At the beginning of 2020, just as global Covid-19 restrictions were coming into force, the artist David Hockney was at his house, studio and garden in Normandy. From there, he witnessed the arrival of spring, and recorded the blossoming of the surrounding landscape on his iPad, a medium he has been using for over a decade. Working outdoors was an antidote to the anxiety of the moment for Hockney – 'We need art, and I do think it can relieve stress,' he says. This uplifting publication – produced to accompany a major exhibition at the Royal Academy of Arts – includes 116 of his new iPad paintings and shows to full effect Hockney's singular skill in capturing the exuberance of nature.

Works by Prosek and others are juxtaposed with natural objects in an illuminating interrogation of the artificial boundaries we create between art and nature Award-winning artist, writer, and naturalist James Prosek (b. 1975) has gained a worldwide following for his deep connection with the natural world, which serves as the basis for his art and numerous popular books. In this cross-disciplinary catalogue, Prosek poses the question, What is art and what is artifact-and to what extent do these distinctions matter? Drawing on the collections of the Yale University Art Gallery and the Yale Peabody Museum of Natural History, Prosek places man- and nature-made objects on equal footing aesthetically, suggesting that the distinction between them is not as vast as we may believe. In more than 150 full-color plates, objects such as a bird's nest, dinosaur head, and cuneiform tablet are juxtaposed with Asian handscrolls, an African headdress, modern masterpieces, and more. Artists featured include Albrecht Durer, Helen Frankenthaler, Vincent van Gogh, Barbara Hepworth, Pablo Picasso, and Jackson Pollack, as well as Prosek himself, whose works depict fish, birds, and endangered wildlife. Also included are an incisive essay by Edith Devaney and texts by Prosek that explore the magnificent productions of our wondrous interconnected world.