Mark E. Shepherd, Sr. is a veteran of the disabled community. Injured in an automobile accident which left him paraplegic, he had to reinvent himself, switch careers, establish a new network of friends and begin anew. His accident turned out to be a blessing not a curse. He went on to accomplish more than he could have dreamed, despite being permanently disabled. In Winning the Game he examines contemporary works in the genre of success and personal motivation as he answers questions such as: -How do disabled people become successful despite formidable obstacles? -What personal habits assist the disabled achieve success? -How do those with disability determine their success quotient? -How do those with disability step back into the mainstream of society? This book is not an autobiography or life story, but it does examine success from a different perspective: how to pursue it, how to achieve it, and why accomplishing it is so important for disabled individuals.

R.S. Thomas's presentation of God has given rise to controversy and dissent. Exploring Thomas's techniques of creating his images of God, Elaine Shepherd addresses the problems surrounding the language of religion and of religious poetry. Refusing to limit herself to conventionally religious poems, and drawing on material from the earliest work to Counterpoint and beyond, she identifies the challenges with which Thomas confronts his readers. The sequence of close readings engages the reader in an exploration of language and image: from the image of woman as constructed by the Impressionist to the non-image of the mystical theologian.

Only one thing stands between you and victory: faith and relationship with God in Jesus Christ.

What is the world coming to? The economy is hurting, layoffs are prevalent, and society is anxious. Natural disasters continue to multiply. The home is crumbling. War is killing its thousands. Terrorism is terrifying Satan is filling religion with dogmatism and pessimism. Sickness and death are marching forward with intensity. Depression is stealing the joy of many people. Wouldn't it be great to walk out by claiming the victory that is in Christ?

God is worthy of our praise. In the Bible believers lived shouting, "Hallelujah," while celebrating God's deliverance over Satan and ultimately over sin at the coming of Christ. Praise (glory, honor, commendation, and joy) is ascribed to God in respect of His glory exhibited in the character and victory operations of Christ. The Revelation celebrates victory in all ages while looking to a prevailing life with Christ in the present age and in heaven. Praise God, We Won magnifies the story of praise and victory in reality to every believer in Christ. We are more than conquerors through Him who loves us

R. S. Thomas's presentation of God has given rise to controversy and dissent. In exploring Thomas's techniques of creating his image of God, Elaine Shepherd addresses the problems surrounding the language of religion and of religious poetry. After a consideration of the possibilities of both the positive and negative ways of imaging God and the problematics of religious poetry as a genre, a sequence of close readings engages the reader in an exploration of language and image. Each chapter focuses on a significant image, examining its construction and its potential to stand as an image for God, from the image of woman as constructed by the Impressionists to the non-image of the mystical theologian.

This study brings together the hermeneutical approaches of three Old Testament scholars, specifically as they pertain to the interpretation of Isaiah 52.13-53.12 in the framework of Christian theology. Contemporary discourse and hermeneutical discussions have led to the development of a point of confusion in theological hermeneutics, focusing on what relationship older frames of reference may have with those more recent. Bernhard Duhm is presented as a history-of-Religion scholar who does not easily abide by popular understandings of that school. Brevard Childs moves outward from particular historical judgments regarding the nature of redaction and form criticism, attempting to arrive at a proximately theological reading of the poem. Alec Motyer's evangelical commitments represent a large constituency of contemporary theological readership, and a popular understanding of Isaiah 53. Following a summary and critical engagement of each interpreter on his own terms, the study analyzes the use of rhetoric behind the respective readings of Isaiah 53, and proposes theological reading as a highly eclectic undertaking, distanced from the demarcations of 'pre-critical', 'critical', and 'post-critical'.

Theatre has engaged with science since its beginnings in Ancient Greece. The intersection of the two disciplines has been the focus of increasing interest to scholars and students. The Cambridge Companion to Theatre and Science gives readers a sense of this dynamic field, using detailed analyses of plays and performances covering a wide range of areas including climate change and the environment, technology, animal studies, disease and contagion, mental health, and performance and cognition. Identifying historical tendencies that have dominated theatre's relationship with science, the volume traces many periods of theatre history across a wide geographical range. It follows a simple and clear structure of pairs and triads of chapters that cluster around a given theme so that readers get a clear sense of the current debates and perspectives.

The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate. This volume opens up, in new and innovative ways, a range of dimensions, some familiar and some more obscure, of late Victorian and modern literature and culture, primarily in British contexts. Late Victorian into Modern emphasises the in-between: the gradual changeover from one period to the next. The volume examines shared developments, points out continuities rather than ruptures, and explores and exploits an understanding of the late nineteenth to the early twentieth centuries as a cultural moment in which new knowledges were forming with particular speed and intensity. The organising principle of this book is to retain a key focus on literary texts, broadly understood to include familiar categories of genre as well as extra-textual elements such as press and publishing history, performance events and visual culture, while remaining keenly attentive to the inter-relations between text and context in the period. Individual chapters explore such topics as Celticism, the New Woman, popular fictions, literatures of empire, aestheticism, periodical culture, political formations, avant-garde poetics, and theatricality.

The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate. This volume opens up, in new and innovative ways, a range of dimensions, some familiar and some more obscure, of late Victorian and modern literature and culture, primarily in British contexts. Late Victorian into Modern emphasises the in-between: the gradual changeover from one period to the next. The volume examines shared developments, points out continuities rather than ruptures, and explores and exploits an understanding of the late nineteenth to the early twentieth centuries as a cultural moment in which new knowledges were forming with particular speed and intensity. The organising principle of this book is to retain a key focus on literary texts, broadly understood to include familiar categories of genre as well as extra-textual elements such as press and publishing history, performance events and visual culture, while remaining keenly attentive to the inter-relations between text and context in the period. Individual chapters explore such topics as Celticism, the New Woman, popular fictions, literatures of empire, aestheticism, periodical culture, political formations, avant-garde poetics, and theatricality.

Winning the Game - Achieving Personal Success with a Disability helps those with disability conquer the obstacles unique to those with disability. One must know the pitfalls and the anecdotes to achieve success despite the obstacles and inherent discrimination they will face.

This study brings together the hermeneutical approaches of three Old Testament scholars, specifically as they pertain to the interpretation of Isaiah 52.13-53.12 in the framework of Christian theology. Contemporary discourse and hermeneutical discussions have led to the development of a point of confusion in theological hermeneutics, focusing on what relationship older frames of reference may have with those more recent. Bernhard Duhm is presented as a history-of-Religion scholar who does not easily abide by popular understandings of that school. Brevard Childs moves outward from particular historical judgments regarding the nature of redaction and form criticism, attempting to arrive at a proximately theological reading of the poem. Alec Motyer's evangelical commitments represent a large constituency of contemporary theological readership, and a popular understanding of Isaiah 53. Following a summary and critical engagement of each interpreter on his own terms, the study analyzes the use of rhetoric behind the respective readings of Isaiah 53, and proposes theological reading as a highly eclectic undertaking, distanced from the demarcations of 'pre-critical', 'critical', and 'post-critical'.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

I WAS captured at Gettysburg on the fifth day of July, 1863. A bullet had passed through my right knee during the fierce engagement on Culp's Hill, July 3rd, and I fell into the hands of the Federal Army. By the 6th of July Lee had withdrawn from Pennsylvania, and, despite the serious nature of my wound, I was removed to the general hospital, Frederick City, Md. Here for, at least a month, I was under the charge of the regular army surgeons, at whose hands I received excellent and skillful treatment. For this I have ever been grateful. I recall, also, many kindnesses shown me by a number of Catholic Sisters of Frederick, whose special duty was the care of the sick and the wounded.

Only one thing stands between you and victory: faith and relationship with God in Jesus Christ.

What is the world coming to? The economy is hurting, layoffs are prevalent, and society is anxious. Natural disasters continue to multiply. The home is crumbling. War is killing its thousands. Terrorism is terrifying Satan is filling religion with dogmatism and pessimism. Sickness and death are marching forward with intensity. Depression is stealing the joy of many people. Wouldn't it be great to walk out by claiming the victory that is in Christ?

God is worthy of our praise. In the Bible believers lived shouting, "Hallelujah," while celebrating God's deliverance over Satan and ultimately over sin at the coming of Christ. Praise (glory, honor, commendation, and joy) is ascribed to God in respect of His glory exhibited in the character and victory operations of Christ. The Revelation celebrates victory in all ages while looking to a prevailing life with Christ in the present age and in heaven. Praise God, We Won magnifies the story of praise and victory in reality to every believer in Christ. We are more than conquerors through Him who loves us

: An Original Compilation With Photos From The American Civil War Authored by Wharton Jackson Green, & Henry E. Shepherd. Compiled by J. Mitchell

Title: For Erica's Sake.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Shepherd, Mary E.; 1894. 190 p.; 8 . 012630.e.47.

I WAS captured at Gettysburg on the fifth day of July, 1863. A bullet had passed through my right knee during the fierce engagement on Culp's Hill, July 3rd, and I fell into the hands of the Federal Army. By the 6th of July Lee had withdrawn from Pennsylvania, and, despite the serious nature of my wound, I was removed to the general hospital, Frederick City, Md. Here for, at least a month, I was under the charge of the regular army surgeons, at whose hands I received excellent and skillful treatment. For this I have ever been grateful. I recall, also, many kindnesses shown me by a number of Catholic Sisters of Frederick, whose special duty was the care of the sick and the wounded. On the 14th of August I was taken to Baltimore. Upon arriving, I was forced to march with a number of fellow prisoners from Camden Station to the office of the Provost Marshal, then situated at the Gilmor House, directly facing the Battle Monument. The weather was intensely hot, and my limb was bleeding from the still unhealed wound. After an exhausting delay, I was finally removed in an ambulance to the "West Hospital" at the end of Concord street, looking out upon Union Dock and the wharves at that time occupied by the Old Bay Line or Baltimore Steam Packet Company.