Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Bad Seed is about a daughter of a young girl who had been raped by five local boys who were the sons of the big men in town. The mother went to the hospital to give birth to her daughter, then that night, after giving birth, the mother disappeared. The baby grew up with her grandparents until she had heard what had happened to her mother and she went for revenge. She went after the five with the help of a young detective from the next town who helped bring them to justice.

LUCKY 12: It started in Brooklyn NY in a carpet shop. And the people that work there hit a big New York lottery. The owner of the carpet shop had also wanted to go west and live. Now he thought with the money he made he could build a town of his own, and the other hadn't thought about it, so he had a meeting with the other eleven and brought up his idea. About building a small town together, they pick Arizona, as the place. Three of them went out to see if they could find a place they found what they were looking for and the rest followed, they built their homes and raised their children and make friends with the Indians in the area, some of the children were Indians.

Jamil, Eric and Alicia were best friends and they as far as they were concerned, they would do anything for each other; even die. However, when Rome unleashes a plot that would forever change their relationships, he also forces them to stand in front of a mirror and question just how strong their commitment to each other really is. They discover that even truth can contain deceit and are forced to fight through an avalanche of secrets that leave them on the verge of tearing each other apart. Truth is only truth if it is absolute and they can do nothing to stop the impact of their secrets as it wreaks havoc on all involved.

Kim Philby is perhaps the most notorious traitor in British History and the archetypal spy: ingenious, charming and deceitful. The reluctance of the British and Russian governments to reveal full details of his career meant that for many years a shortage of evidence fuelled controversy. Was Philby an ideological spy, working for the Soviet Union out of Communist conviction, or was he prompted by a personality defect to choose a life of treachery? Was Philby the perfect agent, the 'KGB masterspy', or just plain lucky? In this new biography, Edward Harrison re-examines the crucial early years of Philby's work as a Soviet agent and British intelligence officer using documents from the United Kingdom National Archives, and private papers. He shows how Philby established an early pattern of deceit and betrayed his father St John Philby. But the book also demonstrates how in all the major decisions Philby slavishly sought to emulate his father. This contradicts the myth of independence Philby sought to propagate in 'My Silent War' (his memoirs), along with other deceptions. Later chapters offer the first detailed study of Philby's work as a counter-espionage officer during the Second World War, examining his rapid promotion and providing a substantial explanation of why he was appointed head of the anti-Soviet section of the British Secret Intelligence Service. Harrison also explains that Philby was never wholly trusted by the Soviet secret service.

This collection of vivid essays examines some of the most fascinating aspects of the German resistance to Hitler. It includes the first translations into English of pioneering studies on the role of a leading Nazi in the July Plot, the flight of Rudolf Hess to Britain and the vigorous controversy over Hugh Trevor-Roper's investigation of Hitler's death. The book also explores vociferous Catholic dissent in Franconia and the conspiracies against the Third Reich of the revolutionary New Beginning movement. Through the study of important personalities and dramatic events this book explores the possibilities and challenges faced by Germans in attempts to frustrate and defy Hitler's tyranny.

Cosmology: The Science of the Universe is an introduction to past and present cosmological theory. For much of the world's history, cosmological thought was formulated in religious or philosophical language and was thus theological or metaphysical in nature. However, cosmological speculation and theory has now become a science in which the empirical discoveries of the astronomer, theoretical physicist, and biologist are woven into intricate models that attempt to account for the universe as a whole. Professor Harrison draws on the discoveries and speculations of these scientists to provide a comprehensive survey of man's current understanding of the universe and its history. Tracing the rise of the scientific method, the major aim of this book is to provide an elementary understanding of the physical universe of modern times. Thoroughly revised and updated, this second edition extends the much acclaimed first edition taking into account the many developments that have occurred.

In Masks of the Universe, Edward Harrison brings together fundamental scientific, philosophical and religious issues in cosmology and raises thought provoking questions. Philosophical issues dominated cosmology in the ancient world. Theological issues ranked foremost in the Middle Ages; astronomy and the physical sciences have taken over in more recent times. Yet every attempt to grasp the true nature of the universe creates a new "mask," People have always pitied the universes of their ancestors, believing that their generation has at last discovered the "real" universe. Do we now stand at the threshold of knowing everything, or have we created yet another "mask," doomed to fade like those preceding ours? Edward Harrison is Adjunct Professor of Astronomy, Steward Observatory, University of Arizona, and Emeritus Professor of Physics and Astronomy, University of Massachusetts, Amherst. He worked as a scientist for the Atomic Energy Research Establishment and the Rutherford High Energy Laboratory in England until 1966 when he became a Five College professor at the University of Massachusetts and taught at Amherst, Hampshire, Mount Holyoke, and Smith College. He is the author of numerous books, including Cosmology: the Science of the Universe (Cambridge, 2001)

In Masks of the Universe, Edward Harrison brings together fundamental scientific, philosophical and religious issues in cosmology and raises thought provoking questions. Philosophical issues dominated cosmology in the ancient world. Theological issues ranked foremost in the Middle Ages; astronomy and the physical sciences have taken over in more recent times. Yet every attempt to grasp the true nature of the universe creates a new "mask," People have always pitied the universes of their ancestors, believing that their generation has at last discovered the "real" universe. Do we now stand at the threshold of knowing everything, or have we created yet another "mask," doomed to fade like those preceding ours? Edward Harrison is Adjunct Professor of Astronomy, Steward Observatory, University of Arizona, and Emeritus Professor of Physics and Astronomy, University of Massachusetts, Amherst. He worked as a scientist for the Atomic Energy Research Establishment and the Rutherford High Energy Laboratory in England until 1966 when he became a Five College professor at the University of Massachusetts and taught at Amherst, Hampshire, Mount Holyoke, and Smith College. He is the author of numerous books, including Cosmology: the Science of the Universe (Cambridge, 2001)

Cosmology: The Science of the Universe is a broad introduction to the science of modern cosmology, with emphasis on its historical origins. The first edition of this best-selling book received worldwide acclaim for its lucid style and wide-ranging exploration of the universe. This eagerly awaited second edition updates and greatly extends the first with seven new chapters that explore early scientific cosmology, Cartesian and Newtonian world systems, cosmology after Newton and before Einstein, special relativity, observational cosmology, inflation and creation of the universe. All chapters conclude with a section entitled Reflections containing provocative topics that will foster lively debate. The new Projects section, also at the end of each chapter, raises questions and issues to challenge the reader.