg's beloved classic and Newbery Medal--winning novel From the Mixed-Up Files of Mrs. Basil E. Frankweiler! When Claudia decided to run away, she planned very carefully. She would be gone just long enough to teach her parents a lesson in Claudia appreciation. And she would go in comfort-she would live at the Metropolitan Museum of Art. She saved her money, and she invited her brother Jamie to go, mostly because be was a miser and would have money. Claudia was a good organizer and Jamie bad some ideas, too; so the two took up residence at the museum right on schedule. But once the fun of settling in was over, Claudia had two unexpected problems: She felt just the same, and she wanted to feel different; and she found a statue at the Museum so beautiful she could not go home until she bad discovered its maker, a question that baffled the experts, too. The former owner of the statue was Mrs. Basil E. Frankweiler. Without her--well, without her, Claudia might never have found a way to go home.

Who is George?

Only Howard Carr and his older brother, Ben, can answer that question, because only they know about George. George is the funny little man who lives inside Ben, helping him (mostly) navigate life as a sixth grader who happens to be a scientific genius and who happens to be studying organic chemistry with students much older than he.

One of those students is William Hazlitt, a senior who has been Ben's lab partner in previous years. William's interest in chemistry has taken a troubling turn, and Ben has a plan to come to his rescue. And that's when things get complicated -- for Howard, for Ben, and for George.

HOW HAD MRS. OLINSKI CHOSEN her sixth-grade Academic Bowl team? She had a number of answers. But were any of them true? How had she really chosen Noah and Nadia and Ethan and Julian? And why did they make such a good team?
It was a surprise to a lot of people when Mrs. Olinski's team won the sixth-grade Academic Bowl contest at Epiphany Middle School. It was an even bigger surprise when they beat the seventh grade and the eighth grade, too. And when they went on to even greater victories, everyone began to ask: How did it happen?
It happened at least partly because Noah had been the best man (quite by accident) at the wedding of Ethan's grandmother and Nadia's grandfather. It happened because Nadia discovered that she could not let a lot of baby turtles die. It happened when Ethan could not let Julian face disaster alone. And it happened because Julian valued something important in himself and saw in the other three something he also valued.
Mrs. Olinski, returning to teaching after having been injured in an automobile accident, found that her Academic Bowl team became her answer to finding confidence and success. What she did not know, at least at first, was that her team knew more than she did the answer to why they had been chosen.
This is a tale about a team, a class, a school, a series of contests and, set in the midst of this, four jewel-like short stories -- one for each of the team members -- that ask questions and demonstrate surprising answers.