The distinguished authors whose essays appear in this volume (marking the seventieth birthday of Ronald Clements, who until his retirement, was the Samuel Davidson Professor of Old Testament Studies, King's College London) include John Barton, Walter Brueggemann, Brevard Childs, John Rogerson, Rolf Rendtorff, Hugh Williamson, the late Norman Whybray, Graeme Auld, Richard Coggins. The theme of the volume reflects Clements's recent interest in 'wisdom' as an interpretative framework, and the essays address the role of theology and hermeneutics in biblical exegesis, through an examination of methods and approaches as well as by application to specific Old Testament writings. While the volume ranges through issues of canon, biblical theology and literary criticism, with several essays on the prophetic books, it maintains a clear focus on the numerous issues and challenges facing the contemporary interpreter of the scriptures.

This final book published in the Ashgate SOTS monograph series collects together for the first time in English translation a selection of important essays on central themes and texts in Old Testament criticism and exegesis by Rudolf Smend, one of the world's most eminent senior scholars in the field. The essays focus on key topics such as Moses, covenant, history, Old Testament theology, the state, Elijah, Amos, and major movements in the history of the discipline over the past three centuries. All are marked by penetrating exegetical and critical insight as well as by an unrivalled knowledge of the history of Old Testament scholarship, and many of them have already made highly-respected and influential contributions. Their publication will serve to make the range and vitality of Smend's work more widely known to English-speaking readers.

Fifteen years after its hardcover debut, the FSG Classics reissue of the celebrated work of narrative nonfiction that won the National Book Award and changed the American conversation about race, with a new preface by the author
The Ball family hails from South Carolina--Charleston and thereabouts. Their plantations were among the oldest and longest-standing plantations in the South. Between 1698 and 1865, close to four thousand black people were born into slavery under the Balls or were bought by them. In "Slaves in the Family, "Edward Ball recounts his efforts to track down and meet the descendants of his family's slaves. Part historical narrative, part oral history, part personal story of investigation and catharsis, "Slaves in the Family" is, in the words of Pat Conroy, "a work of breathtaking generosity and courage, a magnificent study of the complexity and strangeness and beauty of the word 'family.'"

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This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

Peninsula of Lies is nonfiction mystery, set in a haunting gothic locale and peopled by fascinating and eccentric characters. Its hero and heroine is Dawn Langley Simmons, a British writer who lived in Charleston, South Carolina, during the 1960s and became the center of one of the most unusual sexual scandals. Born in England, Dawn began life as a boy named Gordon Langley Hall, the son of servants at Sissinghurst Castle, the estate of Vita Sackville-West. In his twenties he made his way to New York, where he wrote about and befriended great society ladies. A small fortune inherited from Isabel Whitney allowed him to buy and decorate a mansion in Charleston. But Gordon's world changed in 1968 when at The Johns Hopkins Hospital he underwent one of the first sexual reassignment surgeries, scandalizing the Southern community that had welcomed him. Months later Gordon shocked Charleston again. Gordon -- now Dawn -- married a young black mechanic, soon appeared to be pregnant, and shortly thereafter became the mother of a young girl. National Book Award-winning author Edward Ball has written a detective story that unwraps Dawn's many mysteries. The result is an engrossing narrative of a person who tested every taboo, as well as the confidence of observers in their own eyes.

From National Book Award winner Edward Ball comes The Sweet Hell Inside, the story of the fascinating Harleston family of South Carolina, the progeny of a Southern gentleman and his slave, who cast off their blemished roots and prospered despite racial barriers. Enhanced by recollections from the family's archivist, eighty-four-year-old Edwina Harleston Whitlock -- whose bloodline the author shares. The Sweet Hell Inside features a celebrated portrait artist whose subjects included industrialist Pierre du Pont; a black classical composer in the Lost Generation of 1920s Paris; and an orphanage founder who created the famous Jenkins Orphanage Band, a definitive force in the development of ragtime and jazz.

With evocative and engrossing storytelling, Edward Ball introduces a cast of historical characters rarely seen before: cultured, vain, imperfect, rich, and black -- a family of eccentrics who defied social convention and flourished.