Commemorating the 150th anniversary of W. E. B. Du Bois's birth, the chapters in this book reflect on the local, national, and international significance of his remarkable life and legacy in relation to his specific commitments to socialism and democracy. Written with contemporary conditions in mind, such as the current political period of economic inequality, the debilitating reality of exploitative economic conditions, an expansive and invasive surveillance state, the grotesque injustice of the prison industrial complex, the ongoing crisis of police violence and the militarization of law enforcement, and a White House unashamedly spewing white supremacist, nationalist rhetoric in word and deed, this book collectively ponders how Du Bois's radicalism can shape and re-texture historical understanding and underscore a reflective urgency about the future. In this volume, scholars and activists undertake thoughtful and analytical explorations with regards to how Du Bois' commitments to socialism and democracy can inform current methodology and praxis. This book was originally published as a special issue of the journal Socialism and Democracy.

Nine types of graphic organizers help students hone the skills essential for success in the course, including cause and effect, chronological reasoning, comparison, contextualization, continuity and change over time, defining the period, historical argument and turning points.

Commemorating the 150th anniversary of W. E. B. Du Bois's birth, the chapters in this book reflect on the local, national, and international significance of his remarkable life and legacy in relation to his specific commitments to socialism and democracy. Written with contemporary conditions in mind, such as the current political period of economic inequality, the debilitating reality of exploitative economic conditions, an expansive and invasive surveillance state, the grotesque injustice of the prison industrial complex, the ongoing crisis of police violence and the militarization of law enforcement, and a White House unashamedly spewing white supremacist, nationalist rhetoric in word and deed, this book collectively ponders how Du Bois's radicalism can shape and re-texture historical understanding and underscore a reflective urgency about the future. In this volume, scholars and activists undertake thoughtful and analytical explorations with regards to how Du Bois' commitments to socialism and democracy can inform current methodology and praxis. This book was originally published as a special issue of the journal Socialism and Democracy.

the body / knows what / it truly / wants yet / the mind / wavers all In Edward Carson’s provocative new work, the poetic moving parts of movingparts confront and breathe new life into what’s true and what’s not in Aesop’s fable "The Fox and the Crow," as well as the shifting, often fragmentary ground between what’s said and what’s not about identity and intimacy in Sappho’s lyrics. Reflecting the moment-to-moment ways our minds think, these poems take us from a creative process of disconnection and reassembly to a sonic pacing of words arising out of their stillness on the page. A flair for syntactical compression is found throughout, balanced by a capricious yet transforming diction, what John Ashbery described as seeking to stretch “the bond between language and communication.” Calling witness to the narratives of history while pivoting their reach forward to the present, the rhythms, allusions, and resulting outcomes of Carson’s use of language expand both narrative and discovery. movingparts is brought full circle when an unexpected historical connection between Sappho and Aesop is revealed, hinting that what is true or false in the past or present of our lives can arrive at an intimacy with and illumination of more than we imagine.

The poet Charles Simic wrote, “Short poems: be brief and tell us everything.” Edward Carson’s extraordinary new work gathers concise diptych – or twofold – poems exploring themes of love, relationships, myth, art, language, math, physics, geometry, and artificial intelligence. Within the two sections of twofold, “dialogues” and “binaries,” the form of the diptych shapes language and meaning as paired poems engage each other across the margins of facing pages. Caroline Bem, author of A Moveable Form, writes: “The diptych, you see, is beautiful. It is symmetry and difference, doubling and mirroring, binarism and seriality. It is the form of paradox, both open and closed, free and contained.” Negotiating surprising twinning combinations, comparisons, and outcomes, the poems in twofold are lively, thought-provoking, and playful interchanges that are also mischievously literate, questioning, and intuitive.