This book is concerned with the scientific aspects of musical sounds. It presents basic acoustics, auditory theory, and sound generation from both a theoretical and a practical view. Room acoustics, sound analysis, recording and reproduction, and sound synthesis as well as cognition are examined from the perspective of music.
Key Features
* The work is thoroughly grounded in music, rather than physics
* Provides an up-to-date presentation of auditory theory as it relates to music
* Presents a readable account of the scientific aspects of musical sounds

Advances in the area of tactile perception and pain have lead to the development of this text on basic research and clinical practice. Equal parts psychology and neuroscience, it covers peripheral cutaneous tactile information processing, sensory mapping, tactile exploratory behaviour, neurophysiology of nociception and nociceptors in pain research, clinical scaling methods for psychophysics of pain, and pain control, pathology, and therapeutics. Detailed chapters discuss how the brain processes both pain and touch, the nerve pathways by which these sensations travel, how sensations of pain can be clinically measured, and means of controlling pathological pain.

Cognitive Ecology identifies the richness of input to our sensory evaluations, from our cultural heritage and philosophies of aesthetics to perceptual cognition and judgment. Integrating the arts, humanities, and sciences, Cognitive Ecology investigates the relationship of perception and cognition to wider issues of how science is conducted, and how the questions we ask about perception influence the answers we find. Part One discusses how issues of the human mind are inseparable from the culture from which the investigations arise, how mind and environment co-define experience and actions, and how culture otherwise influences cognitive function. Part Two outlines how philosophical themes of aesthetics have guided psychological research, and discuss the physical and aesthetic perception of music, film, and art. Part Three presents an overview of how the senses interact for sensory evaluation.